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Moving images : = psychoanalytic ref...
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Sabbadini, Andrea.
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Moving images : = psychoanalytic reflections on film /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Moving images :/ Andrea Sabbadini.
其他題名:
psychoanalytic reflections on film /
作者:
Sabbadini, Andrea.
出版者:
Hove, East Sussex ;Routledge, : 2014.,
面頁冊數:
xix, 140 p. :ill. ;24 cm.
標題:
Psychoanalysis and motion pictures. -
ISBN:
9780415736114
Moving images : = psychoanalytic reflections on film /
Sabbadini, Andrea.
Moving images :
psychoanalytic reflections on film /Andrea Sabbadini. - Hove, East Sussex ;Routledge,2014. - xix, 140 p. :ill. ;24 cm. - The new library of psychoanalysis.. - New library of psychoanalysis (Unnumbered).
Includes bibliographical references and index.
The experience of watching films - entertaining, moving, instructive, frightening or exciting as they may be - can be enriched by the opportunity to reflect upon them from unconventional perspectives. Moving Images: Psychoanalyticreflections on film offers its readers one such viewpoint in accessible language, informed by Andrea Sabbadini's psychoanalytic insights and therapeutic experience. Using a psychoanalytic interpretative approach, twenty-five important feature films are discussed as the artistic vehicles of new, unsuspected meanings. The first chapter looks at films that represent psychoanalytic work itself, with therapists and their patients as their main characters. The remaining five chapters cover movies on themes of central concern to analytic theorists and clinicians, such as childhood and adolescent development, and varieties of intimate relationships among adults, including: romantic love and its disturbing association todeath fantasies; eroticism and prostitution; and voyeuristic desire (a significant phenomenon in this context given its parallels with the activity of watching films). Andrea Sabbadini's psychoanalytic approach, which explores the part played by unconscious factors in shapingthe personality and behaviour of film characters, is used to interpret their internal world and the emotional conflicts engendered by the vicissitudes they live through. The book is completed by a filmography and biographical notes on film directors. Moving Images presents the relationship between cinema and psychoanalysis as a complex one. These two most different of cultural phenomena are shown to share a wish on the part of their practitioners to uncover profound truths about the human condition, and to provide a language with which to describe them. Going beyond futile psycho-historical attempts to analyze filmmakers through their products, or a superficial application of psychoanalytic concepts to film, Sabbadini shows how both cinema and psychoanalysis can benefit from a meaningful interdisciplinary dialogue between them. The book will be of special interest to practising psychoanalysts and students, scholars and historians of film studies.
ISBN: 9780415736114UK115.00
LCCN: 2013034300Subjects--Topical Terms:
587055
Psychoanalysis and motion pictures.
LC Class. No.: PN1995.9.P783 / S24 2014
Dewey Class. No.: 791.4301/9
Moving images : = psychoanalytic reflections on film /
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The experience of watching films - entertaining, moving, instructive, frightening or exciting as they may be - can be enriched by the opportunity to reflect upon them from unconventional perspectives. Moving Images: Psychoanalyticreflections on film offers its readers one such viewpoint in accessible language, informed by Andrea Sabbadini's psychoanalytic insights and therapeutic experience. Using a psychoanalytic interpretative approach, twenty-five important feature films are discussed as the artistic vehicles of new, unsuspected meanings. The first chapter looks at films that represent psychoanalytic work itself, with therapists and their patients as their main characters. The remaining five chapters cover movies on themes of central concern to analytic theorists and clinicians, such as childhood and adolescent development, and varieties of intimate relationships among adults, including: romantic love and its disturbing association todeath fantasies; eroticism and prostitution; and voyeuristic desire (a significant phenomenon in this context given its parallels with the activity of watching films). Andrea Sabbadini's psychoanalytic approach, which explores the part played by unconscious factors in shapingthe personality and behaviour of film characters, is used to interpret their internal world and the emotional conflicts engendered by the vicissitudes they live through. The book is completed by a filmography and biographical notes on film directors. Moving Images presents the relationship between cinema and psychoanalysis as a complex one. These two most different of cultural phenomena are shown to share a wish on the part of their practitioners to uncover profound truths about the human condition, and to provide a language with which to describe them. Going beyond futile psycho-historical attempts to analyze filmmakers through their products, or a superficial application of psychoanalytic concepts to film, Sabbadini shows how both cinema and psychoanalysis can benefit from a meaningful interdisciplinary dialogue between them. The book will be of special interest to practising psychoanalysts and students, scholars and historians of film studies.
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