English literature.
概要
| 作品: | 536 作品在 4 項出版品 4 種語言 | |
|---|---|---|
書目資訊
English literature : = with plot summaries of major works, dictionary of literary terms /
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Natural disasters and Victorian Empire : = famines, fevers and the literary cultures of South Asia /
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Contemporary asylum narratives : = representing refugees in the Twenty-First century /
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Drawing resistance: The unsettling and provocative influence of maps in children's literature.
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The critical performance : = an anthology of American and British literary criticism of our centry /
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Imitations of horace : = with an epistle to Dr. Arbuthnot and ther epilogue to the satires /
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The Country of the blind and other tales of anticipation = = Le pays des aveugles et autres recits d'anticipation /
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Defending Literature in Early Modern England : = Renaissance Literary Theory in Social Context.
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Domesticity and Dissent in the Seventeenth Century : = English Women's Writing and the Public Sphere.
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The orphan in Eighteenth-Century fiction : = the vicissitudes of the Eighteenth-Century subject /
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Public lives, intimate archives: Queer biographical practices in British women's writing, 1928--1978.
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The gay hermeneutic: Victorian genealogies of homosexuality and the practice of reading.
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Pirates of Romanticism: Intellectual property ideology and the birth of British Romanticism.
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The Poetics of Pestilence: Plague-Time and the Writing Culture in Early Modern England.
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"Revised lives: Lineage and dislocation in seventeenth-century english autobiography".
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The pornographer at the crossroads: Sex, realism and experiment in the contemporary English novel.
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Harry Potter and the third wave: Recontextualizing the series that shaped a generation.
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The Immune Response: Romanticism and the Radical Literary History of Smallpox Inoculation.
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System and Nemesis: Christopher Smart, Jean-Jacques Rousseau, John Clare and the legacy of Linnaeus.
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Argument in poetry: (Re)defining the middle english debate poem in academic, popular, and physical contexts.
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Pursuit of Empowerment: The Evolution of the Romance Novel and Its Readership in "Fifty Shades of Grey".
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Fairy Tales and Folklore: Imagining Community in the Writings of Oscar and Lady Jane Wilde.
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Dismemberment and identity-formation in the medieval and early modern English imaginary.
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Samwise Gamgee: Beauty, Truth, and Heroism in J. R. R. Tolkien's "The Lord of the Rings".
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Looking for the Picturesque: Tourism, Visual Culture, and the Literature of Travel in the Long Nineteenth Century.
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The gradations of trauma: Exploring the traumatic aesthetic in British modernist literature.
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Digital killed the labelling star: Approaching the territory-museum with mobile technology.
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Beyond Black British? The Novels of David Dabydeen, Monica Ali, Zadie Smith, and Hanif Kureishi.
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The Lonely Nineteenth Century: Loneliness and the Female Protagonist in the Victorian Novel.
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"Only Connect": Friendship, belonging, and space in the works of J. M. Barrie, E. M. Forster, and J. R. Ackerley.
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Domestic Spaces in Transition: Modern Representations of Dwelling in the Texts of Elizabeth Bowen.
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Dollars: International monetary order, the nation-state and the development of literary modernism.
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Venice as no-place: Liminality and the modernist interpretation of the myth of Venice.
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What's It Going To Be Then, Eh? Youth Violence, Free Will, and the Creative Cycle in "A Clockwork Orange".
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A Professorial Nation: The Pedagogical Gardens of William Crimsworth, Jane Eyre, and Lucy Snowe.
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The animal trials of Shakespeare's "Merchant of Venice" and "King Lear": Law and ethics.
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The Passion of Christ in Seventeenth-Century Religious Poetry: Crashaw, Donne, Herbert, Lanyer.
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History, mystery, myth: A comparative study of narrative strategies in the "Baija gongan" and "The Complete Sherlock Holmes".
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Telephone conversations in Chinese and English: A comparative study across languages and functions.
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Reading the mind: Renaissance allegory and Lockean psychology in eighteenth-century English literature.
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Ideality and reality: Feminist utopias and the patriarchal world in eighteenth-century Chinese and English fiction.
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Searching for the one ring: The danger of desire in Tolkien's "The Hobbit" and "The Lord of the Rings".
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"The thorn must pierce your heart": Compassionate organs, decadent viscera, and soulful gore in Oscar Wilde's fairy tales.
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Two instances of "crow": A cultural study of Irish mythology and intertextuality in "The Dead".
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Rhetoric of the body: Renaissance cadaveric studies and their influence in Shakespeare.
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Working in utopia: Locating Marx's "realm of necessity" in the socialist futures of Bellamy and Morris.
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At the threshold of sensibility: The past, present and future of writerly identity fragmentation.
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Fantastic Evidence: Mesmerism, Narrative, and Knowledge in the Heterodox Victorian Novel.
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Telling stories, inventing histories: The reception and revision of the British history in early modern England.
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Josephine Butler's rhetoric of liberation: Prophetic voice in the Victorian women's movement.
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"Art's a service": Women's philanthropy and the role of the author in mid -Victorian England.
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White magicians in the English literature of the Middle Ages and Renaissance: Divine power and human aspiration.
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Shadows of history: The production of gender and historical narrative in post-Enlightenment Britain, 1770-1870.
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Transcending the Senses, Transcending through the Senses: The Modernist Neo-Epic Poem and the Experience of Transcendence.
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Lyric and the varieties of protestant religious experience in nineteenth-century England.
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Literature as Virtual Reality: An Exploration of Subjectivity Formation in the Digital Era.
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Revelations from Vernon Lee's "Life-Poem": Subverting decadence and embracing individuality in "Miss Brown"
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Finding happiness in the poor, humble cottage "contented poverty" in Irish novels from Famine to Free State.
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Irish literary identity in the nineteenth-century British novel: Rereading Austen, Bronte, and Kipling.
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A return to the reader and their imagination: The forming of a referential world in order to establish meaning in a text.
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The evolution of the patient woman: Examining Patient Griselda as a source for William Shakespeare's "The Winter's Tale".
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"It is a Knell that Summons Thee to Heaven or to Hell": The Christian Dimension of Shakespeare's Macbeth.
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Rocking the Boat and Sinking the Ark: the Humanist Novel as Vehicle for the Victorian Religious Crisis.
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"This new species of affliction": Self-Destruction and the Eighteenth-Century Ethic of Self-Improvement.
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"I question it myself": Mid-victorian novels' formation of ethical subjectivity and the liberal reform of inheritance laws.
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Neighborhoods of make-believe: Place, play, and possibility in Disneyland, Mister Rogers' Neighborhood, and The Magic City.
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Scenic views and paternalistic obligations: Depictions of landscape in the Victorian realist novel.
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In absentia parentis: The orphan figure in latter twentieth century Anglo-American children's fantasy.
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Merging literature and science: Shakespeare through the scope of quantum physics and Lacan.
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Saving the grotesque: The grotesque system of liberation in British Modernism (1922-1932).
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Shakespeare's influence on the English Gothic, 1791-1834: The conflicts of ideologies.
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"To be equally diverted and informed by every line": the ambivalent act of story-fashioning in a "Tale of a Tub".
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Narrative data, informational poetics: Modernist literature and the emergence of cybernetic thought.
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Sin, history, and liberty: Milton, Anna Letitia Barbauld, and Anne Grant in the "Eighteen Hundreds".
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Thinking about feeling: Sensibility and self-consciousness in the eighteenth-century novel.
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Words into images: Textualizing the visual and visualizing the textual in medieval illustrated manuscripts.
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Second death in Venice: Cognitive mapping in the Venetian fictions of Jeanette Winterson, Ian McEwan, and Robert Coover.
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Harry Potter and the moral spectrum of care: Using feminist care ethics to analyze morality.
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Shakespeare and boyhood: Early modern representations and contemporary appropriations.
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Authenticity, authority and control: How rock artists are responding to the possibility of collaborative music publics online.
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Performing Scottish identity: From the rise of the Stage Scot to the National Theatre of Scotland.
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Romantic frames of mind: Vision and sympathy in British novels of the nineteenth century.
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'Spells which have lost their virtue': The mythology and psychology of shame in the early novels of George Eliot.
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Viable Crimes and Victorian Gentlemen: Rhetorics of (In)consistency and the 19th-century Novel.
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"The River That Suffers From the Tide: "A Discovery Memoir of Self Among Others in the Brazilian Amazon.
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Becoming Nonhuman: Uncanniness, Impossibility and Human-Animal Indistinction in Recent Literature and Visual Art.
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Space, Place, and Identity in Yevgeny Zamyatin's "We" and J. G. Ballard's "The Drowned World".
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Transnational memories of the self: Reflections on postcommunist and postcolonial life-writing by women.
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The reception history of John Milton in Russia and the former Soviet Union (1745-2013).
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The author's Doppelgaenger: Celebrity, canonicity, and the anxiety of the literary marketplace in the contemporary novel.
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How the Past Remains: George Eliot, Thomas Hardy, and the Victorian Anthropological Doctrine of Survivals.
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"The spell of continuity was consequently broken": Third-space masculinity in Austen, Gore, Bronte, and Eliot.
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The regency novel and the British constitution: Austen, Brunton, Shelley, and the culture of romantic decline.
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"The Passions of a Discontented Minde": The Earl of Essex and Elizabethan Literature and Culture.
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The Cultural Crime of Femininity: Advocating for Viable and Successful Womanhood in Charles Dickens and George Eliot.
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The divided skeptic: Samuel Beckett's parody and Stanley Cavell's interpretation of philosophical skepticism.
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Being a thing immortal: Shakespeare, young adult culture, and the motifs of the undead.
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"Pictures...of a good subject": Friendship, the commonwealth, and the care of the self in early modern literature and culture.
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The Gospel of Poverty: Poverty, Philanthropy, and Eighteenth-Century British Literature, 1700- 1759.
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Artistic (mis)representation and commodity culture in The Picture of Dorian Gray and The House of Mirth.
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Alpha geek: Neal Stephenson, the emerging third culture, and the significance of science fiction.
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"Something at least human": Transatlantic (re)presentations of Creole women in nineteenth-century literature and culture.
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The evolution of collaboration in graphic literature: Bridging the gap from the Victorian tradition to the modern comic book.
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The global dystopian: Twenty-first century globalization, terrorism, and urban destruction.
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A Postcard From the Future: Technology, Desire, and Myth in Contemporary Science Fiction.
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Seeing time: Boethius and the Ethics of Perspective in Chaucer's Dream Visions and "Troilus and Criseyde".
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English imperial selfhood and semiperipheral witchcraft in "The Faerie Queene", "Daemonologie", and "The Tempest".
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Romantic science: Nature as schism between romantic generations and as catalyst between Romanticism and science fiction.
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"I Am Made and Remade Continually:" The Broken Subject and Autofiction in Nella Larsen and Virginia Woolf.
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Who is Ophelia? An examination of the objectification and subjectivity of Shakespeare's Ophelia.
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The Literary Unconscious: Ideology and Utopia in the Nineteenth-Century Realist Novel in England and Russia.
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British and Other Nonhumans of the Long Nineteenth Century: Abject Forms in Literature, Law, and Meat.
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"Bottom, Thou Art Translated!": A Comparative Study of Two Russian Translations of A Midsummer Night's Dream.
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Presumption and Despair: The Figure of Bernard in Middle English Imaginative Literature.
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Literary representations: Reading and writing femininity in eighteenth century novels.
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"In a Moment I Am Perfectly Myself": A Study of the Lesbian Vampire as Crip-Queer Subject.
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Printed Past, Bookish Present, Digital Future: Media, Materiality, and Design in Contemporary Literature.
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Sexuality, Agency, and Independence in the Work of Aphra Behn, Mary Wollstonecraft, and Virginia Woolf.
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Making Land, Making People: Rhetorics of Value and Improvement in Early Modern English Literature.
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Reverent Romanticism : = Anthologizing Romantic Poetry in VictorianDevotional Literature.
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Women Wards and Enforced Marriage in Thomas Middleton's The Phoenix and Ben Jonson's The Magnetic Lady.
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Othello's Second Marriage : = The Temptation Scene and the Forms of Early Modern Marriage.
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Societal Structure, Family, and Masculinity in the Bildungsroman : = An Analysis of The Great Santini and Portnoy's Complaint.
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Reading Utopian Pedagogies : = Discovering the Practical Here and Now of Utopian Thinking.
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Contagious Animality : = Species, Disease, and Metaphor in Early Modern Literature and Culture.
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Beneath "the cloak and hood of hodden grey": Interpretative problematics for Chinese readers in Charlotte Bronte's "Villette".
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Papers on language & literature : = A journal for scholars and critics of language and literature.
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Humanism through the Ages: A Look at Cicero and Said in a Post-Human World with Emphasis on Artificial Intelligence.
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The Progression of Agency of the Female Role in Nineteenth-century American Children's Literature.
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Faculty Attitudes and Perceptions toward Online English Ph.D. Programs: An Exploratory Study.
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Mediating for Immediacy: Text, Performance, and Dramaturgy in Multimedia Shakespeare Editions.
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The Politics of Interpretation: Presentist and Historicist Perspectives of Othello and As You Like It.
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"Not Simple Truth but Complex Beauty": Details in Victorian Literature and Aesthetics.
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Stages of Emotion: Shakespeare, Performance, and Affect in Modern Anglo-American Film and Theatre.
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Niche Formations: Rethinking Literary Opportunity in Modern Southeast Asian Literature.
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"To Feel with Other Beings": Affect and Activism in New Wave Feminist Science Fiction.
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Through the Mirror of Erised Queerly: A Reckoning of Queer Influences, Subtext, and Imperatives in Harry Potter.
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Wearing the Witch Identity as a Way of Becoming in Shirley Jackson's We Have Always Lived in the Castle.
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Tragedy of the Teenage Girl: Female Characters in Contemporary Shakespearean Commercial Film Adaptations.
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The Construction of Arab Women's Identities to Resist Patriarchal Oppressions in Selected Arab/Arab Diasporic Women's Novels.
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Transgressive Migrations: Gender Roles, Space, and Place in American Novels, 1900-1999.
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Ovidian Reconfigurations of Identity and Mortality in William Shakespeare's Julius Caesar.
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Fetishized Materialism : = Reanimating Material Things in the Early Modern Atlantic World.
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Immersive Shakespeare : = Locating Early Modern Immersion in Contemporary Adaptations.
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The Unstoppable Anthropocene Engine : = Animal Studies in Literature and the Lack of Individual Animal Study.
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Need for Vertical Alignment in English Classes Between K-12 and Higher Education Institutions.
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The Balladic Empire : = Nineteenth-Century Poetry, British Imperial Identity, and the Idea of the Ballad.
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Destruction and Resiliency : = Decolonizing Settler Knowledge in Native American Literature Through the Peoplehood Matrix.
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Intervals of Grace : = Shakespeare and Chaucer's Existential Romances and the Repair of the Past.
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Transference and Countertransference : = Freud's Therapeutic Frame in Narratives of Psychotherapy.
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Documentary Knowledge, Visual Images, and Poetry in the Works of Theresa Hak Kyung Cha and Claudia Rankine.
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Unspeakable Things : = The Poetics of Secrecy in Ezra Pound and H.D = La poetique du secret chez Ezra Pound et H.D.
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"Say I Am Revenge" : = Violence, Performance, and the Figure of the Female Revenger in English Renaissance Drama.
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Anti-Female Language on the Early Modern Stage : = Abuse, Degradation, and Resistance.
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International Students : = Education, Emancipation and Exchange in Contemporary University Fiction.
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Haunting at Troy : = Troy Narratives, Trauma, and Desire for the Past in Late Medieval English Literature.
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From Bestseller to the Big Screen : = The Acquisition and Development of Popular Novels in Classical Hollywood.
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Unwiht : = Shifting Boundaries of Humanity in Early Middle English Language and Literature.
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The Ram and Ewe of Venice: Blackness and the Tragedy of Interracial Marriage in William Shakespeare's Othello.
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"Father As It Pleases Me": Christopher Marlowe's Inspiration of William Shakespeare Within Much Ado About Nothing.
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