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Musical representations, subjects, a...

Moreno, Jairo, (1963-)

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Musical representations, subjects, and objects : = the construction of musical thought in Zarlino, Descartes, Rameau, and Weber /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Musical representations, subjects, and objects :/ Jairo Moreno.
Reminder of title:	the construction of musical thought in Zarlino, Descartes, Rameau, and Weber /
Author:	Moreno, Jairo,
Published:	Bloomington :Indiana University Press, : c2004.,
Description:	viii, 236 p. :ill. ;25 cm.
Series:	Musical meaning and interpretation
[NT 15003449]:	Zarlino: instituting knowledge in the time of correspondences -- The representation of order: perception and the early modern subject in Descartes's Compendium musicae -- The complicity of the imagination: representation, subject, and system in Rameau -- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject.
Subject:	Music - Philosophy and aesthetics. -
ISBN:	0253344573$b(hbk.) :

Musical representations, subjects, and objects : = the construction of musical thought in Zarlino, Descartes, Rameau, and Weber /
Moreno, Jairo,1963-

Musical representations, subjects, and objects :the construction of musical thought in Zarlino, Descartes, Rameau, and Weber /Jairo Moreno. - Bloomington :Indiana University Press,c2004. - viii, 236 p. :ill. ;25 cm. - Musical meaning and interpretation.

Includes bibliographical references (p. [221]-231) and index.

Zarlino: instituting knowledge in the time of correspondences -- The representation of order: perception and the early modern subject in Descartes's Compendium musicae -- The complicity of the imagination: representation, subject, and system in Rameau -- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject.

ISBN: 0253344573$b(hbk.) :NT$1311

LCCN: 2004007629Subjects--Topical Terms:

525611
Music
--Philosophy and aesthetics.

LC Class. No.: ML3845 / .M86 2004

Dewey Class. No.: 781/.1

Musical representations, subjects, and objects : = the construction of musical thought in Zarlino, Descartes, Rameau, and Weber /
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005 20080227133223.0
008 080226s2004 inua b s001 0 eng
010 $a 2004007629
020 $a 0253344573$b(hbk.) : $c NT$1311
035 $a 00416617
040 $a DLC $c DLC $d DLC
042 $a pcc
050 0 0 $a ML3845 $b .M86 2004
082 0 0 $a 781/.1 $2 22
100 $a Moreno, Jairo, $d 1963- $3 613753
245 1 0 $a Musical representations, subjects, and objects : $b the construction of musical thought in Zarlino, Descartes, Rameau, and Weber / $c Jairo Moreno.
260 $a Bloomington : $c c2004. $b Indiana University Press,
300 $a viii, 236 p. : $b ill. ; $c 25 cm.
440 0 $a Musical meaning and interpretation
504 $a Includes bibliographical references (p. [221]-231) and index.
505 0 $a Zarlino: instituting knowledge in the time of correspondences -- The representation of order: perception and the early modern subject in Descartes's Compendium musicae -- The complicity of the imagination: representation, subject, and system in Rameau -- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject.
650 $a Music $x Philosophy and aesthetics. $3 525611
650 $a Music $x Semiotics. $3 590929
650 $a Music theory $x History. $3 590877