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From song to print = Romantic pseudo...

Hoagwood, Terence Allan, (1952-)

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From song to print = Romantic pseudo-songs /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	From song to print/ Terence Allan Hoagwood.
其他題名:	Romantic pseudo-songs /
作者:	Hoagwood, Terence Allan,
出版者:	New York :Palgrave Macmillan, : 2010.,
面頁冊數:	xvi, 196 p. :ill., music
內容註:	Romantic-period poetry and the "sweet power of song" -- Sir Walter Scott, "ballad deception,"and Romantic pseudo-songs -- The "cool medium" of Sydney Owenson's The lay of an Irish harp -- Contradictory arts : Moore's Irish melodies -- "It gave them virtues not their own" : Byron's Hebrew melodies.
標題:	English poetry - History and criticism. - 19th century -
電子資源:	http://link.springer.com/10.1057/9780230105706access to fulltext (Palgrave)
ISBN:	023010570X

From song to print = Romantic pseudo-songs /
Hoagwood, Terence Allan,1952-

From song to printRomantic pseudo-songs /[electronic resource] :Terence Allan Hoagwood. - 1st ed. - New York :Palgrave Macmillan,2010. - xvi, 196 p. :ill., music - Nineteenth-century major lives and letters. - Nineteenth-century major lives and letters..

Includes bibliographical references and index.

Romantic-period poetry and the "sweet power of song" -- Sir Walter Scott, "ballad deception,"and Romantic pseudo-songs -- The "cool medium" of Sydney Owenson's The lay of an Irish harp -- Contradictory arts : Moore's Irish melodies -- "It gave them virtues not their own" : Byron's Hebrew melodies.

From Song to Print is a study of the major cultural transition from oral forms of art and discourse to the commercial culture of print thathappened during the Industrial Revolution. Through a discussion of ancient musical forms (classical, biblical, and early-modern poetry of song), this bookexplores the typographical simulation of music and oral poetry during the nineteenth century. Original and innovative, this workshows how the musical writings of Romantic poets, such as Wordsworth, Coleridge, Byron, and Keats, evoke antique cultures and ancient settings while offering a critique oftheir own imitative forms and the modern, commercial context in which they appear.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 023010570XSubjects--Topical Terms:

592471
English poetry
--History and criticism.--19th centuryIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: ML3849 / .H49 2010

Dewey Class. No.: 782.4/3

From song to print = Romantic pseudo-songs /
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520 $a From Song to Print is a study of the major cultural transition from oral forms of art and discourse to the commercial culture of print thathappened during the Industrial Revolution. Through a discussion of ancient musical forms (classical, biblical, and early-modern poetry of song), this bookexplores the typographical simulation of music and oral poetry during the nineteenth century. Original and innovative, this workshows how the musical writings of Romantic poets, such as Wordsworth, Coleridge, Byron, and Keats, evoke antique cultures and ancient settings while offering a critique oftheir own imitative forms and the modern, commercial context in which they appear.
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