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Achilles unbound : = multiformity an...
~
Dué, Casey, (1974-)
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Achilles unbound : = multiformity and tradition in the Homeric epics /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Achilles unbound :/ by Casey Dué.
其他題名:
multiformity and tradition in the Homeric epics /
作者:
Dué, Casey,
出版者:
Washington, DC :Center for Hellenic Studies, : c2019.,
面頁冊數:
xiii, 204 p., [8] p. of plates :ill. (chiefly col.) ;23 cm.
內容註:
"Winged Words" : How We Came to Have Our Iliad -- Sunt Aliquid Manes: Ancient Quotations of Homer -- "And Then an Amazon Came": Homeric Papyri -- The Lost Verses of the Iliad: Medieval Manuscripts and the Poetics of a Multiform Epic Tradition -- "In Appearance Like a God": Textual Criticism and the Quest for the One True Homer.
ISBN:
9780674987364
Achilles unbound : = multiformity and tradition in the Homeric epics /
Dué, Casey,1974-
Achilles unbound :
multiformity and tradition in the Homeric epics /by Casey Dué. - Washington, DC :Center for Hellenic Studies,c2019. - xiii, 204 p., [8] p. of plates :ill. (chiefly col.) ;23 cm. - Hellenic studies series ;81. - Hellenic studies ;81..
Includes bibliographical references and indexes.
"Winged Words" : How We Came to Have Our Iliad -- Sunt Aliquid Manes: Ancient Quotations of Homer -- "And Then an Amazon Came": Homeric Papyri -- The Lost Verses of the Iliad: Medieval Manuscripts and the Poetics of a Multiform Epic Tradition -- "In Appearance Like a God": Textual Criticism and the Quest for the One True Homer.
Though Achilles the character is bound by fate and by narrative tradition, Achilles's poem, the Iliad, was never fixed and monolithic in antiquity it was multiform. And the wider epic tradition, from which the Iliad emerged, was yet more multiform. In Achilles Unbound, Casey Dué, building on nearly twenty years of work as coeditor of the Homer Multitext (www.homermultitext.org), explores both the traditionality and multiformity of the Iliad in a way that gives us a greater appreciation of the epic that has been handed down to us. Dué argues that the attested multiforms of the Iliad in ancient quotations, on papyrus, and in the scholia of medieval manuscripts give us glimpses of the very long history of the text, access to even earlier Iliads, and a greater awareness of the mechanisms by which such a remarkable poem could be composed in performance. Using methodologies grounded in an understanding of Homeric poetry as a system, Achilles Unbound argues for nothing short of a paradigm shift in our approach to the Homeric epics, one that embraces their long evolution and the totality of the world of epic song, in which each performance was newly composed and received by its audience.
ISBN: 9780674987364US27.50 Subjects--Personal Names:
597709
Homer.
Iliad.Index Terms--Genre/Form:
3524036
Literary criticism.
LC Class. No.: PA4037 / .D84 2019
Achilles unbound : = multiformity and tradition in the Homeric epics /
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Though Achilles the character is bound by fate and by narrative tradition, Achilles's poem, the Iliad, was never fixed and monolithic in antiquity it was multiform. And the wider epic tradition, from which the Iliad emerged, was yet more multiform. In Achilles Unbound, Casey Dué, building on nearly twenty years of work as coeditor of the Homer Multitext (www.homermultitext.org), explores both the traditionality and multiformity of the Iliad in a way that gives us a greater appreciation of the epic that has been handed down to us. Dué argues that the attested multiforms of the Iliad in ancient quotations, on papyrus, and in the scholia of medieval manuscripts give us glimpses of the very long history of the text, access to even earlier Iliads, and a greater awareness of the mechanisms by which such a remarkable poem could be composed in performance. Using methodologies grounded in an understanding of Homeric poetry as a system, Achilles Unbound argues for nothing short of a paradigm shift in our approach to the Homeric epics, one that embraces their long evolution and the totality of the world of epic song, in which each performance was newly composed and received by its audience.
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