東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Media Culture." ]

切換: 標籤 | MARC模式 | ISBD

Convergent chinese television indust...

Lin, Lisa.

FindBook

Google Book

Amazon

博客來

Convergent chinese television industries = an ethnography of Chinese production cultures /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Convergent chinese television industries/ by Lisa Lin.
其他題名:	an ethnography of Chinese production cultures /
作者:	Lin, Lisa.
出版者:	Cham :Springer International Publishing : : 2022.,
面頁冊數:	xiii, 269 p. :ill., digital ;24 cm.
內容註:	Chapter 1. Introduction -- Chapter 2. Production Ecology in Chinese Television Industries -- Chapter 3. Convergent Production Strategies: CCTV and HBS -- Chapter 4. Digital Fiefdoms: The Rise of Chinese Internet-distributed Television -- Chapter 5. Production Cultures and Convergent Screen Forms: CCTV and HBS -- Chapter 6. Streaming Screen Forms and Aesthetics: Tencent Video -- Chapter 7. Walking a Tightrope? Producers' Fears and Precarity in China -- Chapter 8. Creative Freedoms and Autonomy in Convergent Chinese Television -- Chapter 9. Playing Edge Ball in the Grey Area -- Chapter 10. Conclusion: Towards Technologically-Empowered Creative Freedoms in Convergent Chinese Television.
Contained By:	Springer Nature eBook
標題:	Television broadcasting - China. -
電子資源:	https://doi.org/10.1007/978-3-030-91756-2
ISBN:	9783030917562

Convergent chinese television industries = an ethnography of Chinese production cultures /
Lin, Lisa.

Convergent chinese television industriesan ethnography of Chinese production cultures /[electronic resource] :by Lisa Lin. - Cham :Springer International Publishing :2022. - xiii, 269 p. :ill., digital ;24 cm. - Palgrave global media policy and business,2634-6206. - Palgrave global media policy and business..

Chapter 1. Introduction -- Chapter 2. Production Ecology in Chinese Television Industries -- Chapter 3. Convergent Production Strategies: CCTV and HBS -- Chapter 4. Digital Fiefdoms: The Rise of Chinese Internet-distributed Television -- Chapter 5. Production Cultures and Convergent Screen Forms: CCTV and HBS -- Chapter 6. Streaming Screen Forms and Aesthetics: Tencent Video -- Chapter 7. Walking a Tightrope? Producers' Fears and Precarity in China -- Chapter 8. Creative Freedoms and Autonomy in Convergent Chinese Television -- Chapter 9. Playing Edge Ball in the Grey Area -- Chapter 10. Conclusion: Towards Technologically-Empowered Creative Freedoms in Convergent Chinese Television.

An essential book for anyone seeking to understand the dynamics that drive the convergent Chinese television industry. Lin's account moves fluently between the levels of historical, technological, political and personal determinants. The exemplary use of production studies provides a comprehensive view of both the complexity and the internal contradictions of the Chinese TV industry, demonstrating how canny producers work at the edges of what is possible. -Professor John Ellis, Royal Holloway University of London Professor Lin makes a crucial contribution to our understanding with this book, bringing the rich expertise needed to appreciate the distinct dynamics of Chinese television industries and their incorporation of and negotiation with streaming video. This carefully researched book offers deep accounts of production practices informed by substantial field observations and interviews to bring new insight about major questions. - Professor Amanda D. Lotz, Queensland University of Technology, Digital Media Research Centre This book provides a rich description of the shifting production cultures in convergent Chinese television industries across strategic, programming and individual levels. Dr. Lin argues that the current moment of Chinese television is an ideological, cultural and financial paradox in which China's one-party ideology clashes with consumer-oriented capitalism and technological advancements. Drawing upon in-depth ethnography of production cultures across Chinese broadcast and digital streaming sectors, this book illuminates how Chinese producers have placed their aspirations for creative freedoms within edge ball practices. Nuanced and timely, Convergent Chinese Television Industries unveils a complex picture of an industry undergoing dramatic transformations. Lisa Lin is a television producer and university professor specialising in factual and documentary production in the UK, Singapore and China. Her producing credits include I Wouldn't Go in There (National Geographic, 2015), G-Force (Hummingbird Music, 2017), The Truth about Fake News (Channel News Asia, 2018), Frontline Medics Diaries (Channel 4, 2020) Dr. Lin holds a PhD in Media and Communications from Royal Holloway, University of London.

ISBN: 9783030917562

Standard No.: 10.1007/978-3-030-91756-2doiSubjects--Topical Terms:

630306
Television broadcasting
--China.

LC Class. No.: HE8700.9.C6

Dewey Class. No.: 384.550951

Convergent chinese television industries = an ethnography of Chinese production cultures /
LDR:04089nmm a2200349 a 4500 001 2302085
003 DE-He213
005 20220616015247.0
006 m d
007 cr nn 008maaau
008 230409s2022 sz s 0 eng d
020 $a 9783030917562 $q (electronic bk.)
020 $a 9783030917555 $q (paper)
024 7 $a 10.1007/978-3-030-91756-2 $2 doi
035 $a 978-3-030-91756-2
040 $a GP $c GP
041 0 $a eng
050 4 $a HE8700.9.C6
072 7 $a KNT $2 bicssc
072 7 $a SOC052000 $2 bisacsh
072 7 $a KNT $2 thema
082 0 4 $a 384.550951 $2 23
090 $a HE8700.9.C6 $b L735 2022
100 1 $a Lin, Lisa. $3 3602128
245 1 0 $a Convergent chinese television industries $h [electronic resource] : $b an ethnography of Chinese production cultures / $c by Lisa Lin.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2022.
300 $a xiii, 269 p. : $b ill., digital ; $c 24 cm.
338 $a online resource $b cr $2 rdacarrier
490 1 $a Palgrave global media policy and business, $x 2634-6206
505 0 $a Chapter 1. Introduction -- Chapter 2. Production Ecology in Chinese Television Industries -- Chapter 3. Convergent Production Strategies: CCTV and HBS -- Chapter 4. Digital Fiefdoms: The Rise of Chinese Internet-distributed Television -- Chapter 5. Production Cultures and Convergent Screen Forms: CCTV and HBS -- Chapter 6. Streaming Screen Forms and Aesthetics: Tencent Video -- Chapter 7. Walking a Tightrope? Producers' Fears and Precarity in China -- Chapter 8. Creative Freedoms and Autonomy in Convergent Chinese Television -- Chapter 9. Playing Edge Ball in the Grey Area -- Chapter 10. Conclusion: Towards Technologically-Empowered Creative Freedoms in Convergent Chinese Television.
520 $a An essential book for anyone seeking to understand the dynamics that drive the convergent Chinese television industry. Lin's account moves fluently between the levels of historical, technological, political and personal determinants. The exemplary use of production studies provides a comprehensive view of both the complexity and the internal contradictions of the Chinese TV industry, demonstrating how canny producers work at the edges of what is possible. -Professor John Ellis, Royal Holloway University of London Professor Lin makes a crucial contribution to our understanding with this book, bringing the rich expertise needed to appreciate the distinct dynamics of Chinese television industries and their incorporation of and negotiation with streaming video. This carefully researched book offers deep accounts of production practices informed by substantial field observations and interviews to bring new insight about major questions. - Professor Amanda D. Lotz, Queensland University of Technology, Digital Media Research Centre This book provides a rich description of the shifting production cultures in convergent Chinese television industries across strategic, programming and individual levels. Dr. Lin argues that the current moment of Chinese television is an ideological, cultural and financial paradox in which China's one-party ideology clashes with consumer-oriented capitalism and technological advancements. Drawing upon in-depth ethnography of production cultures across Chinese broadcast and digital streaming sectors, this book illuminates how Chinese producers have placed their aspirations for creative freedoms within edge ball practices. Nuanced and timely, Convergent Chinese Television Industries unveils a complex picture of an industry undergoing dramatic transformations. Lisa Lin is a television producer and university professor specialising in factual and documentary production in the UK, Singapore and China. Her producing credits include I Wouldn't Go in There (National Geographic, 2015), G-Force (Hummingbird Music, 2017), The Truth about Fake News (Channel News Asia, 2018), Frontline Medics Diaries (Channel 4, 2020) Dr. Lin holds a PhD in Media and Communications from Royal Holloway, University of London.
650 0 $a Television broadcasting $z China. $3 630306
650 0 $a Television and state $z China. $3 3602129
650 0 $a Television and politics $z China. $3 1968376
650 1 4 $a Media Industries. $3 3599292
650 2 4 $a Media Culture. $3 3593320
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave global media policy and business. $3 1977849
856 4 0 $u https://doi.org/10.1007/978-3-030-91756-2
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)