African Americans in literature.
Overview
| Works: | 231 works in 22 publications in 22 languages | |
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Titles
Dislocating the color line : = identity, hybridity, and singularity in African-American Literature /
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Dangerous desire : = literature of sexual freedom and sexual violence since the sixties /
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Confluences : = postcolonialism, African American literary studies, and the Black Atlantic /
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African American atheists and political liberation : = a study of the sociocultural dynamics of faith /
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Black writers, white publishers : = marketplace politics in twentieth-century African American literature /
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The "New Negro" in the old world : = culture and performance in James Weldon Johnson, Jessie Fauset, and Nella Larsen /
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African-American poets : = Phillis Wheatley through Melvin B. Tolson /
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Crossing the line : = racial passing in twentieth-century U.S. literature and culture /
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Black, white, and in color : = essays on American literature and culture /
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Black drama of the Federal theatre era = beyond the formal horizons /
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In the master's eye = representations of women, Blacks, and poor whites in antebellum Southern literature /
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Victims and heroes = racial violence in the African American novel /
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Nat Turner before the bar of judgment = fictional treatments of the Southampton slave insurrection /
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Black, white, and Huckleberry Finn = re-imagining the American dream /
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Black family (dys)function in novels by Jessie Fauset, Nella Larsen, & Fannie Hurst
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Facing Black and Jew = literature as public space in twentieth-century America /
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Women in chains = the legacy of slavery in Black women's fiction /
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Understanding A raisin in the sun = a student casebook to issues, sources, and historical documents /
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The dialect of modernism : = race, language, and twentieth-century literature /
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Black men worshipping = intersecting anxieties of race, gender, and Christian embodiment /
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Neo-segregation narratives = Jim Crow in post-civil rights American literature /
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Interracial encounters = reciprocal representations in African American and Asian American literatures, 1896-1937 /
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The identifying fictions of Toni Morrison : = modernist authenticity and postmodern blackness /
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The mask of art : = breaking the aesthetic contract--film and literature /
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Deans and truants : = race and realism in African American literature /
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Race, slavery, and liberalism in nineteenth-century American literature /
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Swinging the vernacular : = jazz and African American modernist literature /
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Negotiating difference : = race, gender, and the politics of positionality /
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The Negro in English romantic thought : = or, A study of sympathy for the oppressed /
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Heroism and the black intellectual = Ralph Ellison, politics, and Afro-American intellectual life /
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The power of the porch : = the storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan /
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Written by herself = literary production by African American women, 1746-1892 /
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Every tub must sit on its own bottom : = the philosophy and politics of Zora Neale Hurston /
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Scarring the Black body : = race and representation in African American literature /
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Criticism and the color line = desegrating American literary studies /
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Afro-American poetics = revisions of Harlem and the Black aesthetic /
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May all your fences have gates = essays on the drama of August Wilson /
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Martin Delany, Frederick Douglass, and the politics of representative identity
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Dangerous freedom = fusion and fragmentation in Toni Morrison's novels /
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Resistance and reformation in nineteenth-century African-American literature = Brown, Wilson, Jacobs, Delany, Douglass, and Harper /
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Circles of sorrow, lines of struggle = the novels of Toni Morrison /
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Nationalism and the color line in George W. Cable, Mark Twain, and William Faulkner
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Women in chains = the legacy of slavery in Black women's fiction /
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Quiet as it's kept = shame, trauma, and race in the novels of Toni Morrison /
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Crossing borders through folklore = African American women's fiction and art /
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Bridging the Americas = the literature of Paule Marshall, Toni Morrison, and Gayl Jones /
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A question of character = scientific racism and the genres of American fiction, 1892-1912 /
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American Lazarus = religion and the rise of African-American and native American literatures /
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Crossing the line = racial passing in twentieth-century U.S. literature and culture /
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Nationalism, Marxism, and African American literature between the wars = a new Pandora's box /
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Scarring the Black body = race and representation in African American literature /
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Unnatural selections = eugenics in American modernism and the Harlem Renaissance /
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Next to the color line : = gender, sexuality, and W.E.B. Du Bois /
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Race, rape, and lynching = the red record of American literature, 1890-1912 /
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Designs of Blackness = mappings in the literature and culture of Afro-America /
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The real negro = the question of authenticity in twentieth-century African American literature /
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Looking for Harlem = urban aesthetics in African American literature /
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The color of sex = whiteness, heterosexuality, and the fictions of white supremacy /
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Signifying with a vengeance = theories, literatures, storytellers /
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American Lazarus : = religion and the rise of African-American and native American literatures /
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The new Negro : = readings on race, representation, and African American culture, 1892-1938 /
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Rereading the Harlem renaissance = race, class, and gender in the fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West /
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Langston Hughes, folk dramatist in the protest tradition, 1921-1943
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Beautiful bottom, beautiful shame : = where "Black" meets "queer" /
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Black literature criticism = classic and emerging black writers since 1950 /
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The public intellectualism of Ralph Waldo Emerson and W.E.B. Du Bois = emotional dimensions of race and reform /
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The Fiction of Gloria Naylor : = houses and spaces of resistance /
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Specters of democracy = blackness and the aesthetics of politics in the antebellum U.S. /
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Bulldaggers, pansies, and chocolate babies = performance, race, and sexuality in the Harlem Renaissance /
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Representing segregation = toward an aesthetics of living Jim Crow, and other forms of racial division /
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Keepin' it hushed = the barbershop and African American hush harbor rhetoric /
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Bearing witness to African American literature = validating and valorizing its authority, authenticity, and agency /
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From Uncle Tom's Cabin to The Help = critical perspectives on white-authored narratives of black life /
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Black Atlantic speculative fictions : = Octavia E. Butler, Jewelle Gomez, and Nalo Hopkinson /
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Outsider citizens : = the remaking of postwar identity in Wright, Beauvoir, and Baldwin /
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African-American performance and theater history = a critical reader /
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Black women's activism = reading African American women's historical romances /
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Free within ourselves = the development of African American children's literature /
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Dialect and dichotomy = literary representations of African American speech /
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The Contemporary African American novel : = its folk roots and modern literary branches /
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The South in Black and white : = race, sex, and literature in the 1940s /
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Images of Black modernism = verbal and visual strategies of the Harlem Renaissance /
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We wear the mask = Paul Laurence Dunbar and the politics of representative reality /
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Uncle Tom's cabin and the reading revolution = race, literacy, childhood, and fiction, 1851-1911 /
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How to read African American literature : = post-Civil Rights fiction and the task of interpretation /
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The historian's Passing = reading Nella Larsen's classic novel as social and cultural history /
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Racism in contemporary African American children's and young adult literature
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James Baldwin and Toni Morrison : = comparative critical and theoretical essays /
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Trauma and race : = a Lacanian study of African American racial identity /
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