British & Irish literature.
Overview
| Works: | 303 works in 0 publications in 0 languages | |
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Titles
A Cosmopolitics of Conversion: Women's Religious Experience in Victorian British and Colonial Indian Prose.
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"What's the use of trying to read Shakespeare?": Modes of memory in Virginia Woolf's fiction and essays.
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Remembering Modernism in "The Remains of the Day," "Cat's Eye," and "Atonement".
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Works in Progress: Child Characters in Victorian and Postcolonial Fiction, 1814 - 2006.
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Fundamental approaches to English poetry for Chinese and other ESL/EFL students.
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Confrontation and withdrawal: Initiation in the novels of Mark Twain, Henry James, and Cao Xueqin.
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Transfiguration maxima!: Harry Potter and the complexities of filmic adaptation.
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Critical introductions to pioneering works of social realism from the early Abbey Theatre.
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Pound, Williams, and Chinese poetry: The shaping of a Modernist tradition, 1913-1923.
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"The Nations of the Field and Wood": The Uncertain Ontology of Animals in Eighteenth-Century British Literature.
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Fragile Spectres: How Women of Victorian Britain Used the Occult and Spiritualist Movement to Create Autonomy.
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The republic of letters: Epistolarity, the public sphere, and the rise of the novel.
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Split wounds: Diverging formations of trauma in "The Diagnostic and Statistical Manual of Mental Disorders" v, "Girl with the Dragon Tattoo", "And the Rat Laughed", and "Once Were Warriors".
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Threatened masculinity in English fiction (1883-1915) and Cold War German cinema (1966-1986).
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Moving words/motion pictures: Proto-cinematic narrative in nineteenth-century British fiction.
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Gender and the king's two bodies: Interpreting female characters in select Elizabethan and Jacobean drama.
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"Make several kingdoms of this monarchy": Place and identity in early modern drama.
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Buying Thebes: Promoting a Cultural Commonwealth in Contemporary Anglophone Adaptations of Greek Tragedy.
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Introducing Shakespeare early: Why, when, and how to teach Shakespeare to elementary and middle school students.
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Not without literature: Joyce with Lacan in the reinvention of psychoanalysis.
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The Gothic Fantasy of History: Fear and Loss in the British Long Eighteenth Century.
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For love of country: History, nation and identity in British women's writings 1763-1812.
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The fictional sob sisters: Narrative construction of women journalists in popular literature.
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A soldier, a captain, and a king: Teaching Shakespeare and Melville in tandem under the Common Core State Standards.
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Surviving domestic tensions: Existential uncertainty in New World African diasporic women's literature.
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Imperialism and the sublime in the science fictional works of Jules Verne, H. G. Wells, and Karel Capek.
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Latin Labyrinths, Celtic Knots: Modernism and the Dead in Irish and Latin American Literature.
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"SUCH HOLY SONG": MUSIC AS IDEA, FORM, AND IMAGE IN THE POETRY OF WILLIAM BLAKE.
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Absorption and Denial: Toward an Aesthetics of Ends in Old and Middle English Poetry.
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Giambattista Velluti in London (1825-1829): Literary Constructions of the Last Operatic Castrato.
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Inventing the Southwest: How Modernists Shaped an American Regional Experience.
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Sound, Gender, Individual Will, and the Body in Nineteenth-Century British Literature.
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Gestural Ekphrasis: Toward a Phenomenology of the Moving Body in Joyce and Woolf.
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"The Second Barrel is Nearly Always Fatal": Rhetoric in the Three Trials of Oscar Wilde.
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Rhetoric of Resistance: Social Justice in the Work of Wollstonecraft, Cugoano, and Godwin.
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Shakespeare's Middle Comedies: Human Agency and the Early Modern Experience.
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The Gendered Pocket: Fashion and Patriarchal Anxieties about the Female Consumer in Select Victorian Literature.
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Between Two Worlds: The Functions of Liminal Space in Twentieth-Century Literature.
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Affective Citizenship: Gender and Narratives of Affiliation in Multi-Ethnic British Literature.
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To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing.
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Sustaining Sustainers: Moving Culturally Sustaining Pedagogies Across Classrooms and Communities.
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'Poisoning the Viewer': The Status of Drama and Dramatists, Paintings and Painters in Renaissance England.
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Astraea's Adversary: The Rivalry Between Law and Literature in Elizabethan England.
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Theatrical Weddings and Pious Frauds: Performance and Law in Victorian Marriage Plots.
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Through the Spaceship's Window: A Bio-Political Reading of 20th Century Latin American and Anglo-Saxon Science Fiction.
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Radical Canons: Epigraphic Practice, Identity Formation, and Caribbean Writers.
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Listening for Unreliable Narration: Narrative Noise in the Nineteenth-Century British Novel.
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'This, Reader, Is No Fiction': Examining the Rhetorical Uses of Reader Address across the Nineteenth- and Twentieth-Century Novel.
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Illuminating the Eighteenth-Century British Stage: Perfecting Performance through Education.
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Haunted narratives: The afterlife of Gothic aesthetics in contemporary transatlantic women's fiction.
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Since Sappho: Women in Classical Literature and Contemporary Women's Writing in English.
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The actor as critic: With some remarks upon the importance of the body in contemporary Shakespearean performance.
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Novel Ways of Seeing: Victorian Novels, Animated Adaptations, and the Disoriented Reader/Viewer.
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Multisensory Monsters and the Psychology of the Senses in Anglo-Saxon Art.
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Something Old, Something New: An Examination of Visual Interpretations of John Keats' "Isabella, or the Pot of Basil" and "Eve of St. Agnes", and Alfred, Lord Tennyson's "Mariana" and "Lady of Shalott" by Pre-Raphaelite Artists.
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The Lay of the Land: English Landscape Themes in Early Modern Painting in England.
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Noisy Isles: Sounds and Otherness in Medieval and Early Modern English Literature.
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Imagining Global Female Futures in Black Speculative and Science Fiction.
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The Cross and the Sword: Political Myth-Making, Hegemony, and Intericonicity in the Christianization of the Iberian Peninsula and Britain.
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Journey into Fear: Nineteenth Century Travel, Transportation, and the Disquieting Effects of Change.
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"To Be Termed Men": Women's Representations of Men and Masculinity in Early Modern England.
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Gender, Power and Disguise: Cross-Dressing Women Within Shakespeare and Spenser.
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When Fairy Tales Collide: Collaborative Fairy Tales as Postmodern Feminist Discourse in 21st-Century Novels, Graphic Novels, and Visual Culture.
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The effectiveness of graphic novels and comics in the high school ELA classroom.
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The power of the other: A character analysis of the orphan figure in children's literature.
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An Unhistoric Becoming: Reading George Eliot's Middlemarch with Walter Benjamin.
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Dying Laughing: On the Death and Resurrection of the Clown in Shakespearean Drama.
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Theatrical Realism: Staging Reality in French Theory and British Fiction, 1670-1764.
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Niche Formations: Rethinking Literary Opportunity in Modern Southeast Asian Literature.
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The Role of Film and Television in American Shakespeare Studies: 1940s to 1990s.
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A regnal genealogy in trouble: The Trojan myth as a traumatic national historiography in medieval England.
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The Rise of the Mechanimal: How Authors of Scientific Romances Imagined Future Vehicles.
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Female Comic Grotesque Characters in Victorian Novels: Investigating the Possibilities of Liminality.
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Reforming Victorian Sense/Abilities: Disabilities in Elizabeth Gaskell'S Social Problem Novels.
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Symbols of English Identity: The Country House and Representations of Maternity in Modern British Fiction.
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"Beautiful and Terrible in the Face": Reconfiguring the Southern Beauty Myth Through the Short Fiction and Autobiographical Writings of Eudora Welty.
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The Fallen Woman: An Exploration of the Voiceless Women in Victorian England Through Three Plays of Oscar Wilde.
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Negative capability as an ethic of empathy: Practicing narrative medicine with John Keats in mind.
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"We Are Two-Legged Wombs": The Paradigms of Objectification of Women in Margaret Atwood's Dystopia.
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"An Instrument in the Shape / of a Woman": Reading as Re-Vision in Adrienne Rich.
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From the Womb to the Word: Pregnancy and Pregnancy Metaphors in 16th and 17th Century English Literature.
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The Lodge in the Wilderness: Ecologies of Contemplation in British Romantic Poetry.
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Romanticism as Religion: Beyond the Secularization Narrative in Readings of British Romantic Poetry.
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The Dystopian Impulse and Media Consumption: Redefining Utopia via the Narrative Economics of the New Media Age.
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"It Could Have Happened to Any of You": Post-Wounded Women in Three Contemporary Feminist Dystopian Novels.
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The Greener Inhumanity of Renaissance Pastoral: A Posthumanist Reading of the Bucolic Literature of Early Modern England and Italy.
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Conservation and Correction: A Study of Ecology and Romantic Conservative Thought.
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AN INVESTIGATION OF THE EPISTOLARY NATURE OF SHAKESPEARE'S SONNETS 1-126.
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Moments of Creativity, Consciousness, and Critique: A Tradition in Black Male Autobiographies.
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Mary Shelley's "The Last Man": A critical analysis of anxiety and authorship.
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GODDESS, FAIRY MISTRESS, AND SOVEREIGNTY: WOMEN OF THE IRISH SUPERNATURAL.
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Advice and Discontent: Staging Identity Through Legal Representation on the British Stage, 1660-1800.
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Nature's Spectacles: Ornament, Performance, and Natural History in the Long Eighteenth Century.
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Beyond the binaries: Passing as cisgender in "Middlesex", "Trumpet", and "Redefining Realness".
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Trans Literature: Transgender Histories and Genres of Embodiment, Medieval and Post-Medieval.
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"An imagist turned philosopher": Formal innovation, conscious experience, and the self in modernist women's poetry.
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Convergence and Contest: Humanism, Comic Books, and Higher Education in the Digital Age.
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Performing ethnic identities in global economies: Power and resistance in Sri Lanka's dirty war.
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Epidemiology of Terror: Health, Horror, and Politics in Colonial and Postcolonial Literature.
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Imagining Resistance and Solidarity in the Neoliberal Age of U.S. Imperialism, Black Feminism, and Caribbean Diaspora.
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NATURAL MAGIC AND MODERN SCIENCE IN THE POETIC WORKS OF NOVALIS AND SHELLEY (ALCHEMY, ROMANTIC, NEOPLATONISM, PERCY BYSSHE SHELLEY).
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Envisioning the transcendent: The complementarity of Darstellung and Vorstellung in English and German Romanticism.
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Turning Toward the World: Aestheticism, Christianity, and the Ends of Art in Modernist Literature.
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Democratic Experiments: Irish Literature between Nationalism and Modernism.
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The politics of taste: Mary Wollstonecraft and Jane Austen on the cultivation of democratic judgment.
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Man-Made Menopause and Architectural Embodiment in Herman Melville's "I and My Chimney" and "A Disembodied Listener": Hawthorne's Mesmeric Narrator in The House of the Seven Gables.
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"In all the Factious Humours You Have Bred": Music as Political Propaganda in Seventeenth-Century England.
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The Good Look: Victorian Visual Ethics and the Problem of Physical Difference.
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The politics of translation: Authorship and authority in the writings of Alfred the Great.
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"A plague 'o both your houses": Shakespeare and early modern plague writing.
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Voicing female ambition and purpose: The role of the artist figure in the works of George Eliot.
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"I am my own mistress": Narrating professional autonomy and love in Charlotte Bronte's novels.
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The impact of contemporary theological attitudes towards poverty on William Wordsworth's writing.
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Nursery of the nation: Mothers, midwives and national identity on the eighteenth-century comedic stage.
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Subversive merit: The revision of the classical clever slave as witty servant and social satirist in the comedies of Ben Jonson.
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"Scrupulous sympathy": James Joyce's "Ulysses" and the ethics of modern sentimentality.
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Worldmaking in early modern Europe: Global imaginations from Montaigne to Milton.
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'The shame of all her kind': A genealogy of female monstrosity and metamorphosis from the Middle Ages through early modernity.
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The empty center: Acting out theatric alliance in three texts by Sarah Kane.
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Bodies as texts, texts as bodies: Corpses in nineteenth-century British literature.
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Kinship lessons: The cultural uses of childhood in late medieval England.
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Nature, nurture, nation: Race and childhood in transatlantic American discourses of slavery.
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Katharine Tynan's literature for children and the construction of Irish identity.
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"Sind Eben Alles Menschen Gewesen". Plutarch Und Shakespeare in Goethes "Goetz von Berlichingen.
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Ways of Thanking in American-English, Chinese-Mandarin, South Korean, and Thai: An Intercultural and Cross-linguistic Approach.
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Towards a Critical Awareness of Worldliness: A. H. Tanpinar's "Huzur", Mahmoud Darwish's "Memory for Forgetfulness", and Virginia Woolf's "Mrs. Dalloway".
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Place and Displacement: The Unsettling Connection of Women, Property, and the Law in British Novels of the Long Nineteenth Century.
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Appropriate Conduct at Home and Abroad: Forming and Reforming Imperialist Ideologies in Popular Dutch and British Juvenile Novels, 1814-1879.
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"Titus Andronicus": The Material Effects of Sexual Assault and Trauma as Represented Through Design.
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Avant-gardism in children's theater: The use of absurdist techniques by Anglophone children's playwrights.
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Toxic Ecologies: Contamination and Transgression in Victorian Fiction, 1851-1900.
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Who Knows What She Is Thinking? An Annotated Selection of Stevie Smith's Poems and Drawings.
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Genealogical Modernism: Family Structures, Identity, History, and Narrative in the 20th-Century "Long" Novel.
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Documenting Gender Equity in Renaissance Anthologies: A Study of the Contemporary Anthologization of Early Modern Women Authors.
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Issues with Reality: Defining and Exploring the Logics of Alternate Reality Games.
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Women Writing Men: Genre, Narrative Authority, and "Mind Writing" 1752-1817.
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From Sentiment to Sagacity to Subjectivity: Dogs and Genre in Nineteenth-Century British Literature.
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Personified Preaching: Black Feminist Sermonic Practice in Literature and Music.
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Wits, Shits, and Crits: The Problem of Digestive Interpretation in Pope, Swift, and Fielding.
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Diagnosing the Will to Suffer: Lovesickness in the Medical and Literary Traditions.
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The Representation of Masculine Honour in the Private Sphere in Renaissance England.
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Readings of Reading: Purpose and Process in Teaching Literature = = Lectures de lecture: objectif et processus dans l'enseignement de la litterature.
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Dickensian Pedagogy, a Novel Approach: Educating David Copperfield, At the Knee Learning.
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"The Brute Earth Would Lend Her Nerves and Shake": Violent Female Speech in Early Modern Drama.
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Reestablishing Reader-Response Criticism in Composition Studies: The Respecting of Subjectivity, Indeterminacy, and the Rhetoric of Indirection in the Reading Experience of the Gospel of Mark.
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Reconfiguring Self, World, and Word: Modernist Poetic Epiphanies in Eliot, Williams, Levertov, and Revell.
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"Home Is Where You Feel a Welcome": Homemaking as National Belonging in 20th and 21st c. Black British Novels.
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I've Got a Bad, Bad Feeling: Epistemology and Affect in Literary Studies.
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Shakespeare and Religion: Capricious and Concealed Faith in Three Tragicomic Plays = = Shakespeare und Religion: Willkurlicher und verborgener Glaube in drei tragikomischen Stucken.
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The Early Plays of Shakespeare: Chronology, Authorship, and Intertextuality.
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Re-Presenting the Other: Cleopatra and Othello in Shakespeare Intertexts, 1678-2016.
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The Intrusion of Trauma into Daily Routine: The Consequences of the Interwar, the Cold War, and the Vietnam War in Literature.
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Scene and Unseen: Abjection and the Female Body in Films and Drama of the Northern Irish Troubles, 1969-1998.
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Narrative Intimacy: The Confidante in the Nineteenth-Century British Novel.
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Private and common ground: The work of Ling Shuhua and Virginia Woolf in the late 1930s.
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Satirizing the Audience: Shakespeare and the Uses of Obscurity, 1594-1601.
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Max Horkheimer, Theodor W. Adorno, . . . and C. S. Lewis? Two Revolutionary Philosophical, Moral, and Cultural Critiques.
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Knowing Totality: Capitalism Across Consciousness and Community in Kim, Nostromo, Sons and Lovers, and Ulysses.
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Glossing the Virgin: The Incarnational Hermeneutics of Mary in the English Middle Ages.
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Sound and Vision: Mysticism, Dante's Commedia and Dante Gabriel Rossetti.
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Objects of Affection: Intimate Exchanges in Marlowe, Shakespeare, Spenser, and Wroth.
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Reaching Readers: Textual Engagement and Personalized Learning in the Works of Christine de Pizan and Geoffrey Chaucer.
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Recasting the Coolie: Racialization, Caste, and Narratives of Asian Indentureship.
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WHY UTOPIAS FAIL: A COMPARATIVE STUDY OF THE MODERN ANTI-UTOPIAN TRADITIONS IN CHINESE, ENGLISH, AND JAPANESE LITERATURES (DYSTOPIA).
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DREAM AND DRAMA: IN LATE SIXTEENTH CENTURY AND EARLY SEVENTEENTH CENTURY--CHINA, ENGLAND AND SPAIN (THEATER).
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Writing Environment: Cultural Phenomenology of Place in Anna Seward's Writing Process.
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Feminist Shakespeares: Adapting Shakespeare for a Modern Audience in the Hogarth Shakespeare Project.
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A Comparative Study of Three Interfering Women in Western and Chinese Tales.
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Reading for Enlightenment in the Beginning of Philosophical Transactions.
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AWARENESS OF THE WOMAN QUESTION IN THE NOVELS OF GEORGE ELIOT AND EILEEN CHANG (ENGLAND, CHINA).
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Charles Dickens and Lao She: A study of literary influence and parallels.
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Words alike, worlds apart: An inquiry into the ontological and metaphorical modes in Chinese and English lyric poetry.
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The Threat at Court: Subversive Uses of Translation, Transcription, and Tradition in the Henrician Court.
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Wound up about brave new seed: Biotechnology and the food industry in dystopian literature.
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Sounding bodies and voices in nineteenth-century British and American Gothic fiction.
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Secret Springs of Action: Necessity and Anglo-American Literature in the Age of Revolution.
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Children's literature and modern thought: Bridging the barrier of World War I.
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Water, prestige, and Christianity: An ecocritical look at Medieval literature.
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"Stories Can Save Us": Writing as Therapy in War Literature, Poetry, and Memoir.
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There's No Place Like "Home" Displacement, Domestic Space, and Ecological Consciousness in the work of Elizabeth Gaskell and Susanna Moodie.
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Traveling Women and Consuming Place in Eighteenth-Century Travel Letters and Journals.
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Plagued Subjects: Political Culture of Crisis in Early Modern English Literature.
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Western and Chinese literary genre theory and criticism: A comparative study.
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Making Mockeries, Making Connections: The "Revolutionary Potential" of Parody in Twenty-first Century Art and Literature.
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Explorations of Childhood Gender-fluidity and the Subversion of Masculinity in Peter Pan.
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Images of Race and the Influence of Abolition in Jane Eyre and Wuthering Heights.
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Apocalyptic Vision and Philosophical Optimism in Eighteenth-Century Literature and Philosophy.
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Myth-Making and Sacred Nature: J.R.R. Tolkien's and Frank Herbert's Mythopoeic Fiction.
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Transcendent realities: The search for meaning in the modernisms of Yeats, Joyce, and Pound.
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"Buy, Reade, Regard": Learning to Sing and Play Through the Printed Page in Early Modern England.
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All of Us with All of That: Militarized Life and Communal Affect in Twenty-First Century American Experimental Poetry.
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Fictions of Authority: The Normativity of Representation after Shakespeare.
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Out of Compass: English Women's Writing and the Cultures of Travel, 1604-1680.
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Essential and Ubiquitous: The Inns of Eighteenth-century British Fiction.
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Sound Judgment: Ideologies of Listening and the Birth of English Music Criticism.
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