Film studies.
Overview
| Works: | 839 works in 0 publications in 0 languages | |
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Titles
You had to have been there: Experimental film and video, sound, and liveness in the New York underground.
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The transcendence of Taiwanese identity: A study of Hou Hsiao-Hsien's films.
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Song of Youth: Youth Narratives and Representations of Young People in Contemporary Chinese Literature, Film, and Popular Culture.
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Jane Campion presents: Film festivals and the mentorship of Julia Leigh's Sleeping Beauty (2011).
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The lane-house and the role of domestic space in Shanghai's urban cinema 1932-1966.
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Urban Strangers: Representations of Migrant Workers in Contemporary Chinese Literature, Film, and Popular Culture.
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Selective Exposure to Prestigious and Popular Media: Anticipated Taste Performances and Social Influences on Media Choice.
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Russians in post-cold war American films: Still a foe or a friend-to-be? Looking for a cultural "reset" button.
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Film as Fairy Tale: A Depth Psychological Analysis of the Zombie Film Warm Bodies.
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Jean-Luc Godard and Francois Truffaut: The influence of hollywood, modernization and radical politics on their films and friendship.
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From everyman to hero: The inculturation and propaganda of the "Adventures of Captain Marvel" and "Spy Smasher" serials.
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Abjection, Telesthesia, and Transnationalism: Incest in Park Chan-wook's Oldboy.
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The audible future: Dolby Atmos and the immersive sound of science fiction in contemporary science fiction.
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Producing the Film Trailer How to Shoot a Trailer in an Effort to Raise Financing.
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Entertainment Assembled: The Marvel Cinematic Universe, a Case Study in Transmedia.
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From script to screen to syllabus: The path to curriculum design for undergraduate film production programs.
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"The Story You Are About to Hear Is True": Dragnet, Transmedia Storytelling, and the Postwar Police Procedural.
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Knowing and being known: Sexual delinquency, stardom, and adolescent girlhood in midcentury American film.
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The influence of cinematic elements in pierre jodlowski's works based on colour.
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The big [motion] picture: Analyzing the factors affecting the international motion picture industry.
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Overlooking the Evidence: Gender, genre and the Woman Detective in Hollywood Film and Television.
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Les formes de l'humain. Volatilite des frontieres dans le Roman Francophone autofictionnel contemporain.
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Moving pictures: Visual media's role promoting emotional student response regarding immigration.
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South Korean Cinema Between the Wars: Screening Resistance and Containment under U.S. Intervention and Influence, 1945-60.
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Film dance, female stardom, and the production of gender in popular Hindi cinema.
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Ripped from the Headlines: How Warner Bros. Constructed America, 1930-1933.
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Accelerated cinema: Masculinity, technology, and city space in the action genre.
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Does the presence of Joseph Campbell's Monomyth predict any variance in the box office for big budget movies?
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Everyday intimacies: The politics of respectability in post-recessionary southern reality television.
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Media Literacy for University Film and Media Students: Teaching Onscreen Violence and Social Responsibility To Future Entertainment Industry Professionals.
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From the heart of Brahma: Preserving, innovating and queering Cambodian classical dance.
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The affective politics of home: Queer familial imaginations in 20th and 21st century Chinese theatre and film.
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(Re)presentation: An affective exploration of ethnographic documentary film production.
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Mercenary mamas and rising sons: The figure of the controlling mother in modern Japanese literature.
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The General Cinema Northpark I & II: A case study of a third generation movie theater.
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Love in translation: Hybrid identity formations in contemporary fiction and film.
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The Birth, Death, and Re-Birth of an Auteur: The Analog to Digital Conversion of Carl Theodor Dreyer's Films.
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Horror movie aesthetics: How color, time, space and sound elicit fear in an audience.
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Transformations of a Hungry Cinema: Images and Visibility of Hunger in Brazilian Cinema 1960s-2000s.
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The historical reception of Japanese cinema at Cahiers du cinema: 1951-1961.
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The Fiction of Reality: Contemporary Constructions in Johan Grimonprez's "dial H.I.S.T.O.R.Y." and Don DeLillo's "White Noise" and "Mao II".
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The Cinema of Leakage: Student Movements in Japan, Subjectivity and the Thinking Cinema of Oshima Nagisa.
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The Dawn of Cinematic Modernism: Iwanami Productions and Postwar Japanese Cinema.
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Secondary textualities: Ideology, form, and performative cinematic authorship.
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Documenting Denial: Atrocities, Perpetrators, and the Documentary Interview.
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Female monsters in pre-modern Korean literature, contemporary films and TV dramas.
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Aurality and the Image: Irish Perspectives on Listening and Non-listening in the Twentieth Century.
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Crisis in neoliberal Asia: Violence in contemporary Korean and Japanese cinema.
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The reimagined paradise: African immigrants in the United States, Nollywood film, and the digital remediation of 'home'.
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Visual rhetoric of U.S. agricultural films: Auteurs, actors and assimilation.
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"To Know the Words to the Music": Spatial Circulation, Queer Discourse and the Musical.
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Scenes of The Turbulent Days: On The 1930s Chinese Leftist Film Movement.
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National Film Archives: Policies, Practices, and Histories. A Study of the National Film Archive of India, EYE Film Institute Netherlands, and the National Film and Sound Archive, Australia.
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Aesthetics of historiophoty: The uses and affects of visual effects for photography in the historical documentary film.
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Critical topographies of two films: Aura, temporality, and place in El Sol del Membrillo and rivers and tides.
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Unacknowledged Victims: Love between Women in the Narrative of the Holocaust: An Analysis of Memoirs, Novels, Film and Public Memorials.
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The rise and fall of the New Chinese Cinema during the Chinese reformation in the 1980s.
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A study of cross-cultural communication factors in selected documentaries about China.
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Framing China's national image through film: Chinese political films in the 1980s and the 2000s.
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Rethinking time in the cinematic epistemology: Gilles Deleuze and the cinema of time.
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Time-space transfiguration and the unfolding of the (frame);: (A theory of Filmtheatre).
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With great power comes great responsibility: Contemporary and superhero films as potential pedagogy for literary analysis in college-level developmental English classrooms.
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The world become image: Nonrepresentational discussions of film and the natural.
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TV Party, New Wave Theatre, and Subcultural Television in the 1970s and 1980s.
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Father of all destruction: The role of the white father in contemporary post-apocalyptic cinema.
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Concrete Futures: Science Fiction Cinema and Modernist Architecture at the Dawn of Postmodernity.
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The strange play of traumatic reality: Enchantment in Jewish American literature.
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Migrating queers, Maghrebian texts: Movement, nationality, and queer belonging in contemporary Francophone literature and film.
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Ines de Castro in Theatre and Film: A Feminist Exhumation of the Dead Queen.
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Photography and Film in Nineteenth-Century France: Negative Space Performance and Projected Unreality in a Joint Doctoral Program.
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Between Free Speech and Propaganda: Denaturing the Political in the Early American Movie Industry.
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The sensibility of the adopted: Trauma and childhood in the contemporary literature and cinema of East Asia and its Diaspora.
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Saving innocents: Tracing the human monster hunter's hetero-normative agenda from the 1970s to today.
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Can you say it more southern?: Renewing Hollywood's media colony in southern reality television.
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Split wounds: Diverging formations of trauma in "The Diagnostic and Statistical Manual of Mental Disorders" v, "Girl with the Dragon Tattoo", "And the Rat Laughed", and "Once Were Warriors".
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In plain sight: Changing representations of "biracial" people in film 1903-2015.
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Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames.
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An Industry of Indies: The New Cultural Economy of Digital Game Production.
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At Home Everywhere: Empowerment Fantasies in the Domestication of Videogames.
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Turkish fantasy fiction films then and now: An analysis of fantasy films produced in early 1970s Turkey.
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Between patriotism and pacifism: Jacob Lawrence, John Huston, Bill Mauldin, and Walt Disney during World War Two.
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Music as a Procedural Motive in the Filmmaking of Darren Aronofsky, Sofia Coppola, and Paul Thomas Anderson.
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Christ the Mediator and the Idol of Whiteness: Christological Anthropology in T. F. Torrance, Dietrich Bonhoeffer, and Willie Jennings.
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Threatened masculinity in English fiction (1883-1915) and Cold War German cinema (1966-1986).
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Assessing industry ideologies: Representations of gender, sexuality, and sexual violence in the book versions and film adaptations of The Hunger Games trilogy, the Divergent trilogy, and the Vampire Academy series.
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Moving words/motion pictures: Proto-cinematic narrative in nineteenth-century British fiction.
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Extending Active Imagination for Creative Formulation: A Depth Psychological Approach.
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Scoring Star Trek's Utopia: Musical Iconicity in the Star Trek Franchise, 1966-2016.
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Funny Business: Women Comedians and the Political Economy of Hollywood Sexism.
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Bolshoi Ballerina Vera Karalli: Russia's First Film Star, the Imperial-Era Dance Film, and the Modernization of Cinema Going Practices and Perceptions in Prerevolutionary Russia.
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Dancing Race and Masculinity Across Midcentury Screens: The Nicholas Brothers, Gene Kelly, and Elvis Presley on American Film and TV.
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Just Say No: Authority, Disobedience, and Individuation in Some of Sam Peckinpah's Minor Films.
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A' Oor Ain: The Making of a Scottish National Cinema Through Short Fiction Films 1930-2016.
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Representations of Transnational Violence: Children in Contemporary Latin American Film, Literature, and Drawings.
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Fabrication of block copolymer templated mesoporous metal oxide composites for energy storage applications.
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Becoming human: The signifying elements of 'orga' vs. 'mecha' in John Williams' score to "A.I.: Artificial Intelligence" (2001).
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Creating and Maintaining Identification with Characters in Narrative Films: The Impact of Protagonist Motivations and Key Story Moments on Real-Time Audience Identification and Liking.
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From Garden to Kino: Evgenii Bauer, Cinema, and the Visuality of Moscow Amusement Culture, 1885 -- 1917.
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See It Again: The Work of History in the 1990s American Cable Television News Genre.
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The Value Restoration Model: Pixar and the Rhetoric of the American Dream.
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Conducting experiments: On the connections between experimental art praxes and performance studies.
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Embodied Astronomies: Performances of Telescopes and Other Detection Devices.
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Modern Wild Natures. Cultures of Nature and Iberian Wildlife in Twentieth-Century Spain (1940-1980).
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The Representation of Forced Migration in the Feature Films of the Federal Republic of Germany, German Democratic Republic, and Polish People's Republic (1945-1970).
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The Not So Tender Trap: Romantic Comedy and Revolt in the Fifties and Fifty Years Later.
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Denaturalizing the market, revaluating the body: Neoliberal biopolitics in Latin American literature and film, 1990--2010.
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Gender role portrayals of modern Disney royalty: Stereotypical or androgynous?
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Warhol's transgender superstars: A materialist examination of the body in cinematic text.
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Affective Aesthetics and the Social Politics of Neoliberalism in New Extremism Cinema.
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May hammers and hearts ring out in unison. Exploring Heimat in GDR literature and film of the 1950s and 1960s.
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Cinematic portrayals of ancient women: Cleopatra VII, Livia Augusta, Servilia Caepionis and the three waves of feminism.
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"There's a Real Hole Here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste.
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Engineering Kinship: Genetic Technologies, Economic Speculation, and the Queer Body.
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The Romantic Baby Boomer: A Successful Aging Analysis of Romantic Comedy Film Trailers.
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Film as a Mirror of Evolving Consciousness: The Politics of Representation, the Power of Social Media, and Shifting Landscapes.
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Neoliberal Transformations of "White Masculinity" in Cinematic Media - 1970-2015.
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The New Reflexivity: Puzzle Films, Found Footage, and Cinematic Narration in the Digital Age.
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Turning a Multivalent Lens toward Depictions of Artificial Intelligence (AI) in Film = = Transformer une lentille multivalente en representations de l'intelligence artificielle (IA) dans un film.
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Caressing Radical Alterity: For a Queer Ethic of Embodiment in Contemporary Films and Literature.
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A Liberal Arts Education in Film Production: Instructional Assessment of Student Film Projects.
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Between Worlds: A Personal Journey of Self-Reflection while on the Path of Conocimiento.
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Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity.
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Smut, Novelty, Indecency: Reworking a History of Twentieth Century American "Stag Film".
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Fattitude The Movie: Theory and Praxis of Creating a Documentary that Examines Fat Representation and Fat Social Justice.
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Distracted Driving: A Cross-Disciplinary Analysis Exploring the Effectiveness of Public Service Announcements Regarding Texting and Driving That Employ a Filmed Narrative with Emotional Appeals.
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An Investigation Into the Detective: The Protagonist's Power to Challenge, Shape and Mend Through Social Critique.
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Reprogramming the Movies: Distribution Strategy and Production Planning in the Early Studio System, 1915-1924.
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Cinema's Motion Forms: Film Theory, the Digital Turn, and the Possibilities of Cinematic Movement.
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A Narrative Inquiry Using Film to Teach Critical Thinking for Associate Degree Nursing Students in the Midwestern United States.
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Rethinking the Normative: Madness, Abjection, and Awareness in American Literature and Film.
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Images never again witnessed/concepts never again thought: "(nostalgia)" and utopia in the aporia of aesthetic theory.
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Themes and Aesthetic of the Victorian Era and Their Practical Application in 21st Century Storytelling.
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Re-Imagining the Black Body on Screen: Using Screendance to Contest Racist Depictions of the Black Body in Film.
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Discourses of Legitimation: Representation, Recognition, and Truth in Post-9/11 American War Films.
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From Prison Yard to Field of Play: Documentary Histories of Race and Movement in Film, Television and New Media.
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Cinematic prophylaxis: Globalization and contagion in the audiovisual discourse of world health.
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Girls gone liberated? Feminism and femininity in preteen girls' media, 1968--1980.
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Ideological, dystopic, and antimythopoeic formations of masculinity in the Vietnam War film.
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Voice and silence of the subaltern: Rural women in the public culture of post-socialist China.
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Treating Attachment Trauma: Incorporating the Feminine Principle and the Wisdom of the Body in Psychotherapy.
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Everything & nothing: Hegemonic constructions of whiteness in American cinema.
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Deconstructing "the abyss of the future:" Theatre, performance, and holes in the discourse of 9/11.
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Unoriginal Sin: Transborder Media Flow, Visual Consumption, and the Emergence of the Chinese Global Shoppers.
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The Impact of Digitalization on Cinematic Aesthetics and The "Spectrum of Cultural Representations": The Case of Hong Kong.
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Conceptualizing "The Original": Artifact, Intent, Experience, and Process in Avant-Garde Film Preservation.
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Madame Butterflies and Dragon Ladies in "The Wolverine": A Close Textual Analysis of Female Asian Stereotypes in Hollywood.
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Keeping the 'he' in 'heroes': A feminist political economic look at DC and Marvel superhero film adaptations.
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A Whedon Manifesto: Superhumans, Inhumans, and Humans in the Posthuman Century.
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Long may she reign: A rhetorical analysis of gender expectations in Disney's "Tangled" and Disney/Pixar's "Brave".
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Veg-gendered: A cultural study of gendered onscreen representations of food and their implications for veganism.
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They were soldiers once: Rhetorics, fictions, and narratives of Vietnam and Iraq.
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Competitive dynamics and the distribution of box office revenues in motion pictures: The stable -Paretian hypothesis.
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Geopolitics in Time and Memory: Intertextuality in Wong Kar-wai's 60's Trilogy.
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After the 'post-sixties': A cultural history of Utopia in the United States.
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Embodied Cognition and Cinema: The Sensory-Motor Grounding of Abstract Meaning in Film.
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I was never an American: Rejection and Disaffiliation in Twenty-First Century Immigration Narratives.
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A pentadic criticism of three Disney/Pixar films: Spirituality and environmentalism in "Monsters, Inc.", "Finding Nemo", and "WALL-E".
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"An amorous history of the silver screen": Film culture, urban modernity, and the vernacular experience in China, 1896-1937.
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Regional Lockout: Geographic Restrictions, Digital Entertainment Platforms, and Global Cultural Difference.
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(Mis)representation at the movies: Film, pedagogy, and postcolonial theory in the secondary English classroom.
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Reclaiming the city as home in postcolonial Hong Kong: Art and politics in the contestation of urban space (1997-2014).
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The societal allure of fear: Horror films as representations of current day cultural fears.
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The pen is mightier than the bomb: Representations of right-wing terrorism in fictional works.
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Nightmares from the Past: Kaiki eiga and the Dawn of Japanese Horror Cinema.
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After 'The Golden Age': An Industrial History of the Hollywood Musical, 1955-1975.
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Re-Framing "Ecstatic Truth" Experiments in the New Visual Language of Werner Herzog.
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Beyond The Screen: Bridging the Gap between Documentary Film and Audience to Enhance the Storytelling Experience.
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Borderless Fandom and Contemporary Popular Cultural Scene in Chinese Cyberspace.
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Tango, Not-For-Export: Participatory Music-Making, Musical Activism, and Visual Ethnomusicology in the Neighborhood Tango Scenes of Buenos Aires.
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Cross-border film production: The neoliberal recolonization of an exotic island by Hollywood pirates.
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Being a thing immortal: Shakespeare, young adult culture, and the motifs of the undead.
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"The Rise Of The Robots" A sci-fi journey of creativity and collaboration.
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"Basically a True Story": "The Beginning or the End," "Fat Man and Little Boy," and American Remembrance of the Atomic Bomb.
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On the Convergence of Cinema and Theme Parks Developing a Predictable Model for Creative Design.
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Looking at cartoons: The art, labor, and technology of American cel animation.
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The global dystopian: Twenty-first century globalization, terrorism, and urban destruction.
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The lightness of Chinese beings: Adaptations and ideology in the PRC's film art.
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The major developments and their ideological implications of Chinese film and film education since the Cultural Revolution.
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A study using American movies to increase language proficiencies in an EFL/ESL classroom at Feng Chia University, Taichung, Taiwan (1992-1994).
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The Chinese cinema in the 1980s: Toward a systematic study of its socialist realism.
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The dream palaces of Shanghai: American films in China's largest metropolis, 1920-1950.
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Elastic Esthetics: A Comparative Media Approach to Modernist Literature and Cinema.
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Imaging Communities: Location Shooting as Place-making in Contemporary Chinese and Taiwanese Cinemas.
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Transfiguration maxima!: Harry Potter and the complexities of filmic adaptation.
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Time after Modernism: Postcoloniality and Relational Time-Based Practices in Contemporary Art.
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Mass Graves and Remembering through Ritual: Historical Memory in Contemporary Peninsular Literature, Documentary Film, and Digital Culture.
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Producing Reality Stardom: Constructing, Programming, and Branding Celebrity on Reality Television.
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Fragmented Allegories of National Authenticity: Art and Politics of the Iranian New Wave Cinema, 1960-79.
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Nostalgia in Anime: Redefining Japanese Cultural Identity in Global Media Texts.
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Volume I Affect and Feelings: The Persuasive Power of Film Music. Volume II Quintet for Piano and String Quartet.
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Documentary Adaptation: Non-Fiction Transformations via Cinema and Television.
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More Than Movies: Social Formations in Informal Networks of Media Sharing.
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Body, Space, Interaction: Embodiment, Narrative, and the Digitization of Media.
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Coming Attractions: Immersive Digital Technologies in Cinema and Augmented, Mixed and Virtual Reality in Head Mounted Displays in the Twenty-First Century.
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The Art Education of Recklessness: Thinking Scholarship through the Essay.
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Partners in catastrophe: The phantasmic in African American, Jewish American, and Native American trauma narratives.
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Heterolanguage in Twenty-First-Century Cinema and Literature: Transnational Mediations.
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A New Queer Trinity: A Semiotic, Genre Theory, and Auto-Ethnographic Examination of Reeling: The Chicago LGBTQ+ International Film Festival .
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Cinematic Representation of American Indians: A Critical Cultural Analysis of a Contemporary American Indian-Directed Film.
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Press Play: Video Games and the Ludic Quality of Aesthetic Experiences across Media.
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Lights, Cameras, and Agricultural Documentaries: Understanding Viewers' Interpretation of Source Credibility in Food Documentary Films.
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Rhetorics of Integrity: Constitutive Rhetoric in American Cinema and Television.
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The Feminist Superheroine: A Critical Evaluation of Patty Jenkins' Wonder Woman.
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From Italian American Icon to Working Class Hero: Perspectives on Pietro di Donato's "Christ in Concrete".
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From Attendance to Performance: Spectatorship, "Liveness," and the Emergence of Live Cinema.
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A Comparison between User-Generated Reviews, Genre and Box-Office Revenue in the U.S. Major Motion Picture Industry.
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The Sorcerer's Apprentices: Authorship and Sound Aesthetics in Walt Disney's "Fantasia".
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Novel Ways of Seeing: Victorian Novels, Animated Adaptations, and the Disoriented Reader/Viewer.
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The anima in animation: Miyazaki heroines and post-patriarchal consciousness.
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Transnational Images in a Global Frame: Film Festivals and Taiwan Cinema through the Lens of Hou Hsiao-hsien and Tsai Ming-liang.
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Generic Catastrophes: Case Studies on the Use of Language in Post-War Sound Art.
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Negotiating Public and Private Genders: The Representation of Women Writers and Artists in Modern French and Francophone Works.
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Impressive Failures: Mavericks of Film Authorship and the Impossibility of Success in Hollywood.
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Cuban Cinema in a Global Context: The Impact of Eastern European Cinema on the Cuban Film Industry in the 1960s.
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Concerning Virtual Reality and Corporealized Media: Exploring Video Game Aesthetics and Phenomenology.
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(Un)doing and (Un)becoming: Temporality, Subjectivity, and Relationality in Twenty-First-Century German Literature and Film.
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Silver Screen Sovereignty: Mexican Film and the Intersections of Reproductive Labor and Biopolitics.
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History's Perilous Pleasures: Experiencing Antiquity in the Postwar Hollywood Epic.
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Starting with Snow White: Disney's Folkloric Impact and the Transformation of the American Fairy Tale.
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Perfect Contagion Machine: Digital Media, Scientific Evidence, and Emergent Outbreaks on Screen.
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The Production of Hypermobility: Digital Media and Science Fiction Television in the Long 1990s.
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"Sugar in the Arsenic": Humorous Depictions of the Holocaust and Humorous Depictions in the Holocaust on Stage and Screen.
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John Sayles and James Cameron: Mastering Autonomy in Mainstream and Independent American Cinema.
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Mediterranean Seascapes in Contemporary French Cinema: Between Myth and Reality.
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Projected Coevalness and Post-Colonial Tourism: The Persistence of Cultural Hierarchy in Contemporary Japanese-Taiwanese Film.
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Media Archiving as Critical Pedagogy: A Road to Awareness - Saving Home Movies Campaign in Taiwan.
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Life on the move: Women's migration and re/making home in contemporary Chinese and Sinophone literature and film.
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Melodramatic and Formulaic: The Global Appeal of Korean Television Dramas.
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Marketing the Real: The Creation of a Multilayered Market for Documentary Cinema.
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Transmedia Storytelling through the Lens of Independent Filmmakers: A Study of Story Structure and Audience Engagement.
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(Electronic resources)
Create, Reboot, Repeat: Franchise Management and Textual Evolution in the Cultural Industries.
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(Electronic resources)
The Creative Content Programme and Audiovisual E-Platform: An institutional analysis of UNESCO's influence on the development of independent documentary content and production practice.
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(Electronic resources)
"It's a creative business": The ideas, practices, and interaction that made the Hollywood film industry.
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(Electronic resources)
Inside the Media Mix: Collective Creation in Contemporary Manga and Anime.
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(Electronic resources)
Monitor men: An intertextual analysis of motion pictures directed by George Clooney.
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(Electronic resources)
Cripping Hwabyung: A Cripqueer Analysis of Korean Historical Drama Films.
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(Electronic resources)
Class in Space: A Critical Analysis of Modern Trends in Science Fiction Film and Television.
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(Electronic resources)
Sound Images, Acoustic Culture, and Transmediality in 1920s-1940s Chinese Cinema.
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(Electronic resources)
"The Most Muscular Woman I Have Ever Seen": Bev Francis Performance of Gender in Pumping Iron II: The Women.
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(Electronic resources)
Exceptionalism and Transatlanticism in Early American Literature (1760-1860) and Classic Hollywood Cinema (1930-1960).
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(Electronic resources)
The Story of A: Anger and Ambivalence in Women's Autobiographical Writing.
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(Electronic resources)
Sexually Objectifying Microaggressions in Film: Using Entertainment for Clinical and Educational Purposes.
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(Electronic resources)
Reveling in Uselessness: Queer and Trans Media, Consumptive Labour, and Cultural Capital.
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(Electronic resources)
Taming the Terrible?: Transgressive Novels, Adaptation, and the Illusion of Legitimacy.
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(Electronic resources)
The Post-Noir Novel: Pulp Genre, Alienation, and the Turn from Postmodernism in Contemporary American Fiction.
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(Electronic resources)
Lost in Translation: A Content Analysis of the Promotional Material of Foreign-Language Films in the United States.
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(Electronic resources)
YouTube as an Ally of Convenience: The Platform's Building and Breaking with the LGBTQ+ Community.
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(Electronic resources)
Homebound: Exploring Environmental Storytelling in Spatial Virtual Reality to Breakdown Psychological Borders and Build Empathy.
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(Electronic resources)
In/Visibility Crises: Transnational Correctives and the Happiness of Black Women in Francophone Prose Fiction and Dramatic Film.
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(Electronic resources)
Rethinking Stereotypes: Representations of Gender in Brazilian Comedies of the Post-Retomada.
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(Electronic resources)
Masculinities at Work: Men, Masculinities, and Employment in the Spanish Popular Comedies of the Late-Francoist and Transition Eras.
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(Electronic resources)
Sounds of Power: Gospel Music Representation in Contemporary Feature Film.
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(Electronic resources)
Unexpected Journeys: At the Crossroads of Collaborative Filmmaking and Feminist Scholarship.
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(Electronic resources)
Audiences, Structures, and Strategies: The Promise and Power of Environmental Documentaries.
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(Electronic resources)
Does Representation Really Matter? Black Undergraduate Women's Stories of Identity, Academic Achievement, and (Dis)Connections with Black Female Characters in Popular Culture.
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(Electronic resources)
Eye/I and Eyes/We: Reflexsivity and Intersubectivity in African Glocal Visual and Auto Ethnography.
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(Electronic resources)
1977: Audiovisual Excavating and Repetition as Suspect Past Impressions in Essay Filmmaking.
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(Electronic resources)
Transmedial Ghosts: Paranormal Investigation from Photography to YouTube.
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(Electronic resources)
Transmedia Storytelling and Transcendental Experience: Using Media Archaeology in Creative Practice to Explore Narrative and Space within the Virtual Screen.
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(Electronic resources)
Lost Without a Connection: Analyzing Netflix's Maniac in the Digital Streaming Age.
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(Electronic resources)
Symbiotic or Destructive? An Analysis of the Metaphors About Journalism in American Films During the 1990s.
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(Electronic resources)
The Research and Teaching of Art Despite Its Disappearance: Art in Academia, 1957-1977.
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(Electronic resources)
Making Movies: Reflexivity, the Auteur, and the Pragmatics of Contemporary Film Production.
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(Electronic resources)
Before the Endless Miles of Wind and Sand and Empty Far Off Sky: Deserts in Hollywood's Silent Era.
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(Electronic resources)
Chinese independent documentary films: Vocalizing the "bottom" of Chinese society.
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(Electronic resources)
The Hollywood Research Library: Visual Knowledge in the Republic of Images.
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(Electronic resources)
Becoming image: Historical imagination and video making among the Mbya-Guarani.
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(Electronic resources)
Colonial Sublime: Infrastructure, Landscape, and Traveling Cinemas in Korea, 1898-1926.
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(Electronic resources)
A New Grammar of Images: Werner Herzog and the Contemporary Philosophy of Cinema.
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(Electronic resources)
Everyday Transcendence: Contemporary Art Film and the Return to Right Now.
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(Electronic resources)
How Audiovisual Composition Reveals Gendered Limitations and Possibilities in Lady Bird in the Wake of #MeToo.
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(Electronic resources)
Alfonso Cuaron's Problematic Portrayal of Female Figures in Y Tu mama tambien and Roma = = Alfonso Cuaron's representacion problematica de figuras femeninas en Y tu mama tambien y Roma.
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(Electronic resources)
Hidden in Plain Sight: Cinematic Legacies of the Western, Greaser Cinema, and Chicanx Literature.
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(Electronic resources)
Adapting History: Applying Adaptation Theory to Historical Film and Television.
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(Electronic resources)
Locating Popular Cinema: The Geopolitics of Transnational Film Practices.
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(Electronic resources)
Grids of Connection: Comics and New York City | A New Hope? The 1980s in American Cinema and Nostalgia | Soundtrack in Flux: Original Philippine Music of the Postcolonial Era.
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(Electronic resources)
With Great Power: A Narrative Analysis of Ethical Decisions in Superhero Films.
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(Electronic resources)
"A Room and the Right Kind of People:" The Ideology of Romantic Comedy in Classical Hollywood Cinema.
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(Electronic resources)
Locating the Sublime between Movement and Action: The Cinema of Jean-Pierre and Luc Dardenne.
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(Electronic resources)
In a Nutshell: On the Design, Construction, and Simulation of Digital Costumes for Frances Glessner Lee.
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(Electronic resources)
Lost without a Cue: The Progression of Music and Masculinity in Detective Film Noir.
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(Electronic resources)
Choreographing Postsocialist China: New Experiments in Screendance since the Early 1990s.
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(Electronic resources)
Acting Bodies. The Role of Gestures in German Drama, Film, and Performance.
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(Electronic resources)
Photographer as participant observer: Larry Clark, Nan Goldin, Richard Billingham, and Nobuyoshi Araki.
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(Electronic resources)
Variations of virtual reality in theatre and film: Truth and illusion via art and technology.
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(Electronic resources)
Upturning senses: Sensational interactions at the meeting of cinema's music, sounds, images, and audience.
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(Electronic resources)
Infrastructure, Production, and Archive: American and Japanese Video Art Production of 1960s and 1970s.
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(Electronic resources)
(Re)Animating the Horror Genre: Explorations in Children's Animated Horror Films.
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(Electronic resources)
Ideological trends in film adaptations of children's literature: Children's books on the big screen.
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(Electronic resources)
Dr. Frankenstein's hideous progeny: A typology of the mad scientist in contemporary young adult novels and computer animated film.
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(Electronic resources)
Social touch behavior and emotions conveyed by touch in top-grossing films: Spotlight on sympathy, anger, and aggression.
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(Electronic resources)
"All the forms today are merely parades and arrangements" The relationship between the music and film of "Le Ballet Mecanique" and their influence on time.
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(Electronic resources)
"What one man can invent, another can discover" Music and the transformation of Sherlock Holmes from literary gentleman detective to on-screen romantic genius.
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(Electronic resources)
Disruptive Convergence: The Struggle Over the Licensing and Sale of Hollywood's Feature Films to Television Before 1955.
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(Electronic resources)
Postmodern Queer Subjectivity: Domestic Ethnography and Anti-authorial Authoriality in Su Friedrich's "Sink or Swim".
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(Electronic resources)
Seeing "developing" countries through American animated films --- An analysis of "Kung Fu Panda," "Rio," and "Madagascar".
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(Electronic resources)
Glitching modernism: Broken machinery and textual malfunction in modernism and new media.
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(Electronic resources)
The Black Gothic Imagination: Horror, Subjectivity, and Spectatorship from the Civil Rights Era to the New Millennium.
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(Electronic resources)
"The Battle of Maldon": A medieval screenplay. History and Heroism in the Cinematic Adaptation of an Old English Poem.
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(Electronic resources)
Transmedia arts activism and language revitalization: Critical design, ethics and participation in third digital documentary.
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(Electronic resources)
Gothic agents of revolt: The female rebel in "Pan's Labyrinth", "Alice's Adventures in Wonderland" and "Through the Looking Glass".
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(Electronic resources)
Turning the page: Fandoms, multimodality, and the transformation of the "comic book" superhero.
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(Electronic resources)
Defanged and desirable: An examination of violence and the lesbian vampire narrative.
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(Electronic resources)
The Development of the Post-Classical Hollywood Sports Business Film Trend: A Socio-Historic Approach.
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(Electronic resources)
Examination of the Hollywood movie trailers editing pattern evolution over time by using the quantitative approach of statistical stylistic analysis.
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(Electronic resources)
Framing Perceptions of Violence against Women in Film: "Les Silences du Palais" and "Incendies".
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(Electronic resources)
Visual poetics and cinematic patterns in Vladimir Nabokov's "Invitation to a Beheading".
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(Electronic resources)
Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema.
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(Electronic resources)
The Myth of Voluntary Death: The Representation of Sacrifice and Martyrdom in the Maoist Films (1949-1976).
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(Electronic resources)
Re-Presenting the Zombie: Genre, Gender, and Social Protest from Romero's Night of the Living Dead to AMC's The Walking Dead.
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(Electronic resources)
The Others: Desire, Anxiety, and the Politics of Chinese Horror Cinema (1989-2015).
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(Electronic resources)
Working on My Hair: A Visual Analysis of Natural Hair and Black Women Professionals in Popular Television Programming.
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(Electronic resources)
Networked film criticism as a way of learning: Exploring the culture of a virtual film community and the stories of amateur film critics.
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(Electronic resources)
The semantics and pragmatics of translating culture-bound references in film dubbing.
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(Electronic resources)
Method Men: Race, gender and performance style in U.S. culture 1922-1957.
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(Electronic resources)
The Soviet Industrial Sublime: The Awe and Fear of Dneprostroi, 1927-1932.
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(Electronic resources)
Speaking American: Comparing Supreme Court and Hollywood racial interpretation in the early twenty -first century.
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(Electronic resources)
Making the Censored Public: The 1989 Tiananmen Square Protests in Chinese Fiction and Film.
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(Electronic resources)
Imagining Resistance and Solidarity in the Neoliberal Age of U.S. Imperialism, Black Feminism, and Caribbean Diaspora.
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(Electronic resources)
Recentering Taiwan: Colonialism, the Nation, and Identity in Taiwanese Fiction and Film.
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(Electronic resources)
Representation, meaning, and experience in the cinema: A critical study of contemporary film theory.
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(Electronic resources)
And They Lived Happily Ever After. The End? Postfeminism and the Rebranding of the Disney Princesses.
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(Electronic resources)
Time material: Temporality, narrative, and modernity in silent film and American naturalism.
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(Electronic resources)
The Role of Fan-Subtitle Groups in the Process of Introducing US Television Programs Into China: A Case Study.
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(Electronic resources)
We Don't Breathe Alone: Forms of Encounter in Anglophone North America since the 1970s.
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(Electronic resources)
Performing Disaster: The Response to 3.11 and the Great Kanto Earthquake in Japanese Film and Theater.
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(Electronic resources)
Differentiating national identities: Cultures of immigration in Europe's peripheries.
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(Electronic resources)
Animating Transcultural Communities: Animation Fandom in North America and East Asia from 1906--2010.
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(Electronic resources)
Feel It All Around: Art Music Video, Art Cinema, and Spectatorship in the Streaming Era.
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(Electronic resources)
The Culture of Conspiracy: Evolving Media Technology and Its Relationship to Conspiracy Theories.
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(Electronic resources)
The Circulation of Chinese Cinemas in the UK: Studies in Taste, Tastemaking and Film Cultures.
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(Electronic resources)
Selfie Aesthetics: Form, Performance, and Transfeminist Politics in Self-Representational Art.
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(Electronic resources)
Of Clouds and Bodies: Film and the Dislocation of Vision in Brazilian and Japanese Interwar Avant-Gardes.
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(Electronic resources)
Artistry and Authorship: Examining Unique Artistic Voice in Collaborative Filmmaking.
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(Electronic resources)
Projecting Blackness: Japan's Cinematic Encounters with the black-American Other (1948-1993).
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(Electronic resources)
The Formation of Temporary Communities in Anime Fandom: A Story of Bottom-Up Globalization.
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(Electronic resources)
"American Mice Grow Big!": The Syracuse Audiovisual Mission in Iran and the Rise of Documentary Diplomacy.
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(Electronic resources)
A Phenomenological Study of the Experience of Humanist, Spiritual, and Transpersonal Films on Positive Organizational Behaviors in the Workplace.
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(Electronic resources)
When Opera Met Film: Casa Ricordi and the Emergence of Cinema, 1905-1929.
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(Electronic resources)
The motion picture industry, Hollywood self-representations, and a rhetoric of actions.
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(Electronic resources)
Toxic Criminalities in Francoist Spain the Making of a European Dictatorship.
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(Electronic resources)
Memorial Cinema in Latin America: Filmic Depictions of the Dirty Wars in Brazil and Mexico.
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(Electronic resources)
A Critical Approach to Cultural Adaptations: A Case Study on the Localization of Norms of Authority and Gender Politics in TV Series Adaptations in Turkey.
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(Electronic resources)
GRAAPHS: Graphic Representations of Abstract and Altruistic Phenomenological Hymns and Stories.
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(Electronic resources)
Searching Borders of Art, Soul and Spirit: In Direction of the Film Something Borrowed, Something Blue.
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(Electronic resources)
The Effects of the Commercialization of Hip Hop Culture on the Perception of Hip Hop Culture and Black Culture in Mainstream Culture in the United State.
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(Electronic resources)
The Female Nature: Representations of Motherhood and Nature in Dystopian Films.
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(Electronic resources)
Out of the past: Public policies, political pressures, and American film preservation.
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(Electronic resources)
Six Post-9/11 American War Films: Towards an Evolution of Nontraditional Masculine Constructs.
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(Electronic resources)
From Pursuing Innocence to Ensuing Innocence: How Performance Can Empower Youth to Access and Establish Shared Governance in Juvenile Justice.
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(Electronic resources)
Recording the Work of a World: Anne Charlotte Robertson's Diary Film and the Domestication of Cinema.
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(Electronic resources)
How to Introduce a Culture Without Talking About It or Why Mockumentary Works.
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(Electronic resources)
Vanishing Images?: Mediations of Native Americans in the Tradition of the Western.
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(Electronic resources)
Panopticism in a Digital Age: An Examination of Transmedia Reimagining Jane Eyre.
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(Electronic resources)
Cinegrafia: Literatura, Espectadores y Cinefilia Contemporanea en Latinoamerica.
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(Electronic resources)
Revolution's Effect of Movie Title Sequences: An Analysis on the Movie Title Sequences Created Before and After the Revolutions of Cuba (1959), Iran (1979), and Venezuela (1999).
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(Electronic resources)
Adaptation as Translation: Examining Film Adaptation as a Recontextualised Act of Communication.
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(Electronic resources)
A Cinematic Atopia: Robert Smithson and the Filmic Afterlife of the Soviet Avant-Garde.
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(Electronic resources)
Unwelcome Home: Ethnic Ethos, Gender and Class of North Korean Refugees and Migrants.
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(Electronic resources)
Breaking Bread: Continuities and Ruptures in Italy's Postwar Filmic Foodscape.
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(Electronic resources)
The Influence of Donald Trump and Hillary Clinton on the Increase and Normalization of Misogynistic Rhetoric in the Internet Movie Database's Amateur Film and Television Reviews.
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(Electronic resources)
Realism's Ruins: Destruction, Decay, and the Demise of Soviet Socialist Realism and Italian Neorealism.
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(Electronic resources)
Logics of Attention: Watching and Not-Watching Film and Television in Everyday Life.
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(Electronic resources)
Film and Emotional Contagion: Audiencing, Witnessing, and Performing the Lingua Franca of Compassion.
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(Electronic resources)
From New York City to Paris. Crime Series Adaptations: A Multimodal Digital Semiotics Procedure.
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(Electronic resources)
論電影的文學性與1980 年代中國電影轉型 = = On the Literary Nature of Films and the Transformation of Chinese Films in the 1980s.
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(Electronic resources)
Colorism in Media Content: A Qualitative Study Focusing on Film and Perception.
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(Electronic resources)
Luminous Flesh, Haunted Futures: The Visible and Invisible Worlds of Chinese Cinema.
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(Electronic resources)
Imagining Javaneseness in Contemporary Indonesian Socio-Cultural Documentaries.
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(Electronic resources)
The Cartography of Hong Kong Urban Space: Living and Walking in the Cinematic Cityscapes of Fruit Chan and Ann Hui.
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(Electronic resources)
The Role of Film and Television in American Shakespeare Studies: 1940s to 1990s.
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(Electronic resources)
Love among the Robots: Non-biological Consciousness and the Pursuit of Kinship 1970 to the Present.
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(Electronic resources)
Making It Real: Performance Styles and Contexts in Contemporary American Microbudget Cinema.
by:
(Electronic resources)
Masculinity on Every Channel: The Development and Demonstration of American Masculinity of the Postwar Period via 1960s Television.
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(Electronic resources)
Terrorists, Zombies, and Robots: The Political Unconscious, Thematics, and Affectual Structures of the Post-9/11 American Fear Narrative.
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(Electronic resources)
Making Cinema Anew: Film Criticism and the Making of the New American Cinema, 1959- 1975.
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(Electronic resources)
A Social Network Analysis Approach to Examining Gendered Character Positions in Popular Film Narratives.
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(Electronic resources)
New Flesh Cinema: Japanese Cyberpunk-Body Horror and Cinema as Catharsis in the Age of Technology.
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(Electronic resources)
The Forest Is Not What It Seems: An Ecocritical Study of American Horror Films.
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(Electronic resources)
On Location in Nature's Studio: Toward a Social History of Hollywood Filmmaking in the American West.
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(Electronic resources)
You're Making Ideology Weird: An Analysis of the Contemporary Weird through a Marxist Lens.
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(Electronic resources)
Whatever It Takes: Redemption, Individualism, Altruism and the Marvel Cinematic Universe.
by:
(Electronic resources)
Adapting for a Revolution: Media Adaptation Practices and the Sexual Revolution.
by:
(Electronic resources)
Utopias, Magic Realism and Rebellious Spirits: Films of Christine Parker 1990 to 2000.
by:
(Electronic resources)
Recognizing the Silent Truth: Subversive Silences in Character Development of Marginalized Identities.
by:
(Electronic resources)
Co-Activation in the Motivational Systems: The Mixed Effects of Sexual Explicitness and Violence Severity in Pornography on Viewers' Emotion, Memory, and Attitudes Towards Sex and Violence.
by:
(Electronic resources)
Globalization and New Bollywood's Hat-Ke (Different) Directors: Nation, Gender, and Identity in the Films of Vishal Bhardwaj, Anurag Kashyap, and Abhishek Chaubey.
by:
(Electronic resources)
Assessing Visual and Non-Visual Daylighting Performance of Electrochromic Glazing Systems Based on User Centered Lighting Design.
by:
(Electronic resources)
Screening the Apocalypse: Zombies, Visual Art and the Grotesque in the Aftermath of Social Trauma.
by:
(Electronic resources)
The Art of Collecting Fancy Paper: Understanding the Assignment of Values to Collecting Alternative Movie Posters.
by:
(Electronic resources)
Communicating Graphic Design Career Experiences Using Feature Film Screenplay and Production Design.
by:
(Electronic resources)
There Is a Body in the Sound: Timbre and Embodiment in the Overlap of Film, Music, and Dance.
by:
(Electronic resources)
Media Ecologies and Composition: The Animated Sequence and Rhetorical Potential of Media.
by:
(Electronic resources)
The History of an Australian Film Production Company: Cinesound, 1932-1970.
by:
(Electronic resources)
Making Room for Horror: The Adversity of Genre in the French Film Industry.
by:
(Electronic resources)
Landscape and Its Discontents - Art and Ruins, a Critical Topography in Word and Image.
by:
(Electronic resources)
Tragedy of the Teenage Girl: Female Characters in Contemporary Shakespearean Commercial Film Adaptations.
by:
(Electronic resources)
Having an Experience: Media Franchises, Events, and Participatory Culture.
by:
(Electronic resources)
What the Ear Sees: Performing Bodies, Hollywood Spectacle, and the Mass-Mediated Musical.
by:
(Electronic resources)
Yugoslav Television Between Conformity and Dissidence - Ideological Hybridity in Informational and Fiction Genres (1980-1995).
by:
(Electronic resources)
Under Construction: Time, Space and Embodied Labor in Soviet Construction Narratives Post-Stalin.
by:
(Electronic resources)
Escrituras descentralizados. Nuevos mapas de la ficcion en el campo cultural argentino.
by:
(Electronic resources)
Chollywooding and Pandering : = The Present and Future of Sino-Hollywood Negotiation.
by:
(Electronic resources)
The Visual Preference, Aesthetic Judgement, and Mood Response to Human-Centric Lighting in Office Spaces.
by:
(Electronic resources)
Opening Difficult Conversations : = Empathy and Intercultural Film Viewing.
by:
(Electronic resources)
The Practices of Everyday Life and the Syrian Body : = Art, Life, and Political Activism of the Syrian Crisis, 2011-2022.
by:
(Electronic resources)
Filming the Everyday : = History, Theory, and Aesthetics of Amateur Cinema in Interwar and Wartime Japan.
by:
(Electronic resources)
Ministries of Light : = Modernism and Modernity in Indian and Iranian State-Sponsored Documentaries, 1960s-1980s.
by:
(Electronic resources)
'Getting into / Focus' : = Mapping the Influence of Cinema in Marginal British Poetry, 1927-1950.
by:
(Electronic resources)
Timely Representations : = The Queer Elder Figure in Canadian and U.S. American Film and Television.
by:
(Electronic resources)
Screening Space : = The Making and Unmaking of Racialized Space in 1970s Mexican Film.
by:
(Electronic resources)
The Elusive Subject : = Representing the Abstract and Unseen History of Place with Photography.
by:
(Electronic resources)
Nation and Nurture : = Cultural Anthropology, World War II, and the Birth of National Cinema Studies.
by:
(Electronic resources)
Motherhood in the Multiverse : = Melodrama and Asian American Identity in Everything, Everywhere, All at Once.
by:
(Electronic resources)
In Order to Survive : = Queer Cultural Production and the Emergence of Aids Media.
by:
(Electronic resources)
Resisting Through Lenses : = An Exploration of Youth Media Production as an Act of Resistance and Democratization.
by:
(Electronic resources)
From love at first sight to soul mate : = Romantic ideals in popular films and their association with young people's beliefs about relationships.
by:
(Electronic resources)
Reclaiming the Rusalka : = Towards Multiplicities of Gender in Russian Literary and Visual Culture.
by:
(Electronic resources)
Watching Monsters : = The Horror of Racialized Monsters, Disabled Monsters, and Gender Nonconforming Monsters in Embodied Gothic Horror Films.
by:
(Electronic resources)
Private Film Collectors as Everyday Conservators : = A History of Film Preservation Outside of the Archive.
by:
(Electronic resources)
Creating the Third Reich through film, press, and pageantry (1933--1934): A myth-ritual analysis.
by:
(Electronic resources)
The Interaction of 'Originary Practices' and Costume Design in the Development of Historical Film Genre in 21st Century Hollywood Cinema.
by:
(Electronic resources)
Filmic discourse on women in Chinese cinema (1949-1965): Art, ideology and social relations.
by:
(Electronic resources)
Non-Aligned Features: The Coincidence of Modernity and the Screen in Indonesia.
by:
(Electronic resources)
Video Camera Technology in the Digital Age: Industry Standards and the Culture of Videography.
by:
(Electronic resources)
The Work of Being Human: Transnational Labor in Contemporary South Korean Film and Literature.
by:
(Electronic resources)
Displaced Cinema: Militant Film Culture and Political Dissidence in Spain (1966-1982).
by:
(Electronic resources)
Feed The Addiction, Starve The Leisure: Societal changes, their effects on media consumption and subsequent influence on production.
by:
(Electronic resources)
Powerful Silences: Examining the New Woman's Femininity and Relationships in Silent Films.
by:
(Electronic resources)
The Page in the Screen: Visualized Information and the Aesthetics of the Digital Image.
by:
(Electronic resources)
A Very Present Help: Motifs of Jesus in Tyler Perry Film Parables = = Una muy presente ayuda: Motivos de Jesus en Tyler Perry Film Parables.
by:
(Electronic resources)
Homebound: Spatializing the Immigrant Experience by Breaking Down Barriers in Virtual Reality.
by:
(Electronic resources)
The Ancient Eastern Sages Were Crypto Blackbelts: Chinese Religion in Martial Arts Films.
by:
(Electronic resources)
Cultivating Transmedia Storytelling: Real World Perceptions Derived From Popular Media.
by:
(Electronic resources)
Seeing the Unseen: Euphemism in Animated Films. A Multimodal and Critical Discourse Study.
by:
(Electronic resources)
Human Error and Human Healing in a Risk Society: the Forgotten Narratives of Fukushima = = ヒューマンエラーとリスク社会における人々の回復の軌跡-忘却された福島のナラティブ.
by:
(Electronic resources)
台灣現代文藝電影創作與其政治社會環境(1930~1980s) = = Modern Taiwanese Literary Films and Their Social Political Circumstances (1930~1980s).
by:
(Electronic resources)
The Departed: A Departure from Early Twenty-First Century American Remakes of Asian Cinema.
by:
(Electronic resources)
"Revealing Reality": Four Asian Filmmakers Visualize the Transnational Imaginary.
by:
(Electronic resources)
Re-conceptualizing Taiwan: Settler Colonial Criticism and Cultural Production.
by:
(Electronic resources)
China Opens and the World Reforms: Film Import Distribution in the Post-reform PRC.
by:
(Electronic resources)
Beyond Memory's Limits: Resistance, Justice, and Truth in Contemporary Brazilian, Chilean, and Argentine Culture.
by:
(Electronic resources)
Then and There of Queer Theory: Coming Out Narratives and Societal Response.
by:
(Electronic resources)
Cultures of glass in the late nineteenth-century European novel and contemporary Sinophone film.
by:
(Electronic resources)
Spiritual Destruction and Healing of the Human-Nature Bond: Eco-Consciousness and Eco-Spirituality in the Films of Hayao Miyazaki and Multi-Ethnic North American Literature.
by:
(Electronic resources)
The Politics of Penguin Pleasure: Why Animal Sexualities Matter to Humans.
by:
(Electronic resources)
A Phenomenology of Closet Trauma: Visual Empathy in Contemporary French Film and Graphic Novels.
by:
(Electronic resources)
Digital Cues in Multimedia Forensics = = Digitale Spuren in der Multimedia-Forensik.
by:
(Electronic resources)
(Neo)Liberal Re-writings of Black Radical Memory in Television Documentary: 1989-1995.
by:
(Electronic resources)
Viewing the World After Structural Film: Realist Impulses in Experimental Cinema.
by:
(Electronic resources)
Old Acquaintances and New Sisterhoods: Female Friendship in Classical Hollywood Cinema.
by:
(Electronic resources)
Elevating the Ugly: Technology and Aesthetics in the Films of Lars Von Trier.
by:
(Electronic resources)
Make Love and War: Chinese Popular Romance in "Greater East Asia," 1937-1945.
by:
(Electronic resources)
Traveling abroad, writing nationalism, and performing in disguise: People on the Japanese colonial boundaries, 1909-1943.
by:
(Electronic resources)
Healthy realism: Paradoxical aesthetics, ideology, and nationbuilding in Taiwan cinema 1964-1982.
by:
(Electronic resources)
IntiIntimacy Direction: A New Role in Contemporary Theatre Makingmacy Direction: A New Role in Contemporary Theatre Making.
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(Electronic resources)
A Semiotic Approach to Visual Analysis of Dress: Symbolic Communication of Clothing Color, Cut, and Composition Through the French Film Costumes of Anais Romand.
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(Electronic resources)
The Directing Vision, Style, and Development of a Short Film: Heroes of Edelstein.
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(Electronic resources)
All Roads Lead to Chicago: Encyclopaedia Britannica Films, the Institute of Design, and Nontheatrical Film.
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(Electronic resources)
Threatened by the Outback: Landscape and Ecology in the Australian New Wave.
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(Electronic resources)
Why Can't We Be Friends: The Legitimization of Police Violence in the Buddy-Cop Film Genre.
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Art, Activism and Sundarbans: A Case Study of Musical Environmental Movement through Film.
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Off-Broadway: The Intersection of Theater and the Television & Media Industry.
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(Electronic resources)
Decolonizing Documentary in Pakistan: Representation Through Colonial, Activist and State-Sponsored Documentaries.
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(Electronic resources)
History in Contemporary Russian Cinema: Patriotic Dreams, Complicated Memories = = Cagdas Rus sinemasinda tarih, vatansever hayaller, karmasik hafizalar.
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Picturing Everyday Life: Politics and Aesthetics of Saenghwal in Postwar South Korea, 1953-1959.
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(Electronic resources)
(Straight) White Men Can't Dance: The Dancing Body as Racial and Gendered Ideology in American Popular Culture from 1980 to 2018.
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(Electronic resources)
Documentary-Style Educational Video for Online Learners : = Student Perceptions of an Innovative Approach to Learning.
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(Electronic resources)
Essays on Education and Comparative Advantage in Trade, Immigration and Gender Disparity in Film Industry.
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(Electronic resources)
Forms of Illness : = Georges Canguilhem and Vital Normativity in Philosophy, Cinema, and Literature.
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Radiant Sites : = Projection and the Mobile Spectator in Contemporary Moving-Image Installations.
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(Electronic resources)
Nuclear Citizenship : = Mary Kavanagh and Photography as Civil Resistance.
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Unspoken Hers : = Affect Theory, Essay Film, and a Cinematic Experience of Women's Affect = Wei shui de ta : qing gan li lun, ying xiang san wen, han yi chang nü xing qing gan de dian ying ti yan
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Taiwan Pulp! The Emergence and Consumption of Taiwan Exploitation Film in the Trans-Asian Cultural Cold War (1970s-1980s).
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The Cold War Comic : = Power and Laughter in Taiwan and South Korea 1948-1979.
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(Electronic resources)
The ends of my American memory : = Fiction and an essay on gnostical autobiography.
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(Electronic resources)
Music's Visual Waves : = Popular Music Technology and Audiovisual Aesthetics.
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(Electronic resources)
Spectacular Flesh : = Erotic Horror as Feminist Praxis in Women's Literature & Film.
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Virtual Documentary : = The Virtual Real and Its Rhetorical Legitimations.
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(Electronic resources)
A Disputed Country : = Italy, Migrants, and National Identity in Contemporary Films and Documentaries.
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From Paintings to Pornography : = (Re)Animating Archives in French Documentary.
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(Electronic resources)
We Would Strike : = Documentary Beyond Representation in a Post-Industrial Spanish Town.
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(Electronic resources)
New Medium Specificities : = Toward a Politics and a Poetics of Digital Cinema.
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(Electronic resources)
"By the Way, Meet Vera Stark" : = An Exploration of Process, Film, and Collaboration.
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Blurring the Color Line : = Disrupting Race, Gender, and Historical Narratives Through Documentary Film.
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Remapping the Boundaries of Polynesian Hospitality : = KANaka Maoli Strategies to Sustain Ancestral Relationships to Material and Spiritual Ecologies of Ko'Olau Ka'AIna O Ka Wai a Kane.
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Watching the Watchers : = Contemporary Television, Complex Seriality, and Media Literacy.
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Media and Stereotypes on Interethnic Communication : = A Study of Framing African American-Hispanic Romantic Relationships in Film.
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The hyperorchestra : = A study of a virtual musical ensemble in film music that transcends reality.
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Austentatious Aspirations : = How Janeite Women Writers Create and Expand Their Own Cultural Communities Through Recounting and Adapting Jane Austen's Original Works in Literature and Film.
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From True Story to Script : = The Process of Creating a Successful Adaptation.
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A Study on Dramaturgy for AI Screenplays : = Writing Alternative Narratives Using GPT.
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Screen Education : = Using Exhibitions to Research Museums in Movies and Learning Through Film.
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(Electronic resources)
From Curating to Cedong : = Long March : A Walking Visual Display and the Emergence of Contemporary Chinese Curating.
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Playing with Cinema : = The Development of Audio-Visual Style in Video Games.
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Projecting the Word : = A Christological Exploration of Film and Theology.
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(Electronic resources)
"One Must Go Forth to Evil Houses" : = Kitsch, the Aesthetic Sense, and the Ethics of Negative Thinking.
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The Parameters of Participatory Play : = Nostalgic Situationism for The 21st Century.
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"To Him, We Are Just Things" : = A Feminist Critique on the Evolution of Women's Representation in the Marvel Cinematic Universe.
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Between Film, Video, and the Digital : = The Art of Hybrid Moving Images, Medium Specificity, and Intermediality.
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Modern Spaces and Cinema : = Movie Theaters and City Films in Wilhelmine and Weimar Berlin.
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From Creation to Preservation : = Film Laboratories in the Moving Image Archiving and Preservation Field.
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(Electronic resources)
An Audiovisual Media-Based Curriculum for an Intermediate German Language Course : = Design, Implementation, and its Effects on Listening Comprehension.
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"That Danger Shall Seem Sport": Shakespearean Romantic Comedy for a Postfeminist Era.
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From Bestseller to the Big Screen : = The Acquisition and Development of Popular Novels in Classical Hollywood.
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Film Stories and Empathy : = Do Prosocial Characters Make an Audience More Empathetic?
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Wuxia-Made Hong Kong a Socio-Political History of Martial Arts Cinema from 1949-1976.
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Cinematic Mappings of Chinese Ethnic Minorities : = Discourse Dynamics in National and Translocal Film Production, Consumption, and Circulation, 1949-1999.
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The Ecological Imagination : = Nature, Technology, and Criticism in Chinese Science Fiction, 1976-Today.
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Cinematic Poe : = A Survey of Films Inspired by Edgar Allan Poe and Their Importance in Film History.
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