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How Hollywood projects foreign policy

Totman, Sally-Ann.

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How Hollywood projects foreign policy

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	How Hollywood projects foreign policy/ Sally-Ann Totman ; foreword by Gary Scudder.
作者:	Totman, Sally-Ann.
出版者:	New York :Palgrave Macmillan, : 2009.,
面頁冊數:	xii, 226 p. :ill. ;22 cm.
內容註:	The Carter administration -- The Reagan administration -- The Bush (41) administration -- TheClinton administration -- The Bush (43) administration -- The end of the Cold War : rogue states and their characteristics -- The Islamic Republic of Iran -- The Republic of Cuba -- The Great Socialist People's Libyan Arab Jamahiriya -- The Republic of Iraq -- The Democratic People's Republic of Korea -- The Republic of Sudan -- The Syrian Arab Republic -- Appendix I : transcripts of President Clinton's two speeches following the U.S. air strikes against Sudan and Afghanistan -- Appendix II : lists of films that have and have not received Pentagon assistance.
標題:	International relations in motion pictures. -
電子資源:	http://link.springer.com/10.1057/9780230101227access to fulltext (Palgrave)
ISBN:	0230101224

How Hollywood projects foreign policy
Totman, Sally-Ann.

How Hollywood projects foreign policy[electronic resource] /Sally-Ann Totman ; foreword by Gary Scudder. - 1st ed. - New York :Palgrave Macmillan,2009. - xii, 226 p. :ill. ;22 cm.

Includes bibliographical references, filmography, and index.

The Carter administration -- The Reagan administration -- The Bush (41) administration -- TheClinton administration -- The Bush (43) administration -- The end of the Cold War : rogue states and their characteristics -- The Islamic Republic of Iran -- The Republic of Cuba -- The Great Socialist People's Libyan Arab Jamahiriya -- The Republic of Iraq -- The Democratic People's Republic of Korea -- The Republic of Sudan -- The Syrian Arab Republic -- Appendix I : transcripts of President Clinton's two speeches following the U.S. air strikes against Sudan and Afghanistan -- Appendix II : lists of films that have and have not received Pentagon assistance.

The interactions between popular culture and public policy in general, and foreign policy in particular, have always been an important areaof scholarly enquiry and popular interest. However with the end of thebipolar world system and the emergence of a single world superpower inthe form of the United States of America, which is waging a War Against Terror, this nexus has become critical. This is especially truebecause of the almost Manichean tendency of the United States to see other countries in terms of "good" or "evil". Indeed President Bush himself has coined the term "The Axis of Evil" for states, which in a kinder age were simply referred to by his predecessors as being "Rogue States". This book draws together elements from several academic disciplines - politics, international relations, psychology, film and cultural studies and examines US foreign policy toward the so-called "rogue states" and the products of the Hollywood film industry in relation to these states, which promises to make a significant contribution to our understanding of the 'soft power' that ispopular culture.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230101224

Standard No.: 10.1057/9780230101227doiSubjects--Topical Terms:

1099715
International relations in motion pictures.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.9.I57 / T67 2009

Dewey Class. No.: 791.43/635873

How Hollywood projects foreign policy
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520 $a The interactions between popular culture and public policy in general, and foreign policy in particular, have always been an important areaof scholarly enquiry and popular interest. However with the end of thebipolar world system and the emergence of a single world superpower inthe form of the United States of America, which is waging a War Against Terror, this nexus has become critical. This is especially truebecause of the almost Manichean tendency of the United States to see other countries in terms of "good" or "evil". Indeed President Bush himself has coined the term "The Axis of Evil" for states, which in a kinder age were simply referred to by his predecessors as being "Rogue States". This book draws together elements from several academic disciplines - politics, international relations, psychology, film and cultural studies and examines US foreign policy toward the so-called "rogue states" and the products of the Hollywood film industry in relation to these states, which promises to make a significant contribution to our understanding of the 'soft power' that ispopular culture.
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