東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Women in popular culture." ]

切換: 標籤 | MARC模式 | ISBD

The maternal imagination of film and...

Bliss, Lauren.

FindBook

Google Book

Amazon

博客來

The maternal imagination of film and film theory

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The maternal imagination of film and film theory/ by Lauren Bliss.
作者:	Bliss, Lauren.
出版者:	Cham :Springer International Publishing : : 2020.,
面頁冊數:	x, 183 p. :ill., digital ;24 cm.
內容註:	Introduction: Pregnant Illusions and the Natural Body -- Ch1 Conceiving the Cinematic Body -- Ch2 The Witchcraft of Cinema -- Ch3 Pregnant Illusions: Natural Magic and the Imagination -- Ch4 Sound and Vision: The Cinematic Figuration of the Virgin Mary -- Ch5 Conceiving the Cinematic Body -- Ch6 The Pregnancy of the Cinematic Public Sphere.
Contained By:	Springer Nature eBook
標題:	Motherhood in motion pictures. -
電子資源:	https://doi.org/10.1007/978-3-030-45897-3
ISBN:	9783030458973

The maternal imagination of film and film theory
Bliss, Lauren.

The maternal imagination of film and film theory[electronic resource] /by Lauren Bliss. - Cham :Springer International Publishing :2020. - x, 183 p. :ill., digital ;24 cm.

Introduction: Pregnant Illusions and the Natural Body -- Ch1 Conceiving the Cinematic Body -- Ch2 The Witchcraft of Cinema -- Ch3 Pregnant Illusions: Natural Magic and the Imagination -- Ch4 Sound and Vision: The Cinematic Figuration of the Virgin Mary -- Ch5 Conceiving the Cinematic Body -- Ch6 The Pregnancy of the Cinematic Public Sphere.

This book challenges common sense understandings of the unconscious effects of cinema and visual culture. It explores the castrating power of the early modern witch and the historical belief that pregnant women could manipulate and distort body image as figurative analogies for feminist theories of objectification and the male gaze. Through developing this history as an impure but lively analogy, this book serves as a provocation against the dominant imagining of objectification. It offers innovative analyses of a wide-ranging selection of films and topics including Joyce Wieland's Water Sark (1964) and its resonance with the works of John Cage and Stan Brakhage; the documentary Histoires d'A (History of Abortion, 1973), which contributed to the successful legalisation of abortion in France; the Hong Kong horror film Dumplings (Jiaozi, 餃子 2004), where foetal cannibalism serves up an image of censorship; and the dual productions The Book of Mary (Le livre de Marie) and Hail Mary (Je vous salue, Marie, 1985) by Anne-Marie Mieville and Jean-Luc Godard that figure a self-reproducing virgin who hears herself while remaining a virgin, unseen.

ISBN: 9783030458973

Standard No.: 10.1007/978-3-030-45897-3doiSubjects--Topical Terms:

3264593
Motherhood in motion pictures.

LC Class. No.: HQ759 / .B557 2020

Dewey Class. No.: 306.8743

The maternal imagination of film and film theory
LDR:02486nmm a2200325 a 4500 001 2255994
003 DE-He213
005 20201225115202.0
006 m d
007 cr nn 008maaau
008 220420s2020 sz s 0 eng d
020 $a 9783030458973 $q (electronic bk.)
020 $a 9783030458966 $q (paper)
024 7 $a 10.1007/978-3-030-45897-3 $2 doi
035 $a 978-3-030-45897-3
040 $a GP $c GP
041 0 $a eng
050 4 $a HQ759 $b .B557 2020
072 7 $a APFA $2 bicssc
072 7 $a PER004000 $2 bisacsh
072 7 $a ATFA $2 thema
082 0 4 $a 306.8743 $2 23
090 $a HQ759 $b .B649 2020
100 1 $a Bliss, Lauren. $3 3525928
245 1 4 $a The maternal imagination of film and film theory $h [electronic resource] / $c by Lauren Bliss.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a x, 183 p. : $b ill., digital ; $c 24 cm.
505 0 $a Introduction: Pregnant Illusions and the Natural Body -- Ch1 Conceiving the Cinematic Body -- Ch2 The Witchcraft of Cinema -- Ch3 Pregnant Illusions: Natural Magic and the Imagination -- Ch4 Sound and Vision: The Cinematic Figuration of the Virgin Mary -- Ch5 Conceiving the Cinematic Body -- Ch6 The Pregnancy of the Cinematic Public Sphere.
520 $a This book challenges common sense understandings of the unconscious effects of cinema and visual culture. It explores the castrating power of the early modern witch and the historical belief that pregnant women could manipulate and distort body image as figurative analogies for feminist theories of objectification and the male gaze. Through developing this history as an impure but lively analogy, this book serves as a provocation against the dominant imagining of objectification. It offers innovative analyses of a wide-ranging selection of films and topics including Joyce Wieland's Water Sark (1964) and its resonance with the works of John Cage and Stan Brakhage; the documentary Histoires d'A (History of Abortion, 1973), which contributed to the successful legalisation of abortion in France; the Hong Kong horror film Dumplings (Jiaozi, 餃子 2004), where foetal cannibalism serves up an image of censorship; and the dual productions The Book of Mary (Le livre de Marie) and Hail Mary (Je vous salue, Marie, 1985) by Anne-Marie Mieville and Jean-Luc Godard that figure a self-reproducing virgin who hears herself while remaining a virgin, unseen.
650 0 $a Motherhood in motion pictures. $3 3264593
650 0 $a Women in motion pictures. $3 549618
650 0 $a Women in popular culture. $3 528848
650 1 4 $a Film Theory. $3 2191773
650 2 4 $a Culture and Gender. $3 3210058
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-030-45897-3
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)