Cultural and Media Studies.
Overview
| Works: | 604 works in 604 publications in 604 languages | |
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Titles
Contemporary Japanese women's theatre and visual arts = performing girls' aesthetics /
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(Electronic resources)
Queer dramaturgies = international perspectives on where performance leads queer /
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(Electronic resources)
Digital identity and everyday activism = sharing private stories with networked publics /
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(Electronic resources)
Media and political contestation in the contemporary Arab world = a decade of change /
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(Electronic resources)
Participatory politics and citizen journalism in a networked Africa = a connected continent /
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(Electronic resources)
Applied cyberpsychology = practical applications of cyberpsychological theory and research /
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(Electronic resources)
Discursive processes of intergenerational transmission of recent history = (re)making our past /
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(Electronic resources)
The greatest comic book of all time = symbolic capital and the field of American comic books /
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Revisiting the Mexican student movement of 1968 = shifting perspectives in literature and culture since Tlatelolco /
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(Electronic resources)
Public spheres and mediated social networks in the Western context and beyond
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(Electronic resources)
Beyond immersive theatre = aesthetics, politics and productive participation /
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(Electronic resources)
The creative system in action = understanding cultural production and practice /
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(Electronic resources)
Gender and sexuality in Latin American horror cinema = embodiments of evil /
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(Electronic resources)
New queer Sinophone cinema = local histories, transnational connections /
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(Electronic resources)
Anti-war theatre after Brecht = dialectical aesthetics in the twenty-first century /
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(Electronic resources)
Gothic forensics = criminal investigative procedure in Victorian horror & mystery /
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Afro-Latin@s in movement = critical approaches to blackness and transnationalism in the Americas /
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Postcolonial perspectives on the European high north = unscrambling the Arctic /
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Gender violence in failed and democratic states = besieging perverse masculinities /
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African cultural heritage conservation and management = theory and practice from Southern Africa /
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Children and the politics of sexuality = the sexualization of children debate revisited /
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Sound, symbol, sociality = the aesthetic experience of extreme metal music /
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Media archaeologies, micro-archives and storytelling = re-presencing the past /
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Miami's forgotten Cubans = race, racialization, and the Miami Afro-Cuban experience /
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Ethno identity dance for sex, fun and profit = staging popular dances around the world /
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Urban social listening = potential and pitfalls for using microblogging data in studying cities /
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Objects in Italian life and culture = fiction, migration, and artificiality /
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(Electronic resources)
History as theatrical metaphor = history, myth and national identities in modern Scottish drama /
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(Electronic resources)
Contemporary publics = shifting boundaries in new media, technology and culture /
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(Electronic resources)
The British school film = from Tom Brown to Harry Potter : representations of secondary education in British cinema /
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Ubuntu strategies = constructing spaces of belonging in contemporary South African culture /
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Gilbert and Sullivan's 'respectable capers' = class, respectability and the Savoy Operas 1877-1909 /
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(Electronic resources)
Performing China on the London stage = Chinese opera and global power, 1759--2008 /
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(Electronic resources)
Micro-blogging memories = Weibo and collective remembering in contemporary China /
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(Electronic resources)
Embodied philosophy in dance = Gaga and Ohad Naharin's movement research /
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(Electronic resources)
The Afro-Latin@ experience in contemporary American literature and culture = engaging blackness /
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(Electronic resources)
Migrating modernist performance = British theatrical travels through Russia /
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(Electronic resources)
Migration and performance in contemporary Ireland = towards a new interculturalism /
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(Electronic resources)
The Britannia Panopticon Music Hall and cosmopolitan entertainment culture
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(Electronic resources)
The theatre of death - the uncanny in mimesis = Tadeusz Kantor, Aby Warburg, and an iconology of the actor /
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Children's healthcare and parental media engagement in urban China = a culture of anxiety? /
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(Electronic resources)
The posthuman body in superhero comics = human, superhuman, transhuman, post/human /
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Industrial approaches to media = a methodological gateway to industry studies /
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(Electronic resources)
The Ministry of Education film experiment = from post-war visual education to 21st century literacy /
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(Electronic resources)
Visualizing the Palestinian struggle = towards a critical analytic of Palestine solidarity film /
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(Electronic resources)
Hybrid practices in moving image design = methods of heritage and digital production in motion graphics /
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Contemporary women's gothic fiction = carnival, hauntings and vampire kisses /
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(Electronic resources)
The British official film in South-East Asia = Malaya/Malaysia, Singapore and Hong Kong /
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The state of post-cinema = tracing the moving image in the age of digital dissemination /
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The Shawshank experience = tracking the history of the world's favorite movie /
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Paradoxical japaneseness = cultural representation in twenty-first century japanese cinema /
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Gender, metal and the media = women fans and the gendered experience of music /
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Queering the Chilean way = cultures of exceptionalism and sexual dissidence, 1965-2015 /
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(Electronic resources)
Intermedial praxis and practice as research = 'doing-thinking' in practice /
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Transgender and intersex = theoretical, practical, and artistic perspectives /
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The queer Greek weird wave = ethics, politics and the crisis of meaning /
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Methodological reflections on researching communication and social change
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Citizens, Europe and the media = have new media made citizens more eurosceptical? /
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The reinvention of populist rhetoric in the digital age = insiders & outsiders in democratic politics /
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International Theatre Olympics = the artistic and intercultural power of olympism /
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(Electronic resources)
The digital transformation of the public sphere = conflict, migration, crisis and culture in digital networks /
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(Electronic resources)
The Palgrave handbook of sound design and music in screen media = integrated soundtracks /
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The visual divide between Islam and the West = image perception within cross-cultural contexts /
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Reading Radio 4 = a programme-by-programme analysis of Britain's most important radio station /
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Female olympians = a mediated socio-cultural and political-economic timeline /
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(Electronic resources)
Cuban film media, late socialism, and the public sphere = imperfect aesthetics /
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Transmedia crime stories = the trial of Amanda Knox and Raffaele Sollecito in the globalised media sphere /
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Scripting the environment = oil, democracy and the sands of time and space /
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(Electronic resources)
Terror in global narrative = representations of 9/11 in the age of late-late capitalism /
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(Electronic resources)
Digital activism in the social media era = critical reflections on emerging trends in sub-Aaharan Africa /
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Playful memories = the autofictional turn in post-dictatorship Argentina /
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A justice-based approach for new media policy = in the paths of righteousness /
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Transnational contexts of culture, gender, class, and colonialism in play = video games in East Asia /
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Mainstreaming Islam in Indonesia = television, identity, and the middle class /
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W.C. Fields from the Ziegfeld Follies and Broadway stage to the screen = becoming a character comedian /
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Transnational contexts of development history, sociality, and society of play = video games in East Asia /
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Feminist activism and digital networks = between empowerment and vulnerability /
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The theatre of Romeo Castellucci and Societas Raffaello Sanzio = from icon to iconoclasm, from word to image, from symbol to allegory /
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Transnational horror cinema = bodies of excess and the global grotesque /
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Health communication in the changing media landscape = perspectives from developing countries /
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Reframing immersive theatre = the politics and pragmatics of participatory performance /
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(Electronic resources)
Educational theatre for women in post-World War II Italy = a stage of their own /
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The changing place of Europe in global memory cultures = usable pasts and futures /
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Cognitive approaches to German historical film = seeing is not believing /
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Bernard Shaw and Beatrice Webb on poverty and equality in the Modern World, 1905-1914
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Bernard Shaw, W. T. Stead, and the New Journalism = Whitechapel, Parnell, Titanic, and the Great War /
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September 11, 2001 as a cultural trauma = a case study through popular culture /
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Spanish Gothic = national identity, collaboration and cultural adaptation /
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Modernism, ethics and the political imagination = living wrong life rightlyv/
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Popular music studies today = proceedings of the International Association for the Study of Popular Music 2017 /
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Staging queer feminisms = sexuality and gender in Australian performance, 2005-2015 /
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(Electronic resources)
Environmental news in South America = conflict, crisis and contestation /
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(Electronic resources)
Intermedial theater = performance philosophy, transversal poetics, and the future of affect /
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Traditional Chinese leisure culture and economic development = a conflict of forces /
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Technoliberalism and the end of participatory culture in the United States
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Contemporary film music = investigating cinema narratives and composition /
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(Electronic resources)
Liberation technology in El Salvador = re-appropriating social media among alternative media projects /
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(Electronic resources)
Korean modernization and uneven development = alternative sociological accounts /
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Bad girls and transgressive women in popular television, fiction, and film
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(Electronic resources)
The cultural life of capitalism in Yugoslavia = (post)socialism and Its other /
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British Broadcasting and the public-private dichotomy = neoliberalism, citizenship and the public sphere /
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The uses of reason in the evaluation of artworks = commentaries on the Turner Prize /
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Sports journalism and coming out stories = Jason Collins and Michael Sam /
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Sherlock Holmes from screen to stage = post-millennial adaptations in British theatre /
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Entertainment values = how do we assess entertainment and why does it matter? /
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Historical theory and methods through popular music, 1970-2000 = "Those are the New Saints" /
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Death, image, memory = the genocide in Rwanda and its aftermath in photography and documentary film /
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Social media and e-diplomacy in China = scrutinizing the power of Weibo /
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Memory as colonial capital = cross-cultural encounters in French and English /
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RuPaul's Drag Race and the shifting visibility of drag culture = the boundaries of reality TV /
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The politics of postmemory = violence and victimhood in contemporary Argentine culture /
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Affect and belonging in contemporary Spanish fiction and film = crossroads visions /
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Mobile media technologies and poiesis = rediscovering how we use technology to cultivate meaning in a nihilistic world /
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King returns to Washington = explorations of memory, rhetoric, and politics in the Martin Luther King, Jr. National Memorial /
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Regimes of invisibility in contemporary art, theory and culture = image, racialization, history /
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Citizenship, democracies, and media engagement among emerging economies and marginalized communities
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Immersive theatre and audience experience = space, game and story in the work of Punchdrunk /
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Formations of masculinity in post-communist Hungarian cinema = labyrinthian men /
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Cultural intermediaries = audience participation in media organisations /
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New activities for cultural heritage = proceedings of the International Conference HeritageBot 2017 /
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Performance for resilience = engaging youth on energy and climate through music, movement, and theatre /
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Elizabethan and Jacobean reappropriation in contemporary British drama = 'Upstart crows' /
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Popular theatre and political utopia in France, 1870-1940 = active citizens /
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Moral panics, mental illness stigma, and the deinstitutionalization movement in American popular culture
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Digital technology and journalism = an international comparative perspective /
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Social trauma and telecinematic memory = imagining the Turkish nation since the 1980 coup /
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Reassessing the Hitchcock touch = industry, collaboration, and filmmaking /
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How political actors use the media = a functional analysis of the media's role in politics /
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Media and affective mythologies = discourse, archetypes and ideology in contemporary politics /
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Time, technology and narrative form in contemporary US television drama = pause, rewind, record /
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Cultural, autobiographical and absent memories of orphanhood = the girls of Nazareth House remember /
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Evolving Euroscepticisms in the British and Italian press = selling the public short /
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Constructing transgressive sexuality in screenwriting = the feiticeiro/a as character /
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Contemporary British artists of African descent and the unburdening of a generation
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Journalism and social media = practitioners, organisations and institutions /
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Mediatized China-Africa relations = how media discourses negotiate the shifting of global order /
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Proceedings of the 6th International Conference of Arte-Polis = imagining experience: creative tourism and the making of place /
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Okinawa under occupation = McDonaldization and resistance to neoliberal propaganda /
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Adaptation and nation = theatrical contexts for contemporary English and Irish drama /
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Homosexuality and Italian cinema = from the fall of Fascism to the years of lead /
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Fans, blockbusterisation, and the transformation of cinematic desire = global receptions of the 'Hobbit' film trilogy /
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Subversive adaptations = Czech literature on screen behind the Iron Curtain /
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International performance research pedagogies = towards an unconditional discipline? /
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DVD, Blu-ray and beyond = navigating formats and platforms within media consumption /
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Hospitality, rape and consent in vampire popular culture = letting the wrong one in /
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Transnational European television drama = production, genres and audiences /
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Dynamics of mediatization = institutional change and everyday transformations in a digital age /
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Risk, participation, and performance practice = critical vulnerabilities in a precarious world /
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Ageing women in literature and visual culture = reflections, refractions, reimaginings /
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Talking bodies = interdisciplinary perspectives on embodiment, gender and identity /
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Poison and poisoning in science, fiction and cinema = precarious identities /
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Genre trouble and extreme cinema = film theory at the fringes of contemporary art cinema /
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Domestic imaginaries = navigating the home in global literary and visual cultures /
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Alan Moore, out from the underground = cartooning, performance, and dissent /
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The social life of memory = violence, trauma, and testimony in Lebanon and Morocco /
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Adaptation in visual culture = images, texts, and their multiple worlds /
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Replicating Atonement = foreign models in the commemoration of atrocities /
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Gender in Spanish urban spaces = literary and visual narratives of the new millennium /
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Women in European Holocaust films = perpetrators, victims and resisters /
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Contemporary cinema and 'old age' = gender and the silvering of stardom /
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Narrating the global financial crisis = urban imaginaries and the politics of myth /
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Latin American heritage = Interdisciplinary Dialogues on Brazilian and Argentinian Case Studies /
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Private print media, the state and politics in colonial and post-colonial Zimbabwe
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Barack Obama is Brazilian = (re)signifying race relations in contemporary Brazil /
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Neo-Victorianism on screen = postfeminism and contemporary adaptations of Victorian women /
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Networks, movements and technopolitics in Latin America = critical analysis and current challenges /
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Communicative figurations = transforming communications in times of deep mediatization /
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Media logic(s) revisited = modelling the interplay between media institutions, media technology and societal change /
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Mixed-race politics and neoliberal multiculturalism in South Korean media
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Traitors, collaborators and deserters in contemporary European politics of memory = formulas of betrayal /
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Thomas Hamblin and the Bowery Theatre = the New York reign of "Blood and Thunder" melodramas /
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Choreographing the airport = field notes from the transit spaces of global mobility /
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Local movie supply in the german motion picture industry = an industrial organization perspective /
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Post-unification Turkish German cinema = work, globalisation and politics beyond representation /
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Subverting mainstream narratives in the Reagan era = giving power to the people /
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Media reforms and democratization in emerging democracies of Sub-Saharan Africa
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Theatricality and performativity = writings on texture from Plato's cave to urban activism /
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The future of audiences = a foresight analysis of interfaces and engagement /
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Exploring the selfie = historical, theoretical and analytical approaches to digital self-photography /
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Introduction to western culture = cultural history, religion, politics, folklore and tourism /
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Bernard Shaw's fiction, material psychology, and affect = Shaw, Freud, Simmel /
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Independent television production in the UK = from cottage industry to big business /
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Boys, bass and bother = popular dance and identity in UK drum 'n' bass club culture /
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Girls who like boys who like boys = women and gay male pornography and erotica /
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Free speech and false speech = political deception and its legal limits (or lack thereof) /
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Viral dramaturgies = HIV and AIDS in performance in the twenty-first century /
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Understanding western culture = philosophy, religion, literature and organizational culture /
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The spectacle of politics and religion in the contemporary Turkish cinema
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Theaters of error = problems of performance in German and French enlightenment theater /
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Radio critics and popular culture = a history of British radio criticism /
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Artists' voices in cultural policy = careers, myths and the creative profession after German unification /
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Cultural identity in British musical theatre, 1890-1939 = knowing one's place /
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Women activists and civil rights leaders in auto/biographical literature and films
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Reporting the road to Brexit = international media and the EU Referendum 2016 /
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Communicating national image through development and diplomacy = the politics of foreign aid /
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Digital echoes = spaces for intangible and performance-based cultural heritage /
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Tatler's irony = conspicuous consumption, inconspicuous power and social change /
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Cecil B. DeMille, classical Hollywood, and modern American mass culture = 1910-1960 /
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Visible and invisible whiteness = American white supremacy through the cinematic lens /
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An investigative cinema = politics and modernization in Italian, French, and American film /
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Architecture, urban space and war = the destruction and reconstruction of Sarajevo /
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Racism and early blackface comic traditions = from the old world to the new /
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Theatre and Music in Manila and the Asia Pacific, 1869-1946 = Sounding Modernities /
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World heritage conservation in the Pacific = the case of Solomon Islands /
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From analogue to digital radio = competition and cooperation in the UK radio industry /
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The road to wicked = the marketing and consumption of Oz from L. Frank Baum to Broadway /
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Economies of collaboration in performance = more than the sum of the parts /
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The talent industry = television, cultural intermediaries and new digital pathways /
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Robert Lepage's scenographic dramaturgy = the aesthetic signature at work /
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The theatre of imagining = a cultural history of imagination in the mind and on the stage /
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