Film and Television Studies.

Language and manipulation in House of Cards = a pragma-stylistic perspective / by: (Electronic resources)

Irony in film by: (Electronic resources)

Abel Gance and the end of silent cinema = sounding out Utopia / by: (Electronic resources)

The Tories and television, 1951-1964 = broadcasting an elite / by: (Electronic resources)

Philosophy and Breaking bad by: (Electronic resources)

German ecocriticism in the anthropocene by: (Electronic resources)

Global knowledge dynamics and social technology by: (Electronic resources)

Media and food industries = the new politics of food / by: (Electronic resources)

Locating Nordic noir = from Beck to The Bridge / by: (Electronic resources)

Constructing transgressive sexuality in screenwriting = the feiticeiro/a as character / by: (Electronic resources)

Teaching medicine and medical ethics using popular culture by: (Electronic resources)

Animals on television = the cultural making of the non-human / by: (Electronic resources)

Women, camp, and popular culture = serious excess / by: (Electronic resources)

Representing Education in Film = How Hollywood Portrays Educational Thought, Settings, and Issues / by: (Electronic resources)

Post-unification Turkish German cinema = work, globalisation and politics beyond representation / by: (Electronic resources)

Reluctant celebrity = affect and privilege in contemporary stardom / by: (Electronic resources)

Doctor Who = a British alien? / by: (Electronic resources)

Women's domestic activity in the romantic-period novel, 1770-1820 = dangerous occupations / by: (Electronic resources)

Teaching narrative by: (Electronic resources)

The spectacle of politics and religion in the contemporary Turkish cinema by: (Electronic resources)

Women activists and civil rights leaders in auto/biographical literature and films by: (Electronic resources)

The talent industry = television, cultural intermediaries and new digital pathways / by: (Electronic resources)

Professional and business ethics through film = the allure of cinematic presentation and critical thinking / by: (Electronic resources)

Television series as literature by: (Electronic resources)

Feminist literary and cultural criticism = an analytical approach to space / by: (Electronic resources)

Discourses of migration in documentary film = translating the real to the reel / by: (Electronic resources)

Streaming and screen culture in Asia-Pacific by: (Electronic resources)

Transformation of contemporary film genre = the aesthetics of Chinese mainland mainstream cinema / by: (Electronic resources)

Serial killing on screen = adaptation, true crime and popular culture / by: (Electronic resources)

Rethinking film festivals in the pandemic era and after by: (Electronic resources)

Philosophy of film without theory by: (Electronic resources)

The art of dying = 21st century depictions of death and dying / by: (Electronic resources)

British youth television = transnational teens, industry, genre / by: (Electronic resources)

Expressive spaces in digital 3D cinema by: (Electronic resources)

The Egyptian military in popular culture = context and critique / by: (Electronic resources)

The long take = critical approaches / by: (Electronic resources)

Indigenous creatures, native knowledges, and the arts = animal studies in modern worlds / by: (Electronic resources)

DVD, Blu-ray and beyond = navigating formats and platforms within media consumption / by: (Electronic resources)

Transnational European television drama = production, genres and audiences / by: (Electronic resources)

Shakespeare / not Shakespeare by: (Electronic resources)

Netflix and the re-invention of television by: (Electronic resources)

Adaptable TV = rewiring the text / by: (Electronic resources)

Alfred Bester's the stars my destination = a critical companion / by: (Electronic resources)

Geography of horror = spaces, hauntings and the American imagination / by: (Electronic resources)

Onscreen allusions to Shakespeare = international films, television, and theatre / by: (Electronic resources)

Performing against annihilation = identity and consciousness in J.R.R. Tolkien, Richard Wagner and George R.R. Martin / by: (Electronic resources)

Frank Herbert's "Dune" = a critical companion / by: (Electronic resources)

Materiality of cooperation by: (Electronic resources)

Violence, conflict and discourse in Mexican cinema (2002-2015) by: (Electronic resources)

Class divisions in serial television by: (Electronic resources)

Celebrity and the feminist blockbuster by: (Electronic resources)

Digital platforms and feminist film discourse = women's cinema 2.0 / by: (Electronic resources)

Gender and Islam in Indonesian cinema by: (Electronic resources)

British Broadcasting and the public-private dichotomy = neoliberalism, citizenship and the public sphere / by: (Electronic resources)

Hesitant histories on the Romanian screen by: (Electronic resources)

Musical modernism and German cinema from 1913 to 1933 by: (Electronic resources)

Advertising in contemporary consumer culture by: (Electronic resources)

The forgotten victims of sexual violence in film, television and new media = turning to the margins / by: (Electronic resources)

Knights of cinema = the story of the palestine film unit / by: (Electronic resources)

Academia and higher learning in popular culture by: (Electronic resources)

Beyond Shakespeare = film studies, performance studies, and Netflix / by: (Electronic resources)

Seventh Art's perspective on ethical conduct and corporate irresponsibility = financiers and accountants / by: (Electronic resources)

Diagnosing contemporary philosophy with the Matrix movies by: (Electronic resources)

Children's reading of film and visual literacy in the primary curriculum = a progression framework model / by: (Electronic resources)