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Music, radio and the public sphere =...

Fairchild, Charles, (1967-)

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Music, radio and the public sphere = the aesthetics of democracy /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Music, radio and the public sphere/ Charles Fairchild.
其他題名:	the aesthetics of democracy /
作者:	Fairchild, Charles,
出版者:	Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan, : 2012.,
面頁冊數:	1 online resource.
內容註:	Introduction: the Unknown and the Unheard -- PART I: ENFORCING AND EVADING RATIONALIZATION -- Social Solidarity in the Luminiferous Ether -- Corporate Rationality, Communicative Reason and Aesthetic Experience -- Of Communities and Constituencies: Radio, the Market and the State -- PART II: MAKING RADIO, MAKING MEANING -- What Does a Civil Society Sound Like? -- Local Music for Local People -- Mixing: the Rational, the Reasoned, the Resourceful -- Conclusion: the Unheard and the Unknown.
標題:	Radio and music - Australia. -
電子資源:	http://link.springer.com/10.1057/9780230390515
ISBN:	9780230390515 (electronic bk.)

Music, radio and the public sphere = the aesthetics of democracy /
Fairchild, Charles,1967-

Music, radio and the public spherethe aesthetics of democracy /[electronic resource] :Charles Fairchild. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2012. - 1 online resource.

Includes bibliographical references and index.

Introduction: the Unknown and the Unheard -- PART I: ENFORCING AND EVADING RATIONALIZATION -- Social Solidarity in the Luminiferous Ether -- Corporate Rationality, Communicative Reason and Aesthetic Experience -- Of Communities and Constituencies: Radio, the Market and the State -- PART II: MAKING RADIO, MAKING MEANING -- What Does a Civil Society Sound Like? -- Local Music for Local People -- Mixing: the Rational, the Reasoned, the Resourceful -- Conclusion: the Unheard and the Unknown.

Radio remains one of the most popular mediums through which people experience music. Yet there have only been a few studies examining the dynamic effects of radio on music. In this innovative study of community radio, Charles Fairchild uses a novel combination of critical analysis, interdisciplinary theory and ethnographic writing to compare commercial and community radio institutions and practices. By situating community radio in the dominant context of consumerism, Fairchild shows how people can create democratic discourses by speaking through other people's music. He argues that the social relations produced by playing music on the radio, and the inherent ambiguity of music itself, hold the potential for cultural democracy. The book shows how community radio's aesthetic practices accord with the ideals of an open and equitable public sphere, contributing to civil society and a potentially democratic aesthetics in which the 'old medium' of radio holds profound lessons for 'new media'.

ISBN: 9780230390515 (electronic bk.)

Standard No.: 9786613722348

Source: 569112Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

1599150
Radio and music
--Australia.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: ML68 / .F35 2012

Dewey Class. No.: 302.23/440994

Music, radio and the public sphere = the aesthetics of democracy /
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505 0 $a Introduction: the Unknown and the Unheard -- PART I: ENFORCING AND EVADING RATIONALIZATION -- Social Solidarity in the Luminiferous Ether -- Corporate Rationality, Communicative Reason and Aesthetic Experience -- Of Communities and Constituencies: Radio, the Market and the State -- PART II: MAKING RADIO, MAKING MEANING -- What Does a Civil Society Sound Like? -- Local Music for Local People -- Mixing: the Rational, the Reasoned, the Resourceful -- Conclusion: the Unheard and the Unknown.
520 $a Radio remains one of the most popular mediums through which people experience music. Yet there have only been a few studies examining the dynamic effects of radio on music. In this innovative study of community radio, Charles Fairchild uses a novel combination of critical analysis, interdisciplinary theory and ethnographic writing to compare commercial and community radio institutions and practices. By situating community radio in the dominant context of consumerism, Fairchild shows how people can create democratic discourses by speaking through other people's music. He argues that the social relations produced by playing music on the radio, and the inherent ambiguity of music itself, hold the potential for cultural democracy. The book shows how community radio's aesthetic practices accord with the ideals of an open and equitable public sphere, contributing to civil society and a potentially democratic aesthetics in which the 'old medium' of radio holds profound lessons for 'new media'.
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650 7 $a MUSIC / History & Criticism $2 bisacsh $3 1599155
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