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Representation and identity from Ver...

Sikes, Alan.

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Representation and identity from Versailles to the present = the performing subject /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Representation and identity from Versailles to the present/ Alan Sikes.
其他題名:	the performing subject /
作者:	Sikes, Alan.
出版者:	New York ;Palgrave Macmillan, : 2007.,
面頁冊數:	xii, 214 p. :ill.
叢書名:	Palgrave studies in theatre and performance history
內容註:	The performing subject: identity and representation in the modern and the postmodern eras -- Dancing with the Sun King: the performance of privilege in the reign of Louis XIV -- "Snip snip here, snip snip there, and a couple of tra-la-la's": the rise and fall of the castrato singer -- Liberty, equality, festivity: citizen action and the libratory legacy of the French Revolution -- Smoke andmirrors: the hysterical womanfrom Zola to Freud -- Communism: coming to a screen near you! Benjamin,Adorno, and the politics of mediatization -- Conclusion: queer horizons--postmodern performativityand political action.
標題:	Performing arts - History. -
電子資源:	http://link.springer.com/10.1057/9780230605619access to fulltext (Palgrave)
ISBN:	0230605613

Representation and identity from Versailles to the present = the performing subject /
Sikes, Alan.

Representation and identity from Versailles to the presentthe performing subject /[electronic resource] :Alan Sikes. - 1st ed. - New York ;Palgrave Macmillan,2007. - xii, 214 p. :ill. - Palgrave studies in theatre and performance history.

Includes bibliographical references and index.

The performing subject: identity and representation in the modern and the postmodern eras -- Dancing with the Sun King: the performance of privilege in the reign of Louis XIV -- "Snip snip here, snip snip there, and a couple of tra-la-la's": the rise and fall of the castrato singer -- Liberty, equality, festivity: citizen action and the libratory legacy of the French Revolution -- Smoke andmirrors: the hysterical womanfrom Zola to Freud -- Communism: coming to a screen near you! Benjamin,Adorno, and the politics of mediatization -- Conclusion: queer horizons--postmodern performativityand political action.

This book investigates the shifting relationship between performanceand subjectivity over thecourse of the Modern era. Each chapter details a different set of performance strategies designed togrant the subject a stable sense of self-identity, and each explores the fallout fromthe ultimate failure of these strategies to offer the subject a fixed and enduring image of itself. The conclusionexamines the implications of this failure for new Postmodern conceptions of subjectivity and posesquestions about the use of performance in the self-fashioning of future generations.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230605613

Standard No.: 10.1057/9780230605619doiSubjects--Topical Terms:

1081971
Performing arts
--History.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1584 / .S55 2007eb

Dewey Class. No.: 792.09

Representation and identity from Versailles to the present = the performing subject /
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245 1 0 $a Representation and identity from Versailles to the present $h [electronic resource] : $b the performing subject / $c Alan Sikes.
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300 $a xii, 214 p. : $b ill.
440 0 $a Palgrave studies in theatre and performance history
504 $a Includes bibliographical references and index.
505 0 $a The performing subject: identity and representation in the modern and the postmodern eras -- Dancing with the Sun King: the performance of privilege in the reign of Louis XIV -- "Snip snip here, snip snip there, and a couple of tra-la-la's": the rise and fall of the castrato singer -- Liberty, equality, festivity: citizen action and the libratory legacy of the French Revolution -- Smoke andmirrors: the hysterical womanfrom Zola to Freud -- Communism: coming to a screen near you! Benjamin,Adorno, and the politics of mediatization -- Conclusion: queer horizons--postmodern performativityand political action.
520 $a This book investigates the shifting relationship between performanceand subjectivity over thecourse of the Modern era. Each chapter details a different set of performance strategies designed togrant the subject a stable sense of self-identity, and each explores the fallout fromthe ultimate failure of these strategies to offer the subject a fixed and enduring image of itself. The conclusionexamines the implications of this failure for new Postmodern conceptions of subjectivity and posesquestions about the use of performance in the self-fashioning of future generations.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
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650 0 $a Performing arts $x Philosophy. $3 680388
650 0 $a Performing arts $x Psychological aspects. $3 1081972
650 0 $a Performing arts $x Social aspects. $3 577167
650 0 $a Representation (Philosophy) $3 559887
650 0 $a Subjectivity. $3 525978
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856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230605619 $z access to fulltext (Palgrave)