東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Aesthetics, German- History- 19th century." ]

切換: 標籤 | MARC模式 | ISBD

The age of figurative theo-humanism ...

Cirulli, Franco.

FindBook

Google Book

Amazon

博客來

The age of figurative theo-humanism = the beauty of God and man in German aesthetics of painting and sculpture (1754-1828) /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The age of figurative theo-humanism/ by Franco Cirulli.
其他題名:	the beauty of God and man in German aesthetics of painting and sculpture (1754-1828) /
作者:	Cirulli, Franco.
出版者:	Cham :Springer International Publishing : : 2015.,
面頁冊數:	xviii, 191 p. :ill., digital ;24 cm.
內容註:	Preface -- Introduction -- I. Winckelmann: The Responsibility of Aesthetic Response -- II. Hemsterhuis and Herder: Sculptural Theo-humanism -- III. Moritz, Wackenroder, Schelling: Tragic Theo-aesthetics -- IV. The Jena Circle and Hegel: The Modernity of Painting -- V. Conclusion.
Contained By:	Springer eBooks
標題:	Aesthetics, German - History - 18th century. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-10000-5
ISBN:	9783319100005 (electronic bk.)

The age of figurative theo-humanism = the beauty of God and man in German aesthetics of painting and sculpture (1754-1828) /
Cirulli, Franco.

The age of figurative theo-humanismthe beauty of God and man in German aesthetics of painting and sculpture (1754-1828) /[electronic resource] :by Franco Cirulli. - Cham :Springer International Publishing :2015. - xviii, 191 p. :ill., digital ;24 cm. - Boston studies in philosophy, religion and public life,v.32352-8206 ;. - Boston studies in philosophy, religion and public life ;v.2..

Preface -- Introduction -- I. Winckelmann: The Responsibility of Aesthetic Response -- II. Hemsterhuis and Herder: Sculptural Theo-humanism -- III. Moritz, Wackenroder, Schelling: Tragic Theo-aesthetics -- IV. The Jena Circle and Hegel: The Modernity of Painting -- V. Conclusion.

This is a comprehensive, integrated account of eighteenth and early nineteenth century German figurative aesthetics. The author focuses on the theologically-minded discourse on the visual arts that unfolded in Germany, circa 1754-1828, to critique the assumption that German romanticism and idealism pursued a formalist worship of beauty and of unbridled artistic autonomy. This book foregrounds what the author terms an "Aesthetics of Figurative Theo humanism". It begins with the sculptural aesthetics of Johann Joachim Winckelmann and Gottfried Herder before moving on to Karl Philipp Moritz, Wilhelm Heinrich Wackenroder and Friedrich Schelling. The reader will discover how this aesthetic tradition, after an initial obsession with classical sculpture, chose painting as the medium more suited to the modern self's exploration of transcendence. This paradigm-shift is traced in the aesthetic discourse of Friedrich Schlegel and Georg Wilhelm Friedrich Hegel. In this work, the widespread prejudice that such aesthetics initiated a so-called "Modern Grand Narrative of the Arts" is deconstructed. One accusation directed at 18th century aesthetics has been that it realised into "Art" what had previously been a living, rich tissue of meaning: this work shows how Figurative Theo humanism's attention to aesthetic values was never detached from deeper theological and humanistic considerations. Furthermore, it argues that this aesthetic discourse never forgot that it emerged from modern disenchantment-far from occluding the dimension of secularization, it draws poignant meaning from it. Anyone with an interest in the current debates about the scope and nature of aesthetics (philosophers of art, theology, or religion) will find this book of great interest and assistance.

ISBN: 9783319100005 (electronic bk.)

Standard No.: 10.1007/978-3-319-10000-5doiSubjects--Topical Terms:

2153347
Aesthetics, German
--History--18th century.

LC Class. No.: BH221.G3

Dewey Class. No.: 111.850943

The age of figurative theo-humanism = the beauty of God and man in German aesthetics of painting and sculpture (1754-1828) /
LDR:03171nmm a2200325 a 4500 001 2006436
003 DE-He213
005 20151230133311.0
006 m d
007 cr nn 008maaau
008 160114s2015 gw s 0 eng d
020 $a 9783319100005 (electronic bk.)
020 $a 9783319099996 (paper)
024 7 $a 10.1007/978-3-319-10000-5 $2 doi
035 $a 978-3-319-10000-5
040 $a GP $c GP
041 0 $a eng
050 4 $a BH221.G3
072 7 $a HRAB $2 bicssc
072 7 $a PHI022000 $2 bisacsh
082 0 4 $a 111.850943 $2 23
090 $a BH221.G3 $b C578 2015
100 1 $a Cirulli, Franco. $3 2153346
245 1 4 $a The age of figurative theo-humanism $h [electronic resource] : $b the beauty of God and man in German aesthetics of painting and sculpture (1754-1828) / $c by Franco Cirulli.
260 $a Cham : $b Springer International Publishing : $b Imprint: Springer, $c 2015.
300 $a xviii, 191 p. : $b ill., digital ; $c 24 cm.
490 1 $a Boston studies in philosophy, religion and public life, $x 2352-8206 ; $v v.3
505 0 $a Preface -- Introduction -- I. Winckelmann: The Responsibility of Aesthetic Response -- II. Hemsterhuis and Herder: Sculptural Theo-humanism -- III. Moritz, Wackenroder, Schelling: Tragic Theo-aesthetics -- IV. The Jena Circle and Hegel: The Modernity of Painting -- V. Conclusion.
520 $a This is a comprehensive, integrated account of eighteenth and early nineteenth century German figurative aesthetics. The author focuses on the theologically-minded discourse on the visual arts that unfolded in Germany, circa 1754-1828, to critique the assumption that German romanticism and idealism pursued a formalist worship of beauty and of unbridled artistic autonomy. This book foregrounds what the author terms an "Aesthetics of Figurative Theo humanism". It begins with the sculptural aesthetics of Johann Joachim Winckelmann and Gottfried Herder before moving on to Karl Philipp Moritz, Wilhelm Heinrich Wackenroder and Friedrich Schelling. The reader will discover how this aesthetic tradition, after an initial obsession with classical sculpture, chose painting as the medium more suited to the modern self's exploration of transcendence. This paradigm-shift is traced in the aesthetic discourse of Friedrich Schlegel and Georg Wilhelm Friedrich Hegel. In this work, the widespread prejudice that such aesthetics initiated a so-called "Modern Grand Narrative of the Arts" is deconstructed. One accusation directed at 18th century aesthetics has been that it realised into "Art" what had previously been a living, rich tissue of meaning: this work shows how Figurative Theo humanism's attention to aesthetic values was never detached from deeper theological and humanistic considerations. Furthermore, it argues that this aesthetic discourse never forgot that it emerged from modern disenchantment-far from occluding the dimension of secularization, it draws poignant meaning from it. Anyone with an interest in the current debates about the scope and nature of aesthetics (philosophers of art, theology, or religion) will find this book of great interest and assistance.
650 0 $a Aesthetics, German $x History $y 18th century. $3 2153347
650 0 $a Aesthetics, German $x History $y 19th century. $3 2153348
650 0 $a Painting, German $x History $y 18th century. $3 2153349
650 0 $a Painting, German $x History $y 19th century. $3 2153350
650 0 $a Sculpture, German $x History $y 18th century. $3 2153351
650 0 $a Sculpture, German $x History $y 19th century. $3 2153352
650 1 4 $a Philosophy. $3 516511
650 2 4 $a Philosophy of Religion. $3 896987
650 2 4 $a Aesthetics. $3 523036
650 2 4 $a Fine Arts. $3 891065
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
830 0 $a Boston studies in philosophy, religion and public life ; $v v.2. $3 2132118
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-10000-5
950 $a Humanities, Social Sciences and Law (Springer-11648)