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Poetry and vision in early modern En...

Partner, Jane.

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Poetry and vision in early modern England

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Poetry and vision in early modern England/ by Jane Partner.
作者:	Partner, Jane.
出版者:	Cham :Springer International Publishing : : 2018.,
面頁冊數:	xvi, 334 p. :ill., digital ;22 cm.
內容註:	1. Introduction -- 2. Margaret Cavendish, Vision and Fancy -- 3. The 'Infant-Ey' in the Devotional Writing of Thomas Traherne -- 4. Vision, Geometry and Truth in the Poetry of Andrew Marvell -- 5. The 'Advice to a Painter' Poems and the Politics of Visual Representation -- 6. Vision in Milton's Epic Poetry -- 7. Conclusion.
Contained By:	Springer eBooks
標題:	English poetry - History and criticism. - Early modern, 1500-1700 -
電子資源:	http://dx.doi.org/10.1007/978-3-319-71017-4
ISBN:	9783319710174

Poetry and vision in early modern England
Partner, Jane.

Poetry and vision in early modern England[electronic resource] /by Jane Partner. - Cham :Springer International Publishing :2018. - xvi, 334 p. :ill., digital ;22 cm. - Early modern literature in history. - Early modern literature in history..

1. Introduction -- 2. Margaret Cavendish, Vision and Fancy -- 3. The 'Infant-Ey' in the Devotional Writing of Thomas Traherne -- 4. Vision, Geometry and Truth in the Poetry of Andrew Marvell -- 5. The 'Advice to a Painter' Poems and the Politics of Visual Representation -- 6. Vision in Milton's Epic Poetry -- 7. Conclusion.

This book reveals the ways in which seventeenth-century poets used models of vision taken from philosophy, theology, scientific optics, political polemic and the visual arts to scrutinize the nature of individual perceptions and to examine poetry's own relation to truth. Drawing on archival research, Poetry and Vision in Early Modern England brings together an innovative selection of texts and images to construct a new interdisciplinary context for interpreting the poetry of Cavendish, Traherne, Marvell and Milton. Each chapter presents a reappraisal of vision in the work of one of these authors, and these case studies also combine to offer a broader consideration of the ways that conceptions of seeing were used in poetry to explore the relations between the 'inward' life of the viewer and the 'outward' reality that lies beyond; terms that are shown to have been closely linked, through ideas about sight, with the emergence of the fundamental modern categories of the 'subjective' and 'objective'. This book will be of interest to literary scholars, art historians and historians of science.

ISBN: 9783319710174

Standard No.: 10.1007/978-3-319-71017-4doiSubjects--Topical Terms:

618003
English poetry
--History and criticism.--Early modern, 1500-1700

LC Class. No.: PR521 / .P38 2018

Dewey Class. No.: 821.309

Poetry and vision in early modern England
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505 0 $a 1. Introduction -- 2. Margaret Cavendish, Vision and Fancy -- 3. The 'Infant-Ey' in the Devotional Writing of Thomas Traherne -- 4. Vision, Geometry and Truth in the Poetry of Andrew Marvell -- 5. The 'Advice to a Painter' Poems and the Politics of Visual Representation -- 6. Vision in Milton's Epic Poetry -- 7. Conclusion.
520 $a This book reveals the ways in which seventeenth-century poets used models of vision taken from philosophy, theology, scientific optics, political polemic and the visual arts to scrutinize the nature of individual perceptions and to examine poetry's own relation to truth. Drawing on archival research, Poetry and Vision in Early Modern England brings together an innovative selection of texts and images to construct a new interdisciplinary context for interpreting the poetry of Cavendish, Traherne, Marvell and Milton. Each chapter presents a reappraisal of vision in the work of one of these authors, and these case studies also combine to offer a broader consideration of the ways that conceptions of seeing were used in poetry to explore the relations between the 'inward' life of the viewer and the 'outward' reality that lies beyond; terms that are shown to have been closely linked, through ideas about sight, with the emergence of the fundamental modern categories of the 'subjective' and 'objective'. This book will be of interest to literary scholars, art historians and historians of science.
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