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Techno-Fiction: Science-Fictional Im...

Kim, Dahye.

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Techno-Fiction: Science-Fictional Imaginaries and the Technik of Writing in Contemporary Korea.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Techno-Fiction: Science-Fictional Imaginaries and the Technik of Writing in Contemporary Korea./
作者:	Kim, Dahye.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2020,
面頁冊數:	240 p.
附註:	Source: Dissertations Abstracts International, Volume: 82-10, Section: A.
Contained By:	Dissertations Abstracts International82-10A.
標題:	Cultural studies. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28383736
ISBN:	9798708708816

Techno-Fiction: Science-Fictional Imaginaries and the Technik of Writing in Contemporary Korea.
Kim, Dahye.

Techno-Fiction: Science-Fictional Imaginaries and the Technik of Writing in Contemporary Korea. - Ann Arbor : ProQuest Dissertations & Theses, 2020 - 240 p.

Source: Dissertations Abstracts International, Volume: 82-10, Section: A.

Thesis (Ph.D.)--McGill University (Canada), 2020.

This item must not be sold to any third party vendors.

"Techno-Fiction: Science-Fictional Imaginaries and the Technik of Writing in Contemporary Korea" examines the history of Korean popular literature from the perspective of media archaeology. The study explores what German media theorists call the technik of writing-both the technological mediation and the compositional technique of writing-among Korean science fiction fans from 1987 to 1999. South Korean science fiction (SF), which underwent a small yet historically significant flowering during this period, was developed through interactive processes such as fan translation, the circulation of discourses on information and virtual technology, the development of input systems for Korean-language computing, and the usage of new media technology by middle-class youth to pioneer their own cultural and discursive space. This project asserts that SF fans' literary production should be understood in the larger global political context and cultural milieu, as well as in the history of media technology, rather than being confined to the framework of national literature and literary studies. I view Korean culture and technology as inseparable entities that have coevolved through intricate negotiations with each other. This dissertation thereby challenges Euro-American media scholars' predominant understanding of media technology as singular and ultimately Western, as well as the prevailing perception in Korean literary studies that true Korean literature and culture are independent of technological factors and of certain aspects of modernity.

ISBN: 9798708708816Subjects--Topical Terms:

1082824
Cultural studies.
Subjects--Index Terms:

Techno-fiction

Techno-Fiction: Science-Fictional Imaginaries and the Technik of Writing in Contemporary Korea.
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300 $a 240 p.
500 $a Source: Dissertations Abstracts International, Volume: 82-10, Section: A.
500 $a Advisor: Cho, Michelle;Furuhata, Yuriko.
502 $a Thesis (Ph.D.)--McGill University (Canada), 2020.
506 $a This item must not be sold to any third party vendors.
520 $a "Techno-Fiction: Science-Fictional Imaginaries and the Technik of Writing in Contemporary Korea" examines the history of Korean popular literature from the perspective of media archaeology. The study explores what German media theorists call the technik of writing-both the technological mediation and the compositional technique of writing-among Korean science fiction fans from 1987 to 1999. South Korean science fiction (SF), which underwent a small yet historically significant flowering during this period, was developed through interactive processes such as fan translation, the circulation of discourses on information and virtual technology, the development of input systems for Korean-language computing, and the usage of new media technology by middle-class youth to pioneer their own cultural and discursive space. This project asserts that SF fans' literary production should be understood in the larger global political context and cultural milieu, as well as in the history of media technology, rather than being confined to the framework of national literature and literary studies. I view Korean culture and technology as inseparable entities that have coevolved through intricate negotiations with each other. This dissertation thereby challenges Euro-American media scholars' predominant understanding of media technology as singular and ultimately Western, as well as the prevailing perception in Korean literary studies that true Korean literature and culture are independent of technological factors and of certain aspects of modernity.
520 $a «Techno-fiction: imaginaires science-fictionnels et technik d'ecriture dans la Coree contemporaine» examine l'histoire de la litterature populaire coreenne du point de vue de l'archeologie mediatique. L'etude explore ce que les theoriciens des medias allemands appellent la technik de l'ecriture - a la fois la mediation technologique et la technique de composition de l'ecriture - chez les fans de science-fiction coreens entre 1987 a 1999. La science-fiction (SF) sud-coreenne, qui a connu une floraison petite mais historiquement significative au cours de cette periode, a ete developpe grace a des processus interactifs tels que la traduction par les fans, la circulation des discours sur l'information et la technologie virtuelle, le developpement de systemes d'entree pour l'informatique en coreen et l'utilisation des nouvelles technologies mediatiques par les jeunes de la classe moyenne pour lancer leur propre espace culturel et discursif. Ce projet affirme que la production litteraire des fans de SF doit etre comprise dans le contexte politique er milieu culturel global, ainsi que dans l'histoire de la technologie des medias, plutot que d'etre confinee au cadre de la litterature nationale et des etudes litteraires. Je considere la culture et la technologie coreennes comme des entites inseparables qui ont co-evolue a travers des negociations complexes entre eux. Cette these remet ainsi en question la comprehension predominante des specialistes des medias euro-americains sur la technologie des medias comme singuliere et finalement occidentale, ainsi que la perception dominante dans les etudes litteraires coreennes que la vraie litterature et culture coreenne sont independantes des facteurs technologiques et de certains aspects de la modernite.
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