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Reconsidering national plays in Europe

van der Poll, Suze.

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Reconsidering national plays in Europe

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Reconsidering national plays in Europe/ edited by Suze van der Poll, Rob van der Zalm.
其他作者:	van der Poll, Suze.
出版者:	Cham :Springer International Publishing : : 2018.,
面頁冊數:	xvii, 283 p. :ill., digital ;22 cm.
內容註:	1. Introduction; Suze van der Poll & Rob van der Zalm -- 2. Schiller's Die Rauber: "Der Ort der Geschichte ist Teutschland"; Kati Rottger -- 3. Schiller's Wilhelm Tell: The National Play of Switzerland?; Elke Huwiler -- 4. Bank Ban: The Hungarian National Play; Krisztina Lajosi -- 5. August Strindberg's Gustav Vasa - Sweden's National Drama?; Egil Tornqvist & Erik Mattsson -- 6. Peer Gynt - Norway's National Play; Suze van der Poll -- 7. A (Dutch) Tale of the Sea. The Good Hope by Herman Heijermans; Rob van der Zalm -- 8. Moliere's Tartuffe and French National Identity: Reconfiguring the King, the People and the Church; Matthijs Engelberts -- 9. Theatre as a Moral Institution: 20th-Century Ireland; Joep Leerssen -- 10. Epilogue; Suze van der Poll & Rob van der Zalm.
Contained By:	Springer eBooks
標題:	Drama - History and criticism. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-75334-8
ISBN:	9783319753348

Reconsidering national plays in Europe
Reconsidering national plays in Europe[electronic resource] /edited by Suze van der Poll, Rob van der Zalm. - Cham :Springer International Publishing :2018. - xvii, 283 p. :ill., digital ;22 cm.

1. Introduction; Suze van der Poll & Rob van der Zalm -- 2. Schiller's Die Rauber: "Der Ort der Geschichte ist Teutschland"; Kati Rottger -- 3. Schiller's Wilhelm Tell: The National Play of Switzerland?; Elke Huwiler -- 4. Bank Ban: The Hungarian National Play; Krisztina Lajosi -- 5. August Strindberg's Gustav Vasa - Sweden's National Drama?; Egil Tornqvist & Erik Mattsson -- 6. Peer Gynt - Norway's National Play; Suze van der Poll -- 7. A (Dutch) Tale of the Sea. The Good Hope by Herman Heijermans; Rob van der Zalm -- 8. Moliere's Tartuffe and French National Identity: Reconfiguring the King, the People and the Church; Matthijs Engelberts -- 9. Theatre as a Moral Institution: 20th-Century Ireland; Joep Leerssen -- 10. Epilogue; Suze van der Poll & Rob van der Zalm.

This volume frames the concept of a national play. By analysing a number of European case studies, it addresses the following question: Which play could be regarded as a country's national play, and how does it represent its national identity? The chapters provide an in-depth look at plays in eight different countries: Germany (Die Rauber, Friedrich Schiller), Switzerland (Wilhelm Tell, Friedrich Schiller), Hungary (Bank Ban, Jozsef Katona), Sweden (Gustav Vasa, August Strindberg), Norway (Peer Gynt, Henrik Ibsen), the Netherlands (The Good Hope, Herman Heijermans), France (Tartuffe, Moliere), and Ireland. This collection is especially relevant at a time of socio-political flux, when national identity and the future of the nation state is being reconsidered.

ISBN: 9783319753348

Standard No.: 10.1007/978-3-319-75334-8doiSubjects--Topical Terms:

523108
Drama
--History and criticism.

LC Class. No.: PN1655 / .R45 2018

Dewey Class. No.: 809.2

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505 0 $a 1. Introduction; Suze van der Poll & Rob van der Zalm -- 2. Schiller's Die Rauber: "Der Ort der Geschichte ist Teutschland"; Kati Rottger -- 3. Schiller's Wilhelm Tell: The National Play of Switzerland?; Elke Huwiler -- 4. Bank Ban: The Hungarian National Play; Krisztina Lajosi -- 5. August Strindberg's Gustav Vasa - Sweden's National Drama?; Egil Tornqvist & Erik Mattsson -- 6. Peer Gynt - Norway's National Play; Suze van der Poll -- 7. A (Dutch) Tale of the Sea. The Good Hope by Herman Heijermans; Rob van der Zalm -- 8. Moliere's Tartuffe and French National Identity: Reconfiguring the King, the People and the Church; Matthijs Engelberts -- 9. Theatre as a Moral Institution: 20th-Century Ireland; Joep Leerssen -- 10. Epilogue; Suze van der Poll & Rob van der Zalm.
520 $a This volume frames the concept of a national play. By analysing a number of European case studies, it addresses the following question: Which play could be regarded as a country's national play, and how does it represent its national identity? The chapters provide an in-depth look at plays in eight different countries: Germany (Die Rauber, Friedrich Schiller), Switzerland (Wilhelm Tell, Friedrich Schiller), Hungary (Bank Ban, Jozsef Katona), Sweden (Gustav Vasa, August Strindberg), Norway (Peer Gynt, Henrik Ibsen), the Netherlands (The Good Hope, Herman Heijermans), France (Tartuffe, Moliere), and Ireland. This collection is especially relevant at a time of socio-political flux, when national identity and the future of the nation state is being reconsidered.
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