Arts management.
概要
| 作品: | 343 作品在 0 項出版品 0 種語言 | |
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書目資訊
The Market for Chinese Contemporary Ceramics Art An Overview and Analysis of the Chinese Art Market from 1978 to 2015.
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The buck stops here: Financial management strategies in folk and traditional arts organizations.
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Fashion as art: How objects of fashion have become legitimate works of art and investable goods.
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The elusive art coordinator, the merging of art education, art therapy, and art administration in a special needs facility.
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Cocreating value in knowledge-intensive business services: An empirically-grounded design framework and a modeling technique.
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Community engagement and adaptive reuse: The intersection of sustaining multi-use art space in Washington, DC.
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Predicting Music Revenue: A hierarchical linear modeling approach with sensitivity analyses.
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Public art as an agent of neighborhood identity and cultural expression: Lessons from Chicago's Pilsen neighborhood.
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The Legacy of the Lady: The American Female Collector and the Legacy of her Collection.
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Capitalizing on creativity and commercialization: Art and music collaboration and crossover.
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Art and politics: The role of government in the development of the contemporary Russian art market.
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Art Lending Incorporated: Revealing the Mutually Beneficial Relationship between Corporations and Museums.
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Plotting Print Prices for Modern Masters: A Comparative Study on the Retail, Auction, and Online Market for Prints.
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Intercultural arts programs: Assisting the transition from homogeneous to multicultural society.
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Art therapy intervention to assess the presence of unresolved war trauma with Greek-Cypriot survivors of the 1974 war.
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Producing on the fringe: How fringe festival structure impacts participant experience.
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Places of our own, spaces of our own: A look at the National Museum of Mexican Art and the National Hispanic Cultural Center.
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Strength in numbers: Data-driven strategic marketing in mid-sized to large performing arts organizations.
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Building social capital through intergenerational art participation: An analysis on trends in generational social capital.
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Getting Attention for a Ceramic Art Exhibition: A Case Study of a Nonprofit's Promotional Campaign.
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International cultural exchange programs: The curious relationship of program design and impact.
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Moving cultures: Contemporary dance initiatives by cultural institutes and successful cultural diplomacy.
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Telling a good story: Presenting living intangible cultural heritage in China and Africa museums.
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Creativity in urban placemaking: Horizontal networks and social equity in three cultural districts.
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Cross-border film production: The neoliberal recolonization of an exotic island by Hollywood pirates.
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An analysis of public art on university campuses: Policies, procedures, and best practices.
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Bread and home: Global cultural politics in the tangible places of intangible heritage (Bulgaria, Cuba, Brazil).
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How we pay the piper: The impact of sources of government funding on arts and culture nonprofit organizations.
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The North Carolina Symphony: A case study in fiscal sustainability strategies for a large American orchestra.
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Critical analysis of Japanese contemporary art: In context of the domestic and global art markets from 1980s to 2010s.
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Art as a Method of Revitalization in Post-Katrina New Orleans: Proposal for Artist Relocation Program.
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Why Do Art Dealers (Still) Print Catalogues? The Challenges of Publishing Art in the Digital Era.
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Best practices of online auctions: A discussion on logistical processes and their effect on customer trust.
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The Powerful Affect of Provenance: The Analysis of Ownership History and its Influence on Value.
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Automobiles, Art, and Auctions: A Study of the Practice, History, and Potential Growth of Collectible Car Auctions.
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Australian art: The forgotten genre awaiting rediscovery in the New York and London art markets.
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The impact of online and social media platforms in the art market: A case study on Instagram.
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Looking Forward Through The Past: An Analysis of the Past, Present, and Future of the Contemporary Indian Art Market.
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A Case Study of the Influence of Multipurpose Spaces on Campus Life at an Institution of Art and Design.
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West Meets East: A South Florida Cultural Enrichment Program Introducing Traditional Chinese Music.
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The Overall Factors that Inhibit the Professional Development of Chinese Jingdezhen Ceramic Artists.
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Arts participation and career preparedness: A pragmatic approach to assessing arts benefits.
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Strategies for Urban Cultural Policy: The Case of the Hub City of Asian Culture Gwangju, South Korea.
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Beyond the Temples and Palaces: The Importance of Unusual Art Spaces in the Twenty-First Century.
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Entangled relations: Signs and consequences of conflated patronage at the Metropolitan Museum of Manila from 1976-1986.
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What do working performers in the Washington, DC area know: Describing arts advocacy & community.
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Measuring Social Impact on Art Nonprofit Organizations in the City of Denver, Colorado.
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An Analysis of the Evolution of the Contemporary Art Dealer: Specific to Emerging Dealers in the Lower East Side and Bushwick.
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Know Your Stuff: The Role of a Museum Board in Collections Policy of Historical Societies.
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Public Pedagogy and Relational Philanthropy: An Insider Action Research Study of Columbus SOUP.
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Is this working? A study on measuring the effectiveness of efforts to diversify the theatre management field.
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Commodifying Choreography: The Sale, Licensing, and Appraisal of Concert Dance Repertory.
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Developing Leadership for Canadian Museums: Linking Self-Leadership to Community Relevance.
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Making Art a Habit: A Social Business Model to Sustain Artists' Production and Increase Art Visibility.
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Public Secondary Instrumental Music Educators' Use of Teaching Artists to Meet the Needs of the 21st Century Student.
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The Low-Profit Limited Liability Company as an alternative business structure in American theatre.
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Motivation Strategies for Improving Consistency in Live-Entertainment Employees' Performances.
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Community Engagement Or Community Outreach? A Case Study Of The Tallahassee Community Chorus And Its Unity Concert.
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Exploring Stakeholder Perceptions Toward Strategic Planning and Leadership in Arts-Based Nonprofits.
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Dr. Arthur Caswell Parker and His Impact on the Rochester Museum of Arts and Sciences and Native Americans.
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A Comparative Analysis of the Business Models of Three Project-Based Professional Choirs.
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Job Satisfaction of Orchestral Musicians: The Effects of Non-Performance Organizational Roles.
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Telling Stories to a New Generation: How Technology and Media Have Shaped Contemporary Storytelling.
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An Examination of South Florida University Students' Leisure Motivation in Arts Participation.
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"The Local" and "The Tourist": Shared Challenges and Opportunities for Honolulu Arts Organizations.
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Examining the Use of Digital Marketing Tools Among Visual Artists for Purposeful Career Development.
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The Evolution of the Small to Mid-Level/Mid-Sized Gallery Business Model in New York City.
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Management and Preservation of Animation Cels in Archives, Libraries, and Museums in the United States.
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Pop Cultures: A Comparative Analysis of the American and South Korean Record Industries.
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Arts and Activism: Examining the Relationship Between Activism, the Institution, and the Arts Administrator.
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Young Adults and Nonprofit Arts and Culture Organizations: A Generational Change Analysis.
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What about Us? Inclusivity, Community, and the Future of Sustainability in African-American Museums.
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How Does Contemporary Artists Consolidate Their Success and Achievements through Social Media Platform Such as Instagram?
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Developing and Experiencing Visitor-Centered Exhibitions with the Supported Interpretation (SI) Model: A Double Case Study.
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The Development of Taiwanese Dance Groups after Attending International Folklore Dance Festivals.
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Negotiating Culture: The Discourse of Art and the Position of the Artist in 1980s China.
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Developing a Sustainable Business Model for Theatres: A Case Study of Kansas City's Starlight Theatre.
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Networked Alternatives: Digital Curation and Artistic Production on Artist-Run Platforms.
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Accessibility Audit of D.C. Theatres: Local Accommodation Practices for Deaf and Hard-of-Hearing Audiences.
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Contemporary Japanese Art Auction Market 2008-2017 with an Overview, Art Movement and Artist Analysis.
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Achieving Diversity in Art Museum Staff: Understanding the Role of Statistical Data and Social Commentary.
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Museum to Museum Collaboration: Exploring the Relationships Between Museums and Cultural Organizations in Denver, Colorado.
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Craft Production, Development, and Tourism: Evaluating the Kente Business in Kpetoe, Ghana.
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Understanding the Job Information Sources Used by Students Enrolled in a Liberal Arts and Management Program.
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How a Global Pandemic has Changed the Relationship between Technology and Visual Arts Organizations.
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Art for a N[ot]Ation: An Ethics of Curating the Group of Seven and Their Contemporaries.
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Creativity in a Changing World: How Personality, Work Environment, and Flexibility Affect Employee Creativity.
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History and Belonging: A Phenomenological Study of Participatory Public Art Murals in Colorado.
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Risk Management for Small and Mid-Sized Contemporary Art Galleries in the United States.
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The Integration and Innovation of Chinese and Western Painting-Study of Pang Xunqin's Art.
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"The Excavation of Artistic Process; Mining for Knowledge, Technique and Materials to Create Form.".
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Wayfinding for Novice Art Museum Educators: A Post-Intentional Phenomenological Exploration.
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Arts and Culture Influencers: Two Philanthropists' Impact on the Northeast Ohio Region.
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A Look at Arts Funding in Europe: Sustainable Revenue Models in a Time of Dwindling Public Funding.
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South African Festivals in the United States: An Expression of Policies, Power and Networks.
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Brand Succession Planning: How to Transition the Brand of an Organization Together with the Leadership.
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Collaborative and Democratic Organizational Structures in Professional Orchestra Organizations.
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Contemporary Methods of Preserving Land Art: A Case Study of Robert Smithson's Spiral Jetty.
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In Pursuit of the Fourth Dimension: Hayashi Yasuo's Presence in Art History and the Art Market.
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Empowering Community: Conserving Cultural Heritage Through the Cultural Landscape-approach in the Banda Islands, Indonesia.
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Automatic Pigment Classification in Painted Works of Art from Diffuse Reflectance Image Data.
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Data-Centric Policies and Practice: Implications for Publicly Funded Arts and Cultural Organisations in England.
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Parallaxical Identities: Architectural Semantics of Contemporary Arts Institutions and the Curation of Cultural Identity.
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Examining Challenges Managers Face Running Small Arts Organizations in Low Socioeconomic Neighborhoods.
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People Who Need People: The Study of the Human Resources Function at Nonprofit Regional Theatres.
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Radical Queer Gazes: How Lesbian and Nonbinary Contemporary Photographers Are Destabilizing the Male Gaze.
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Strategic Producing Alliances: Are They the Key to Success for Nonprofit Theatre Companies? .
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The Presence of Copley: Animacy, Magic, and Afterlife in American Painting, 1765-1925.
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Impediments to Art Market Growth: Understanding Germany's Disproportionately Small Art Market Share.
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Reimagining Arts Engagement through Gamification and Digital Placemaking: The Intersection of Meaning at Hybrid Spaces.
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Museums in Lockdown: How Digital Media and Remote Offerings Saved the Museum from COVID-19.
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How Does Cross-Generational Management Function: What Are the Challenges and Successes?
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Immersive Media, Social Change, and Creativity: A Framework for Designing Collaborative 360° Video Productions.
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From the Creative Drive to the Musical Product : A Psychoanalytic Account of Musical Creativity.
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Paris Is Always a Good Idea: A Study into Paris' Potential to Regain a Spot at the Top of the European Art Market.
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Choreographing Social Justice: A Study of Dance Choreographers Communicating Social Change.
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The Consequences of Bad Leadership during the COVID-19 Pandemic : = An Agent-Based Model.
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Impact Investing : = Exploring a Common Language Between Stakeholders for the Advancement of the Arts & Cultural Field.
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Applications of Augmented and Virtual Reality at Museums and Archaeological Parks to Improve Sustainability.
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The Immersive Invasion : = Critically Assessing the Popularized Vincent van Gogh Exhibitions.
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The Wave of Digital Revolution : = New Trends in the Emergence, Participation, and Presentation of Metaverse Art.
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Becoming Asia's Next Art Hub : = A Reflection on the Rise of the Contemporary Korean Art Market.
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What Have Art Fairs Brought to China : = Analyzing Art Basel to the Chinese Art Market Under the Global Change.
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Inside the Postdigital Crowds : = The Aesthetics and Politics of the Mediation and Governing of Digitised Crowds.
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The Normative Functions of Artist Intentions in a Twenty-First Century Contemporary Art Practice.
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Packaging Environments : = the Art and Design of the Container Corporation of America.
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Objects in-Between : = Designing a Visual Language for Traversing Personal Identity, Migration and Intercultural Spaces.
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Street Performance in the Making of Global Cultural City Taipei - Licensing, Navigation, Atmosphere.
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Social Media and Museum Brands as Networks: An Actor-Network Theory Study of the Manchester art Gallery.
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Human Resource Management in Nonprofit Arts Organizations and Its Effect on Employee Satisfaction and Retention.
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Decision-Making at the Executive Level: How Boards of Trustees and Search Firms Hire Art Museum Executive Directors.
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Moving beyond Environmental Sustainability toward Eco-Social Practice: Public Art in Southern California.
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A Study of the Impact of Employee Engagement and Empowerment on Performance Management in Nonprofit and Community Theater.
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Role of Art in International Relations: Analysis of the Key Operational Patterns on the Example of French Cultural Cluster.
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