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Revenge drama in European Renaissanc...

Wetmore, Kevin J., (1969-)

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Revenge drama in European Renaissance and Japanese theater = from Hamlet to Madame Butterfly /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Revenge drama in European Renaissance and Japanese theater/ edited by Kevin J. Wetmore, Jr.
其他題名:	from Hamlet to Madame Butterfly /
其他作者:	Wetmore, Kevin J.,
出版者:	New York, N.Y. ;Palgrave Macmillan, : 2008.,
面頁冊數:	viii, 289 p.
內容註:	Introduction: "Thinking upon revenge" / Kevin J. Wetmore, Jr. -- pt.1. Revenge contexts and comparisons. Closed and open societies: the revenge dramas of Japan, Spain, and England/ Leonard C. Pronko -- Unsexed and disembodied: female avengers in Japan and England / Carol Fisher Sorgenfrei --"Avenge me!": ghosts in English renaissance and Kabuki revenge dramas / Kevin J. Wetmore, Jr. -- Kabuki parodies of blood revenge/ Laurence Kominz -- Revenge on screen: Imai Tadashi's Night drum / Keiko McDonald -- Censoring vengeance: revenge dramas and tragedies during the Allied Occupation of Japan/ David Jortner -- pt. 2. Chåushingura: east and west. The horizontal Chåushingura: western translations andadaptations prior to World War II / Aaron M. Cohen -- Chåushingura in the 1980s: rethinking the story of the Forty-seven Råonin/ Henry D. Smith II -- Appendix: Chåushingura-related booksof the1980s. One legacy of Madame Butterfly: Chåushingura as a contemporary opera / J. Thomas Rimer--Gender construction and Chåushingura as a Japanese national legend/ Junko Saeki -- "The play's thething": cross-cultural adaptation of revenge plays through traditional drama / Kevin J. Wetmore,Jr.
標題:	Comparative literature - Japanese and Western. -
電子資源:	http://link.springer.com/10.1057/9780230611283access to fulltext (Palgrave)
ISBN:	0230611281

Revenge drama in European Renaissance and Japanese theater = from Hamlet to Madame Butterfly /
Revenge drama in European Renaissance and Japanese theaterfrom Hamlet to Madame Butterfly /[electronic resource] :edited by Kevin J. Wetmore, Jr. - 1st ed. - New York, N.Y. ;Palgrave Macmillan,2008. - viii, 289 p.

Includes bibliographical references (p. [271]-284) and index.

Introduction: "Thinking upon revenge" / Kevin J. Wetmore, Jr. -- pt.1. Revenge contexts and comparisons. Closed and open societies: the revenge dramas of Japan, Spain, and England/ Leonard C. Pronko -- Unsexed and disembodied: female avengers in Japan and England / Carol Fisher Sorgenfrei --"Avenge me!": ghosts in English renaissance and Kabuki revenge dramas / Kevin J. Wetmore, Jr. -- Kabuki parodies of blood revenge/ Laurence Kominz -- Revenge on screen: Imai Tadashi's Night drum / Keiko McDonald -- Censoring vengeance: revenge dramas and tragedies during the Allied Occupation of Japan/ David Jortner -- pt. 2. Chåushingura: east and west. The horizontal Chåushingura: western translations andadaptations prior to World War II / Aaron M. Cohen -- Chåushingura in the 1980s: rethinking the story of the Forty-seven Råonin/ Henry D. Smith II -- Appendix: Chåushingura-related booksof the1980s. One legacy of Madame Butterfly: Chåushingura as a contemporary opera / J. Thomas Rimer--Gender construction and Chåushingura as a Japanese national legend/ Junko Saeki -- "The play's thething": cross-cultural adaptation of revenge plays through traditional drama / Kevin J. Wetmore,Jr.

Revenge Drama in European Renaissance and Japanese Theatre is a collection of essays that both explores the tradition of revenge drama in Japan and compares that tradition with that in EuropeanRenaissance drama. Why are the two great plays of each tradition, plays regarded as defining their nations and eras, Kanadehon Chushingura and Hamlet, both revenge plays? What do the revenge dramas ofEurope and Japan tell us about the periods that produced them and how have they been modernized tospeak to contemporary audiences? By interrogating the manifestation of evil women, ghosts, satire, parody, and censorship, contributors such as Leonard Pronko, J. Thomas Rimer, Carol Sorgenfrei, Laurence Kominz explore these issues.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230611281

Standard No.: 10.1057/9780230611283doiSubjects--Topical Terms:

1082723
Comparative literature
--Japanese and Western.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PL734.65.R48 / R48 2008eb

Dewey Class. No.: 809.29355

Revenge drama in European Renaissance and Japanese theater = from Hamlet to Madame Butterfly /
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504 $a Includes bibliographical references (p. [271]-284) and index.
505 0 $a Introduction: "Thinking upon revenge" / Kevin J. Wetmore, Jr. -- pt.1. Revenge contexts and comparisons. Closed and open societies: the revenge dramas of Japan, Spain, and England/ Leonard C. Pronko -- Unsexed and disembodied: female avengers in Japan and England / Carol Fisher Sorgenfrei --"Avenge me!": ghosts in English renaissance and Kabuki revenge dramas / Kevin J. Wetmore, Jr. -- Kabuki parodies of blood revenge/ Laurence Kominz -- Revenge on screen: Imai Tadashi's Night drum / Keiko McDonald -- Censoring vengeance: revenge dramas and tragedies during the Allied Occupation of Japan/ David Jortner -- pt. 2. Chåushingura: east and west. The horizontal Chåushingura: western translations andadaptations prior to World War II / Aaron M. Cohen -- Chåushingura in the 1980s: rethinking the story of the Forty-seven Råonin/ Henry D. Smith II -- Appendix: Chåushingura-related booksof the1980s. One legacy of Madame Butterfly: Chåushingura as a contemporary opera / J. Thomas Rimer--Gender construction and Chåushingura as a Japanese national legend/ Junko Saeki -- "The play's thething": cross-cultural adaptation of revenge plays through traditional drama / Kevin J. Wetmore,Jr.
520 $a Revenge Drama in European Renaissance and Japanese Theatre is a collection of essays that both explores the tradition of revenge drama in Japan and compares that tradition with that in EuropeanRenaissance drama. Why are the two great plays of each tradition, plays regarded as defining their nations and eras, Kanadehon Chushingura and Hamlet, both revenge plays? What do the revenge dramas ofEurope and Japan tell us about the periods that produced them and how have they been modernized tospeak to contemporary audiences? By interrogating the manifestation of evil women, ghosts, satire, parody, and censorship, contributors such as Leonard Pronko, J. Thomas Rimer, Carol Sorgenfrei, Laurence Kominz explore these issues.
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650 0 $a Comparative literature $x Japanese and Western. $3 1082723
650 0 $a European drama $y Renaissance, 1450-1600 $x History and criticism. $3 1082724
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700 1 $a Wetmore, Kevin J., $d 1969- $3 1082722
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