British & Irish literature.
概要
| 作品: | 303 作品在 0 項出版品 0 種語言 | |
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書目資訊
A Cosmopolitics of Conversion: Women's Religious Experience in Victorian British and Colonial Indian Prose.
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"What's the use of trying to read Shakespeare?": Modes of memory in Virginia Woolf's fiction and essays.
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Fragile Spectres: How Women of Victorian Britain Used the Occult and Spiritualist Movement to Create Autonomy.
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Critical introductions to pioneering works of social realism from the early Abbey Theatre.
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Moments of Creativity, Consciousness, and Critique: A Tradition in Black Male Autobiographies.
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Beyond the binaries: Passing as cisgender in "Middlesex", "Trumpet", and "Redefining Realness".
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Trans Literature: Transgender Histories and Genres of Embodiment, Medieval and Post-Medieval.
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Introducing Shakespeare early: Why, when, and how to teach Shakespeare to elementary and middle school students.
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Wound up about brave new seed: Biotechnology and the food industry in dystopian literature.
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A soldier, a captain, and a king: Teaching Shakespeare and Melville in tandem under the Common Core State Standards.
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Works in Progress: Child Characters in Victorian and Postcolonial Fiction, 1814 - 2006.
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Confrontation and withdrawal: Initiation in the novels of Mark Twain, Henry James, and Cao Xueqin.
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"The Nations of the Field and Wood": The Uncertain Ontology of Animals in Eighteenth-Century British Literature.
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Threatened masculinity in English fiction (1883-1915) and Cold War German cinema (1966-1986).
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Moving words/motion pictures: Proto-cinematic narrative in nineteenth-century British fiction.
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Gender and the king's two bodies: Interpreting female characters in select Elizabethan and Jacobean drama.
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Advice and Discontent: Staging Identity Through Legal Representation on the British Stage, 1660-1800.
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Buying Thebes: Promoting a Cultural Commonwealth in Contemporary Anglophone Adaptations of Greek Tragedy.
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Nature's Spectacles: Ornament, Performance, and Natural History in the Long Eighteenth Century.
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DREAM AND DRAMA: IN LATE SIXTEENTH CENTURY AND EARLY SEVENTEENTH CENTURY--CHINA, ENGLAND AND SPAIN (THEATER).
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AWARENESS OF THE WOMAN QUESTION IN THE NOVELS OF GEORGE ELIOT AND EILEEN CHANG (ENGLAND, CHINA).
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Words alike, worlds apart: An inquiry into the ontological and metaphorical modes in Chinese and English lyric poetry.
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The Threat at Court: Subversive Uses of Translation, Transcription, and Tradition in the Henrician Court.
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For love of country: History, nation and identity in British women's writings 1763-1812.
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The fictional sob sisters: Narrative construction of women journalists in popular literature.
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Writing Environment: Cultural Phenomenology of Place in Anna Seward's Writing Process.
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Surviving domestic tensions: Existential uncertainty in New World African diasporic women's literature.
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Imperialism and the sublime in the science fictional works of Jules Verne, H. G. Wells, and Karel Capek.
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Performing ethnic identities in global economies: Power and resistance in Sri Lanka's dirty war.
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Secret Springs of Action: Necessity and Anglo-American Literature in the Age of Revolution.
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The politics of translation: Authorship and authority in the writings of Alfred the Great.
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Voicing female ambition and purpose: The role of the artist figure in the works of George Eliot.
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"I am my own mistress": Narrating professional autonomy and love in Charlotte Bronte's novels.
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The impact of contemporary theological attitudes towards poverty on William Wordsworth's writing.
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Nursery of the nation: Mothers, midwives and national identity on the eighteenth-century comedic stage.
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"Scrupulous sympathy": James Joyce's "Ulysses" and the ethics of modern sentimentality.
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'The shame of all her kind': A genealogy of female monstrosity and metamorphosis from the Middle Ages through early modernity.
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"The Second Barrel is Nearly Always Fatal": Rhetoric in the Three Trials of Oscar Wilde.
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Rhetoric of Resistance: Social Justice in the Work of Wollstonecraft, Cugoano, and Godwin.
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Through the Spaceship's Window: A Bio-Political Reading of 20th Century Latin American and Anglo-Saxon Science Fiction.
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Listening for Unreliable Narration: Narrative Noise in the Nineteenth-Century British Novel.
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Novel Ways of Seeing: Victorian Novels, Animated Adaptations, and the Disoriented Reader/Viewer.
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Avant-gardism in children's theater: The use of absurdist techniques by Anglophone children's playwrights.
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Who Knows What She Is Thinking? An Annotated Selection of Stevie Smith's Poems and Drawings.
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Making Mockeries, Making Connections: The "Revolutionary Potential" of Parody in Twenty-first Century Art and Literature.
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From Sentiment to Sagacity to Subjectivity: Dogs and Genre in Nineteenth-Century British Literature.
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Wits, Shits, and Crits: The Problem of Digestive Interpretation in Pope, Swift, and Fielding.
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Transcendent realities: The search for meaning in the modernisms of Yeats, Joyce, and Pound.
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The power of the other: A character analysis of the orphan figure in children's literature.
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Reconfiguring Self, World, and Word: Modernist Poetic Epiphanies in Eliot, Williams, Levertov, and Revell.
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"Home Is Where You Feel a Welcome": Homemaking as National Belonging in 20th and 21st c. Black British Novels.
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The Intrusion of Trauma into Daily Routine: The Consequences of the Interwar, the Cold War, and the Vietnam War in Literature.
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The Rise of the Mechanimal: How Authors of Scientific Romances Imagined Future Vehicles.
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Private and common ground: The work of Ling Shuhua and Virginia Woolf in the late 1930s.
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Female Comic Grotesque Characters in Victorian Novels: Investigating the Possibilities of Liminality.
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Reforming Victorian Sense/Abilities: Disabilities in Elizabeth Gaskell'S Social Problem Novels.
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Symbols of English Identity: The Country House and Representations of Maternity in Modern British Fiction.
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The Fallen Woman: An Exploration of the Voiceless Women in Victorian England Through Three Plays of Oscar Wilde.
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Glossing the Virgin: The Incarnational Hermeneutics of Mary in the English Middle Ages.
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"We Are Two-Legged Wombs": The Paradigms of Objectification of Women in Margaret Atwood's Dystopia.
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From the Womb to the Word: Pregnancy and Pregnancy Metaphors in 16th and 17th Century English Literature.
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Romanticism as Religion: Beyond the Secularization Narrative in Readings of British Romantic Poetry.
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The Dystopian Impulse and Media Consumption: Redefining Utopia via the Narrative Economics of the New Media Age.
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"It Could Have Happened to Any of You": Post-Wounded Women in Three Contemporary Feminist Dystopian Novels.
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Reaching Readers: Textual Engagement and Personalized Learning in the Works of Christine de Pizan and Geoffrey Chaucer.
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"An imagist turned philosopher": Formal innovation, conscious experience, and the self in modernist women's poetry.
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Convergence and Contest: Humanism, Comic Books, and Higher Education in the Digital Age.
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Epidemiology of Terror: Health, Horror, and Politics in Colonial and Postcolonial Literature.
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Imagining Resistance and Solidarity in the Neoliberal Age of U.S. Imperialism, Black Feminism, and Caribbean Diaspora.
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Envisioning the transcendent: The complementarity of Darstellung and Vorstellung in English and German Romanticism.
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Turning Toward the World: Aestheticism, Christianity, and the Ends of Art in Modernist Literature.
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Latin Labyrinths, Celtic Knots: Modernism and the Dead in Irish and Latin American Literature.
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The politics of taste: Mary Wollstonecraft and Jane Austen on the cultivation of democratic judgment.
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Giambattista Velluti in London (1825-1829): Literary Constructions of the Last Operatic Castrato.
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"In all the Factious Humours You Have Bred": Music as Political Propaganda in Seventeenth-Century England.
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Nature, nurture, nation: Race and childhood in transatlantic American discourses of slavery.
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"Sind Eben Alles Menschen Gewesen". Plutarch Und Shakespeare in Goethes "Goetz von Berlichingen.
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The Gendered Pocket: Fashion and Patriarchal Anxieties about the Female Consumer in Select Victorian Literature.
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Affective Citizenship: Gender and Narratives of Affiliation in Multi-Ethnic British Literature.
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To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing.
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Sustaining Sustainers: Moving Culturally Sustaining Pedagogies Across Classrooms and Communities.
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'Poisoning the Viewer': The Status of Drama and Dramatists, Paintings and Painters in Renaissance England.
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Theatrical Weddings and Pious Frauds: Performance and Law in Victorian Marriage Plots.
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Haunted narratives: The afterlife of Gothic aesthetics in contemporary transatlantic women's fiction.
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Since Sappho: Women in Classical Literature and Contemporary Women's Writing in English.
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"Titus Andronicus": The Material Effects of Sexual Assault and Trauma as Represented Through Design.
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The actor as critic: With some remarks upon the importance of the body in contemporary Shakespearean performance.
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Genealogical Modernism: Family Structures, Identity, History, and Narrative in the 20th-Century "Long" Novel.
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Apocalyptic Vision and Philosophical Optimism in Eighteenth-Century Literature and Philosophy.
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Journey into Fear: Nineteenth Century Travel, Transportation, and the Disquieting Effects of Change.
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"To Be Termed Men": Women's Representations of Men and Masculinity in Early Modern England.
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Myth-Making and Sacred Nature: J.R.R. Tolkien's and Frank Herbert's Mythopoeic Fiction.
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"Buy, Reade, Regard": Learning to Sing and Play Through the Printed Page in Early Modern England.
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Dickensian Pedagogy, a Novel Approach: Educating David Copperfield, At the Knee Learning.
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"The Brute Earth Would Lend Her Nerves and Shake": Violent Female Speech in Early Modern Drama.
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Scene and Unseen: Abjection and the Female Body in Films and Drama of the Northern Irish Troubles, 1969-1998.
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A regnal genealogy in trouble: The Trojan myth as a traumatic national historiography in medieval England.
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Max Horkheimer, Theodor W. Adorno, . . . and C. S. Lewis? Two Revolutionary Philosophical, Moral, and Cultural Critiques.
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Knowing Totality: Capitalism Across Consciousness and Community in Kim, Nostromo, Sons and Lovers, and Ulysses.
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Negative capability as an ethic of empathy: Practicing narrative medicine with John Keats in mind.
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Explorations of Childhood Gender-fluidity and the Subversion of Masculinity in Peter Pan.
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Niche Formations: Rethinking Literary Opportunity in Modern Southeast Asian Literature.
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Traveling Women and Consuming Place in Eighteenth-Century Travel Letters and Journals.
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Sound, Gender, Individual Will, and the Body in Nineteenth-Century British Literature.
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Illuminating the Eighteenth-Century British Stage: Perfecting Performance through Education.
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Feminist Shakespeares: Adapting Shakespeare for a Modern Audience in the Hogarth Shakespeare Project.
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