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Japonisme and the rise of the modern...

Irvine, Gregory.

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Japonisme and the rise of the modern art movement : = the arts of the Meiji period : the Khalili collection /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Japonisme and the rise of the modern art movement :/ written and edited by Gregory Irvine with additional texts by Tayfun Belgin, John House, Axel Rüger, Kris Schiermeier and Hiroko Yokomizo.
其他題名:	the arts of the Meiji period : the Khalili collection /
其他題名:	Arts of the Meiji period :
作者:	Irvine, Gregory.
其他作者:	Khalili, Nasser D.
出版者:	New York :Thames & Hudson, : 2013.,
面頁冊數:	240 p. :ill. (chiefly color) ;35 cm.
附註:	220 illustrations in color and black and white.
標題:	Art, Japanese - 1868-. -
標題:	Japan -
ISBN:	9780500239131 (hbk.) :

Japonisme and the rise of the modern art movement : = the arts of the Meiji period : the Khalili collection /
Irvine, Gregory.

Japonisme and the rise of the modern art movement :the arts of the Meiji period : the Khalili collection /Arts of the Meiji period :the Khalili collection.written and edited by Gregory Irvine with additional texts by Tayfun Belgin, John House, Axel Rüger, Kris Schiermeier and Hiroko Yokomizo. - New York :Thames & Hudson,2013. - 240 p. :ill. (chiefly color) ;35 cm.

220 illustrations in color and black and white.

Includes bibliographical references (pages 226-228) and index.

The Khalili collection : Japanese art exhibitions -- Nasser D. Khalili --

From the 1860s to the 1890s, the rise of Japonisme and the Art Nouveau movement meant few could ignore or resist the obsession with all things Japanese. Superbly crafted and often highly decorated Japanese objects -- lacquer, metalwork, ceramics, enamels, and other decorative items - - stimulated and inspired Western artists and craftsmen to produce their own works. Arts of the Meiji period (1868- 1912) were displayed at international exhibitions, in the galleries of influential dealers, and at fashionable stores. Artists from van Gogh, Whistler, Monet, and Edouard Manet to Klimt and Schiele were all, to varying degrees, influenced by the Japanese art. Van Gogh himself stated that he owed his inspiration to Japanese art, but he was probably not conscious of the full extent to which art in Europe had already been influenced by that of Japan.--Publisher website.

ISBN: 9780500239131 (hbk.) :US75.00

LCCN: 2013931003Subjects--Topical Terms:

2036437
Art, Japanese
--1868-.Subjects--Geographical Terms:

1100468
Japan

LC Class. No.: N7354.5 / .I78 2013

Dewey Class. No.: 709.5

Japonisme and the rise of the modern art movement : = the arts of the Meiji period : the Khalili collection /
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505 0 # $t The Khalili collection : Japanese art exhibitions -- $t Foreword / $r Nasser D. Khalili -- $t Introduction / $r Gregory Irvine -- $t Vincent van Gogh and Japan / $r Axel Rüger -- $t From Namban to Meiji : the availability and reception of Japanese art in the West / $r Gregory Irvine -- $t The presentation and reception of Japanese art in Europe during the Meiji period / $r Hiroko Yokomizo -- $t Viennese Japonisme : from the figured-perspective to the ornamental-extensive style / $r Tayfun Belgin -- $t Impressionism and Japan / $r John House -- $t Imitation or innovation? Van Gogh's Japonaiserie and Japanese art of the Meiji period / $r Kris Schiermeier -- $t Wakon Yosai - Japanese spirit, Western techniques : Meiji period arts for the West / $r Gregory Irvine.
520 # $a From the 1860s to the 1890s, the rise of Japonisme and the Art Nouveau movement meant few could ignore or resist the obsession with all things Japanese. Superbly crafted and often highly decorated Japanese objects -- lacquer, metalwork, ceramics, enamels, and other decorative items - - stimulated and inspired Western artists and craftsmen to produce their own works. Arts of the Meiji period (1868- 1912) were displayed at international exhibitions, in the galleries of influential dealers, and at fashionable stores. Artists from van Gogh, Whistler, Monet, and Edouard Manet to Klimt and Schiele were all, to varying degrees, influenced by the Japanese art. Van Gogh himself stated that he owed his inspiration to Japanese art, but he was probably not conscious of the full extent to which art in Europe had already been influenced by that of Japan.--Publisher website.
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