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Making American culture = a social h...

Bradley, Patricia, (1941-)

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Making American culture = a social history, 1900-1920 /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Making American culture/ Patricia Bradley.
其他題名:	a social history, 1900-1920 /
作者:	Bradley, Patricia,
出版者:	New York :Palgrave Macmillan, : 2009.,
面頁冊數:	xii, 240 p., [11] p. of plates :ill. ;22 cm.
內容註:	Culture and nationhood -- Vaudeville : template for the century -- Outsider art : American popular song -- Silent film : the private experience -- Censorship, class, and culture -- Isadora Duncan and the spiritof modernism -- Cultural communities and cultural consequences -- Modern art meets modern marketing : the Armory Show -- Unambiguous ambition: Eugene O'Neill and the Provincetown Players -- The politics of culture : the singing army -- Epilogue : broadcasting begins.
標題:	Arts and society - History - 20th century. - United States -
標題:	United States - Civilization - 1865-1918. -
電子資源:	http://link.springer.com/10.1057/9780230100473access to fulltext (Palgrave)
ISBN:	0230100473

Making American culture = a social history, 1900-1920 /
Bradley, Patricia,1941-

Making American culturea social history, 1900-1920 /[electronic resource] :Patricia Bradley. - 1st ed. - New York :Palgrave Macmillan,2009. - xii, 240 p., [11] p. of plates :ill. ;22 cm.

Includes bibliographical references (p. [209]-222) and index.

Culture and nationhood -- Vaudeville : template for the century -- Outsider art : American popular song -- Silent film : the private experience -- Censorship, class, and culture -- Isadora Duncan and the spiritof modernism -- Cultural communities and cultural consequences -- Modern art meets modern marketing : the Armory Show -- Unambiguous ambition: Eugene O'Neill and the Provincetown Players -- The politics of culture : the singing army -- Epilogue : broadcasting begins.

How is culture made? In a readable style, this book argues that the development of American culture in the twentieth century was the resultof a cacophony of influences with a large sociologicalsweep, from therole of immigrants as a new audience to the intimate circles of artists who forged connections through neighborhoods, popular pubs, and lovers - heterosexual and homosexual - all contributing to an intellectual ferment that was open to new ideas. Patricia Bradley examines how some ofthese forces impacted the evolution of popular cultural forms such asvaudeville, song, and early film as well as the emergence of modern art, dance, and literary productions. All off these forms werea product of their times and were fueled by the ambition of artists looking to bepart of the American success story.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230100473

Standard No.: 10.1057/9780230100473doiSubjects--Topical Terms:

575884
Arts and society
--History--United States--20th century.Subjects--Geographical Terms:

741892
United States
--Civilization--1865-1918.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: E169.1 / B785 2009

Dewey Class. No.: 973.91

Making American culture = a social history, 1900-1920 /
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300 $a xii, 240 p., [11] p. of plates : $b ill. ; $c 22 cm.
504 $a Includes bibliographical references (p. [209]-222) and index.
505 0 $a Culture and nationhood -- Vaudeville : template for the century -- Outsider art : American popular song -- Silent film : the private experience -- Censorship, class, and culture -- Isadora Duncan and the spiritof modernism -- Cultural communities and cultural consequences -- Modern art meets modern marketing : the Armory Show -- Unambiguous ambition: Eugene O'Neill and the Provincetown Players -- The politics of culture : the singing army -- Epilogue : broadcasting begins.
520 $a How is culture made? In a readable style, this book argues that the development of American culture in the twentieth century was the resultof a cacophony of influences with a large sociologicalsweep, from therole of immigrants as a new audience to the intimate circles of artists who forged connections through neighborhoods, popular pubs, and lovers - heterosexual and homosexual - all contributing to an intellectual ferment that was open to new ideas. Patricia Bradley examines how some ofthese forces impacted the evolution of popular cultural forms such asvaudeville, song, and early film as well as the emergence of modern art, dance, and literary productions. All off these forms werea product of their times and were fueled by the ambition of artists looking to bepart of the American success story.
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