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Film, art, new media = museum withou...

Dalle Vacche, Angela, (1954-)

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Film, art, new media = museum without walls? /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Film, art, new media/ edited by Angela Dalle Vacche.
其他題名:	museum without walls? /
其他作者:	Dalle Vacche, Angela,
出版者:	Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan, : 2012.,
面頁冊數:	1 online resource.
附註:	Includes index.
內容註:	Foreword; B.Peucker -- Acknowledgments -- Note on Contributors -- Introduction; A.Dalle Vacche -- PART I: EARLY CINEMA -- The Artist's Studio: The Affair of Art and Film; L.Nead -- {caron}Czanne and the Lum{uml}ire Brothers; A.Dalle Vacche -- The Medium is a Muscle: Abstraction in Early Film, Dance, Painting; N.Andrew -- PART II: FILM THEORY -- Vertov and the Line: Art, Socialization, Collaboration; J.MacKay -- Quoting Motion: The Frame, the Shot, and Digital Video; T.Lundemo -- Malraux, Benjamin, Bazin: A Triangle of Hope for Cinema; D.Andrew -- Poetic Density, Ontic Weight: Post-Photographic Depiction in Victor Erice's Dream of Light; S.Dixon -- PART III: VISUAL STUDIES, ART HISTORY, FILM -- Of the Face, in Reticence; N.Steimatsky -- Remapping the Rural: The Ideological Geographies of Strapaese; L.Pucci -- PART IV: PAINTERS AND FILMMAKERS -- Artistic Encounters: Jean-Marie Straub, Dan{uml}ile Huillet, and {caron}Czanne; S.Shafto -- Two-Way Mirror: Francis Bacon and the Deformation of Film; S.Felleman -- PART V: FILM, MUSEUM, NEW MEDIA -- A Disturbing Presence? Scenes from the History of Film in the Museum; I.Christie -- Elegy, Eulogy, and the Utopia of Restoration{esc}b7{esc}sAlexander Sokurov's Russian Ark; J.Szaniawski -- Museums as Laboratories of Change: the Case for the Moving Image; F.Penz -- Right Here{esc}p5{esc}sRight Now{esc}p5{esc}sArt Gone Live!; G.Hogben.
標題:	Motion pictures and history. -
電子資源:	http://link.springer.com/10.1057/9781137026132
ISBN:	9781137026132 (electronic bk.)

Film, art, new media = museum without walls? /
Film, art, new mediamuseum without walls? /[electronic resource] :edited by Angela Dalle Vacche. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2012. - 1 online resource.

Includes index.

Foreword; B.Peucker -- Acknowledgments -- Note on Contributors -- Introduction; A.Dalle Vacche -- PART I: EARLY CINEMA -- The Artist's Studio: The Affair of Art and Film; L.Nead -- {caron}Czanne and the Lum{uml}ire Brothers; A.Dalle Vacche -- The Medium is a Muscle: Abstraction in Early Film, Dance, Painting; N.Andrew -- PART II: FILM THEORY -- Vertov and the Line: Art, Socialization, Collaboration; J.MacKay -- Quoting Motion: The Frame, the Shot, and Digital Video; T.Lundemo -- Malraux, Benjamin, Bazin: A Triangle of Hope for Cinema; D.Andrew -- Poetic Density, Ontic Weight: Post-Photographic Depiction in Victor Erice's Dream of Light; S.Dixon -- PART III: VISUAL STUDIES, ART HISTORY, FILM -- Of the Face, in Reticence; N.Steimatsky -- Remapping the Rural: The Ideological Geographies of Strapaese; L.Pucci -- PART IV: PAINTERS AND FILMMAKERS -- Artistic Encounters: Jean-Marie Straub, Dan{uml}ile Huillet, and {caron}Czanne; S.Shafto -- Two-Way Mirror: Francis Bacon and the Deformation of Film; S.Felleman -- PART V: FILM, MUSEUM, NEW MEDIA -- A Disturbing Presence? Scenes from the History of Film in the Museum; I.Christie -- Elegy, Eulogy, and the Utopia of Restoration{esc}b7{esc}sAlexander Sokurov's Russian Ark; J.Szaniawski -- Museums as Laboratories of Change: the Case for the Moving Image; F.Penz -- Right Here{esc}p5{esc}sRight Now{esc}p5{esc}sArt Gone Live!; G.Hogben.

In the footsteps of Andre Bazin, this anthology of 15 original essays argues that the photographic origin of twentieth-century cinema is anti-anthropocentric. Well aware that the twentieth century stands out as the only period in history with its own photographic film record for posterity, Angela Dalle Vacche has convened international scholars at The Sterling and Francine Clark Art Institute, and asked them to rethink the history and theory of the cinema as a new model for the museum of the future. By exploring the art historical tropes of face and landscape, and key areas of film studies such as early cinema, Soviet film theory, documentary, the avant-garde and the newly-born genre of the museum film, this collection includes detailed discussions of installation art, and close analyses of media relations which range from dance to painting to performance art. Thanks to the title of Andre Malraux's famous project, Film, Art, New Media: Museum Without Walls? invites readers to reflect on the museum of the future, where twentieth-century cinema will play a pivotal role by interrogating the relation between art and science, technology and nature, from the side of photography in dialogue with digitalization.

ISBN: 9781137026132 (electronic bk.)

Standard No.: 9786613722270

Source: 411017Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

553489
Motion pictures and history.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.2 / .F545 2012

Dewey Class. No.: 791.43

Film, art, new media = museum without walls? /
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505 0 $a Foreword; B.Peucker -- Acknowledgments -- Note on Contributors -- Introduction; A.Dalle Vacche -- PART I: EARLY CINEMA -- The Artist's Studio: The Affair of Art and Film; L.Nead -- {caron}Czanne and the Lum{uml}ire Brothers; A.Dalle Vacche -- The Medium is a Muscle: Abstraction in Early Film, Dance, Painting; N.Andrew -- PART II: FILM THEORY -- Vertov and the Line: Art, Socialization, Collaboration; J.MacKay -- Quoting Motion: The Frame, the Shot, and Digital Video; T.Lundemo -- Malraux, Benjamin, Bazin: A Triangle of Hope for Cinema; D.Andrew -- Poetic Density, Ontic Weight: Post-Photographic Depiction in Victor Erice's Dream of Light; S.Dixon -- PART III: VISUAL STUDIES, ART HISTORY, FILM -- Of the Face, in Reticence; N.Steimatsky -- Remapping the Rural: The Ideological Geographies of Strapaese; L.Pucci -- PART IV: PAINTERS AND FILMMAKERS -- Artistic Encounters: Jean-Marie Straub, Dan{uml}ile Huillet, and {caron}Czanne; S.Shafto -- Two-Way Mirror: Francis Bacon and the Deformation of Film; S.Felleman -- PART V: FILM, MUSEUM, NEW MEDIA -- A Disturbing Presence? Scenes from the History of Film in the Museum; I.Christie -- Elegy, Eulogy, and the Utopia of Restoration{esc}b7{esc}sAlexander Sokurov's Russian Ark; J.Szaniawski -- Museums as Laboratories of Change: the Case for the Moving Image; F.Penz -- Right Here{esc}p5{esc}sRight Now{esc}p5{esc}sArt Gone Live!; G.Hogben.
520 $a In the footsteps of Andre Bazin, this anthology of 15 original essays argues that the photographic origin of twentieth-century cinema is anti-anthropocentric. Well aware that the twentieth century stands out as the only period in history with its own photographic film record for posterity, Angela Dalle Vacche has convened international scholars at The Sterling and Francine Clark Art Institute, and asked them to rethink the history and theory of the cinema as a new model for the museum of the future. By exploring the art historical tropes of face and landscape, and key areas of film studies such as early cinema, Soviet film theory, documentary, the avant-garde and the newly-born genre of the museum film, this collection includes detailed discussions of installation art, and close analyses of media relations which range from dance to painting to performance art. Thanks to the title of Andre Malraux's famous project, Film, Art, New Media: Museum Without Walls? invites readers to reflect on the museum of the future, where twentieth-century cinema will play a pivotal role by interrogating the relation between art and science, technology and nature, from the side of photography in dialogue with digitalization.
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